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A drama centered around a married couple who opened the first legal brothel in Nevada.



1 win & 1 nomination. See more awards »



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Cast overview, first billed only:
Armando Bruza
Tom Macy
Warren Stamp
Johnny Cortez
Hernan Prado (as Raoul Trujillo)


In the mid-70s, near Reno, Grace Bontempo runs the Love Ranch, a legal brothel. Her husband Charlie, with big dreams, a felony record, and an aptitude for spending and infidelity, is the brothel's public face. On the day Grace's doctor tells her she has cancer in an advanced state, Charlie takes on new client, Argentine boxer Armando Bruza, Charlie's ticket to fame: he hopes to promote a fight with Ali. Because of Charlie's felonies, Grace is Bruza's titular manager. With the IRS and the church ladies circling the business, Grace takes the manager's role seriously and, along the way, Bruza charms her. Secrets play out: is there love at the Love Ranch? How will Charlie respond? Written by <>

Plot Summary | Add Synopsis


A Story About Money, Power, Murder... And The One Thing That Makes The World Go Round. See more »


Comedy | Drama | Romance | Sport

Motion Picture Rating (MPAA)

Rated R for sexual content, pervasive language and some violence | See all certifications »

Parents Guide:



Official Sites:




Release Date:

6 January 2011 (Netherlands)  »

Also Known As:

Havat ha'ahava  »

Filming Locations:


Box Office


$25,000,000 (estimated)

Opening Weekend:

$60,353 (USA) (2 July 2010)


$134,904 (USA) (23 July 2010)

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:


| (archive footage)

Aspect Ratio:

1.78 : 1
See  »

Did You Know?


Final film appearance by Harve Presnell who died more than one year before the film was released. See more »


Love Ranch starts out in 1976, but the Reno Arch shown in the beginning of the film is the third Reno gateway and was not erected until 1987. See more »


[first lines]
Grace Bontempo: Selling love will make you rich. That's what my mother taught me. Just don't put your heart in it.
See more »


References The $64,000 Question (1955) See more »


Treat Me Nice
Written by Jerry Leiber & Mike Stoller
Performed by Elvis Presley
Courtesy of RCA Records
By arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

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User Reviews

No raunch in this ranch makes movie a dull boy
26 June 2011 | by (United States) – See all my reviews

Love Ranch fooled me but good. For some reason, I was picturing a raucous, raunchy comedy about a legal brothel run by Joe Pesci and Helen Mirren. But it's not really that way at all; no, this is a standard-issue melodrama about an abusive misogynist who runs his part of the world, his steely wife who runs the business side of the things, and the hapless pro boxer who gets mixed up with them. It's not funny because it's not supposed to be, and that's kind of sad; there's potential for laughs, but in the end all you get are clichés and bad character choices.

Charlie (Pesci) and Grace (Mirren) Bontempo open up the first legal brothel in Nevada. She's the daughter of a prostitute, he's done a stretch in San Quentin. It's the 1970s. They have a pretty good setup for themselves; good-looking women, steady clients, and the law on their side (and in their pockets). They don't want for much, seemingly. Then Charlie, a hotheaded tempest in a teacup if ever there was one, gets the idea that they'll garner more respect (or, more accurately, he will) if they own a successful professional boxer. So he buys the contract of one Armando Bruza, an up-and-coming Argentinian, much to Grace's chagrin. Charlie's banking on his guy doing well in his next fight, based on the rumor that Muhammed Ali would take on the winner.

Here, Pesci plays a slightly watered-down version of Tommy DeVito from Goodfellas. He's foul mouthed, ill tempered, not very bright about a great many things, and seems to survive on chutzpah and the good grace of, well, Grace. Naturally, being the proprietor of a brothel has its privileges, and Charlie samples the wares with some regularity, an occurrence that Grace idly tolerates. When she's asked to become Bruza's manager - as a felon, Charlie can't get a license - she's reluctant, but the swarthy boxer has other ideas. And so it goes.

Now, there's nothing inherently wrong with predictability. If I expect A to happen, and A happens, that's okay - as long as A wasn't spelled out as a fait accompli. If I expect A to happen, but B happens, that is also okay - as long as B is plausible. Here, I expect A to happen, and A happens, and it's obvious from almost the start of the movie that A will happen. This extends to character development as well. If a character does something, say, out of character (!), that's fine - as long as it propels the plot AND makes some bit of sense. Otherwise, it's just a ploy to get me to keep watching. In this movie, Charlie's character is so one-dimensional that when he makes an attempt to be lovey-dovey with Grace it's not even remotely believable. I can blame Pesci a little for this, but it just seem as if he had much to work with.

And for a movie that uses a brothel as its main background, there's very little naughty stuff going on; they may as well have set it in a video store, if those still existed. There's a side plot about some high-and-mighty moral compass waging a war against the legal brothel, but it's barely touched upon, pardon the pun. (The other puns are unpardonable.) The plot just bounces around from issue to issue, circling the main story threat of Bruza, Grace, and Charlie. The result is sometimes maudlin and hackneyed and other terms writers use to describe crappy writing.

4 of 11 people found this review helpful.  Was this review helpful to you?

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