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A look at Genghis Khan's life, from his birth to conquests in Asia.
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Genghis Khan, ruthless leader of the Mongols and sovereign over the vastest empire ever ruled by a single man, was both god and devil - not just in the Middle Ages, but for centuries to come.
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The story recounts the early life of Genghis Khan who was a slave before going on to conquer half the world including Russia in 1206.
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A little known fact is that Chinggis Khaan, better known as Genghis Khan, would collect orphans from his bloody battlefields and have his own mother raise them. These adopted brothers grew ... See full summary »
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During the 13th century the shy Mongol boy Temujin becomes the fearless leader Genghis Khan who unites all Mongol tribes and conquers most of Asia, Europe and the Middle-East.
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In the 1200s, a man arose whose ruthlessness was so feared, he emerged as the greatest empire builder ever known to mankind. Inspired by true historical events.
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In early Republican China, rumors were going around about the treasure in Wudang Mountain. An American conspirator took his well-trained kung fu daughter to Wudang by sponsoring a Taoist martial arts competition, to steal the treasure.
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In Genghis Khan's last days, an encounter with a Wizard sends him to the Moon. Just as the Mediaeval anti-hero thinks he's made his greatest conquest, he finds himself on a spiritual quest, realizing the absurd clash between one man's need and the silence of the Universe.
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Drama
Second film in potential trilogy which began with Mongol: The Rise of Genghis Khan.
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Details
Release Date:
12 March 2009 (Russia)
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Also Known As:
Dschingis Khan - Sturm über Asien
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Box Office
Budget:
$10,000,000
(estimated)
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Company Credits
Technical Specs
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full technical specs »
User Reviews
Hollywood's labyrinthine logic dictates that you can wait years and years for a film about a given topic (asteroid hitting the Earth, Alexander the Great) and, lo and behold, suddenly two will come along. One will invariably trump the other, or even beat it to the screen and throw its production into limbo (the Alexander case). It seems the same rule now applies to global film-making.
The last 3 years have seen two Russian directors try to bring the great Mongol Khan's story to the screen. The result was, on one hand, the epic "Mongol" and this smaller-budgeted offering. Borissov's film suffers by comparison on almost every level: inferior cast, smaller budget and a perplexing wish to cram a huge, complex life story into 2 hours.
There are a few arresting images: a line of monks kneeling to be decapitated, riderless horses charging in battle - someone's been watching Sergei Bondarchuck's War and Peace - and the smaller moments. And yet, net balance is negative: Borissov insist on playing by epic Hollywood rules and those attempts end in failure, chiefly because of what looks like obvious digital photography (that or very bad lenses). While the film is never as ugly as Michael Mann's Public Enemies, it acts as a painful reminder that the technology still has not fully matured to the point where it can carry a period piece on an epic canvas.
All in all, not a complete waste of time if the subject matter appeals to you, in which case Mongol or the interesting, smaller Mongolian version of the tale by Saifu Mailisi (check Amazon.uk). Or maybe John Milius' long awaited version...