| Ville Virtanen | ... | Eerik | |
| Tommi Eronen | ... | Knut | |
| Viktor Klimenko | ... | Semenski | |
| Rain Tolk | ... | Rogosin | |
| Kari Ketonen | ... | Musko | |
| Sonja Petäjäjärvi | ... | Poika | |
| Vilhelmiina Virkkunen | ... | Tytär | |
| Taisto Reimaluoto | ... | Isäntä | |
| Ismo Kallio | ... | Kylänvanhin | |
| Kati Outinen | ... | Eukko | |
| Dick Idman | ... | Roukkula | |
| Ivo Kubecka | ... | Munkki | |
| Elena Leeve | ... | Isännän tyttären ääni (voice) | |
| Elena Spirina | ... | Rogosinin äidin tuutulaulu (voice) | |
| Peter Holmlund | ... | Ruotsalaisten tulkki | |
| Asko Vainio | ... | Ondrei Suurinen | |
| Timo Halonen | ... | Ruotsalainen knihti | |
| Eero Jaakkola | ... | Ruotsalainen knihti | |
| Aleksei Kettunen | ... | Venäläinen streltsi | |
| Juha Linna | ... | Venäläinen streltsi | |
| Stefano Pallanza | ... | Venäläinen streltsi | |
| Antti Eskola | ... | Pohjalainen talonpoika | |
| Markku Salo | ... | Pohjalainen talonpoika | |
| Heikki Tuomaala | ... | Karjalainen talonpoika | |
| Ari Wirta | ... | Kaatamolainen talonpoika | |
| Tarmo Leppänen | ... | Kaatamolainen talonpoika | |
| Kari Nurmi | ... | Kaatamolainen talonpoika | |
| Olavi Kari | ... | Kaatamolainen talonpoika |
Directed by | |||
| Antti-Jussi Annila | (as AJ Annila) | ||
Writing credits(in alphabetical order) | ||
| Iiro Küttner | written by | |
Produced by | |||
| Jesse Fryckman | .... | producer | |
| Filip Hejduk | .... | line producer | |
| Tero Kaukomaa | .... | producer | |
| Anna Konttinen | .... | post-production producer | |
| Heikki Leikola | .... | associate producer | |
| San Fu Maltha | .... | associate producer | |
| Artturi Mutanen | .... | associate producer | |
| Martti Ylöstalo | .... | post-production producer | |
Original Music by | |||
| Panu Aaltio | |||
Cinematography by | |||
| Henri Blomberg | |||
Film Editing by | |||
| Joona Louhivuori | |||
Casting by | |||
| Tutsa Paananen | (as Tutsa Virtanen) | ||
| Pia Pesonen | |||
| Ivan Vorlícek | |||
Production Design by | |||
| Béda Vladimír Dvorák | (as Vladimir Bedrich Dvorak) | ||
| Antti Nikkinen | |||
| Ville Vauras | |||
Costume Design by | |||
| Anna Vilppunen | |||
Makeup Department | |||
| Martina Janotova | .... | assistant makeup artist | |
| Linda Kopecka | .... | assistant makeup artist | |
| Tereza Pracharova | .... | assistant makeup artist | |
| Laura Rantaniemi | .... | assistant makeup artist | |
| Salla Yli-Luopa | .... | makeup designer (as Salla Mäntymaa) | |
Production Management | |||
| David Promberger | .... | production manager | |
| Essi Suomela | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Shakir Hafoudh | .... | second assistant director | |
| Antti Lahtinen | .... | assistant director | |
Art Department | |||
| Ellinoora Aro | .... | assistant art director | |
| Timo Hyppönen | .... | graphic designer | |
| Jiri Maran | .... | set decorating stand-by | |
| Jiri Navratil | .... | property master | |
| Ahti Pursiainen | .... | assistant art director | |
| Saara Salmi | .... | assistant art director | |
| Riina Sipovaara | .... | graphic designer | |
| Frantisek Sloup | .... | set decorating stand-by | |
| Petr Votava | .... | prop buyer | |
Special Effects by | |||
| Erkki Feodoroff | .... | special effects technician | |
| Jarno Jernström | .... | special effects technician | |
| Jiri Maran | .... | special effects | |
| Jukkis Nissilä | .... | special effects foreman | |
| Jonas Nourisson | .... | special effects technician | |
| Mikko Sarkkinen | .... | special effects coordinator | |
| Terhi Silenius | .... | special effects assistant | |
| Frantisek Sloup | .... | special effects | |
| Ilkka Vanhamäki | .... | special effects technician | |
Visual Effects by | |||
| Juha Jokinen | .... | visual effects | |
| Pasi Kaarto | .... | visual effects coordinator | |
| Lasse Kilpiä | .... | animator: titles | |
| Sakari Leppä | .... | visual effects | |
| Timo-Pekko Nieminen | .... | visual effects | |
| Antti Peltoranta | .... | visual effects | |
| Eric Raunio | .... | animator: titles | |
| Carlos Santos | .... | animator: titles | |
| Olli Leppänen | .... | visual effects (uncredited) | |
Stunts | |||
| Pavel Bezdek | .... | stunt coordinator | |
| David Matousek | .... | stunts | |
Camera and Electrical Department | |||
| Sari Aaltonen | .... | first assistant camera | |
| Antti Härkönen | .... | first assistant camera: 2nd unit | |
| Jindra Kares | .... | lighting technician (as Jindrich Kares) | |
| Aleksi Koskinen | .... | still photographer | |
| Kosti Lehikoinen | .... | key grip | |
| Jarkko Liikanen | .... | second assistant camera | |
| Sami Mäntymaa | .... | lighting technician | |
| Harri Naarajärvi | .... | key grip: 2nd unit | |
| Juha Niska | .... | best boy | |
| Joel Siitonen | .... | grip assistant | |
| Sami Toro | .... | key grip | |
| Anne Vahlsten | .... | second assistant camera: 2nd unit | |
| Henry Wacklin | .... | gaffer | |
Casting Department | |||
| Frantisek Petrak | .... | extras casting | |
Costume and Wardrobe Department | |||
| Katka Coufalikova | .... | assistant costumer (as Katerina Coufalikova) | |
| Henrik Heiskanen | .... | seamstress | |
| Onerva Hemmilä | .... | costume cutter | |
| Onerva Hemmilä | .... | head of sewing room | |
| Apolena Krotka | .... | assistant costumer | |
| Emmi Leeve | .... | assistant to costume designer | |
| Katja Rautapohja | .... | seamstress | |
| Susanna Tekkala | .... | seamstress | |
Editorial Department | |||
| Giuseppe Di Giorgio | .... | digital transfer | |
| Pentti Keskimäki | .... | color timer | |
| Outi Kinnunen | .... | film scanner | |
| Joonas Kiviharju | .... | film scanner | |
| Kari Manns | .... | color timer | |
| Mikael Palsio | .... | editorial trainee | |
| Antti Reikko | .... | assistant editor | |
| Ville-Matti Vasama | .... | on-line editor | |
Music Department | |||
| Panu Aaltio | .... | musician: synthesizer | |
| Panu Aaltio | .... | orchestrator | |
| Niall Acott | .... | music recordist | |
| Dave Daniels | .... | musician: solo cello | |
| Matt Dunkley | .... | conductor | |
| Mark Forster | .... | assistant music recordist | |
| Isobel Griffiths | .... | orchestra coordinator | |
| Charlotte Matthews | .... | assistant orchestra coordinator | |
| Perry Montague Mason | .... | concert master (as Perry Montague-Mason) | |
| Mikko Oinonen | .... | music mixer | |
| Anna-Kaisa Pippuri | .... | musician: English horn | |
Transportation Department | |||
| Lubomir Dopita | .... | driver: makeup bus | |
| Juha-Antti Heikkinen | .... | transportation | |
| Petr Hybner | .... | transportation | |
| Jiri Kotan | .... | transportation | |
| Timo Lahtinen | .... | transportation | |
| Jirí Malek | .... | driver: production trailer | |
| Jirí Marek | .... | driver: off-road vehicle | |
| Kamil Zimmer | .... | transportation | |
Thanks | |||
| Antti Hukkanen | .... | thanks | |
| Timo-Pekko Nieminen | .... | special thanks | |
| Pekka Ollula | .... | thanks | |
| Jarmo Puskala | .... | thanks | |
| Timo Vuorensola | .... | special thanks | |
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| Defiance | Andrei Rublev | As Far As My Feet Will Carry Me | The Brothers Grimm | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Finland section |
If someone told me "hey, watch this movie about a haunted sauna, its a really scary horror movie!".. I guess I'd stay as far away from the movie as possible. Luckily I saw some pictures of this Finnish movie and they looked really great.
Everyone looking for a horror movie should stay away from this. Its pretty laughable that so many people focus on the sauna and some ghosts in this movie as typical horror clichés while the director works so obviously on making every single piece and image in this movie a symbol for guilt.
"Sauna" or "Filth" (which is the far more fitting title referring to a statement by one of the Russian soldiers in this movie) is placed after the Russian/Swedish war around 1600 when a group of Russian and Swedish soldiers are setting for the new borders. The opening of the movie with the drawing of borders in blood and then the first shots of water turning red already indicate where this movie is going. Everything is carried by some great cinematography and the lead characters, 2 brothers of a very different kind. One is Knut, a mapmaker with high goals, the other is Erik, a soldier with a grim past who has his problems adjusting to the new peace.
Erik constantly looking for trouble soon gets the group of soldiers into problems when messing with a family. The town the group soon finds in the middle of a swamp becomes a clear symbol of Erics previous atrocities with as many inhabitants as victims on Erics list, a strange girl reminding them of recent wrongdoings (also involving a sauna) and animals and people who clawed out their eyes. The whole issue of not being able to face your past is present throughout the movie that is more like a fable. There is plenty of interesting historical information as well as philosophical dialog including the story about the king and filth or the thoughts if hell is just a place that god turned his back on. The place is soon presented and the irony is that yet everyone is fighting for the land soon there is a place that no one wants to take but rather wants to give to his enemy.
"Sauna" is full of these abstract images and the finale is far from a clear resolution. After all the director clearly tries to make the viewer have his own thoughts. Actually I am still working on figuring the closing images out but however this is a damn interesting and different movie with great cinematography, acting and an interesting setting. There sure are some horror elements in this movie, but I'd rather consider this a mix of art-house movie and drama and its definitely worth giving a chance.