This is a drama about an aging professional wrestler, decades past his prime, who now barely gets by working small wrestling shows in VFW halls and as a part-time grocery store employee. As he faces health problems that may end his wrestling career for good he attempts to come to terms with his life outside the ring: by working full time at the grocery store, trying to reconcile with the daughter he abandoned in childhood and forming a closer bond with a stripper he has romantic feelings for. He struggles with his new life and an offer of a high-profile rematch with his 1980s arch-nemesis, The Ayatollah, which may be his ticket back to stardom. Written by
Randy "The Ram" Robinson shares characteristics of the two biggest wrestling icons of the 1980s: Hulk Hogan and Randy 'Macho Man' Savage (Randy Savage). The look of The Ram, with the long blonde hair and tremendous physique as well as the steroid use, is obviously Hoganesque, while the "Ram Jam" (a flying double forearm smash off the top rope) is inspired by Savage's "Flying Elbow" even down to the pose before executing it. The Ram's feud with "The Ayatollah" also mimics the feud that Hogan had with Khosrow Vaziri (aka "The Iron Sheik") that made him a venerable superstar and the face of 1980s and early 1990s wrestling. See more »
When Cassidy met Randy to shop for his daughter, she had no make-up on and wore a beanie that fully covered her hair. Immediately after shopping, they went to a bar for drinking beer and now Cassidy had quite a bit make-up on and her hair looked as if it has been done. See more »
The authenticity is the hallmark of this movie combined with vivid cinematography and set design. An amazing career-best performance from Mickey Rourke and outstanding work by Marisa Tomei and Evan Rachel Wood, the film is very powerful and emotional. Again, an exceptional achievement by a true artist-Rourke. His performance is so penetrating, wise, and authentic that it deserves the Oscar. Randy "The Ram" Robinson was the biggest wrestler in the world, back in the 80s. Now it's 2008 and while things have changed, in his head he's stuck back in good old days. He's still wrestling, even though the money and his audiences are long gone. His aging body can no longer take the punishment. Aronofsky really captures the magic in Mickey's performance. It is the true essence of method acting. He is "The Ram".
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