7.7/10
8,564
62 user 149 critic

Nanjing! Nanjing! (2009)

Trailer
1:23 | Trailer
In 1937, Japan occupied Nanjing, the Chinese capital. There was a battle and subsequent atrocities against the inhabitants, especially those who took refuge in the International Security Zone.

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9 wins & 9 nominations. See more awards »
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Cast

Credited cast:
...
Lu Jianxiong
...
Miss Jiang
Hideo Nakaizumi ...
Kadokawa
Rest of cast listed alphabetically:
...
Mr. Tang
Yiyan Jiang ...
Xiao Jiang
Ryu Kohata ...
Ida (as Kohata Ryuichi)
Bin Liu ...
Xiaodouzi
Yûko Miyamoto
John Paisley ...
Beverly Peckous ...
Lan Qin ...
Mrs. Tang
...
Durdin (as You Sima)
Di Yao ...
Tang Xiaomei
Yisui Zhao ...
Shunzi
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Storyline

In 1937, Japan occupied Nanjing, the Chinese capital. There was a battle and subsequent atrocities against the inhabitants, especially those who took refuge in the International Security Zone.

Plot Summary | Plot Synopsis

Genres:

Drama | History | War

Motion Picture Rating (MPAA)

Rated R for wartime violence and atrocities including sexual assault, and for some sexuality and brief nudity | See all certifications »
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Details

Official Sites:

Country:

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Language:

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Release Date:

22 April 2009 (China)  »

Also Known As:

City of Life and Death  »

Filming Locations:

 »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$5,610 (USA) (13 May 2011)

Gross:

$119,922 (USA) (28 October 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In 2005 there were angry protests in China after Japan published school textbooks which China claimed played down the country's wartime atrocities. See more »

Goofs

Several scenes take place on a square where stands what seems to be a ruined large public building. Towards the end, this building is shown from another angle, but it is clear from its shape that the image has been flipped horizontally. See more »

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User Reviews

 
Amazing piece of cinema, powerful. dramatic, moving
17 May 2009 | by (Berlin, Germany) – See all my reviews

Viewed at the Festival de Cannes 2009 (Market screening)

Since I am not Chinese, or of Chinese extraction, City of Life and Death has a different resonance for me. I know of the Nanking massacre (for which, it has to be said, the Japanese have yet to apologise or even properly acknowledge) from my own interest in history, as well as the John Rabe story (the Nazi who helped save thousands of Chinese civilians, until recalled to Germany since Hitler did not wish to upset his Japanese allies).

Therefore, for me, City of Life and Death retells a fearful part of history, but not one with which I have any direct connection. So while this film may resonate a certain way for Chinese viewers, be they from the mainland, Hong Kong or overseas Chinese, I can tell you that I, as a European, have seldom seen a film so powerful, gripping, dramatic and moving.

City of Life and Death is not nationalistic propaganda or a reversioning for the screen: no punches are pulled. The woman next to me was in tears. So be warned, this is not easy viewing. But by featuring on a few characters, allowing them to become fully three-dimensional human beings (not Chinese, not Asian, but human beings who live, love and feel) director Lu Chuan makes his audience feel and share their fear and terror as the Japanese invaders commit atrocity after atrocity on the fallen city's inhabitants. Never forget, this actually happened.

If anything, Lu Chuan soft pedals on the horrors. They are depicted, but are not front and centre. This is not a horror film so gore hounds and ghouls should seek their thrills elsewhere. Rather, it is the arbitrariness with which the Japanese went about their murderous work that scares. Wrong place, wrong time: rape, torture, murder. This wasn't the efficient, methodical murder the Nazis introduced, but rather cold brutality, as a cat toys with a helpless mouse. Unthinking, unreasoning, just because.

Filmed in black and white, City has so many images and scenes that remain fixed in you mind long after the final credits have rolled. Lu Chuan even selects the grain and grading according to the action. The use of colour would, in this case, have weakened the film.

But if City of Life and Death were just two hours of suffering it would be unworthy of an audience. So Lu Chuan gives us the central characters of Mr. Tang (John Rabe's secretary), Miss Jiang (a schoolteacher) and Kadokawa (a sensitive Japanese soldier who witness but cannot delay the unspeakable). All of them are helplessly swept up in the maelstrom, which Lu Chuan leavens with scenes of (attempts at) normal life, normal human interaction and naked attempts at survival. These are people with whom one can identify and empathise.

Yet, at heart, City of Life and Death is extremely uplifting. The message, at the end, is positive and optimistic. In writing this review, the film is coming back to me again. What I once read, black and white on a page, has been made real for me and, yes, I'm emotionally moved by it.

If you believe in the power of film, want a break from popcorn entertainment, are looking for a film that can make you feel (as opposed to having your emotions manipulated) then please go see this one. It's rare when I think a film should be seen, deserves to be seen, but City of Life and Death belong in that very rare category.


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