A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Stephen Meyers is a young idealist who's brilliant at communications, is second in command of Governor Mike Morris's presidential campaign, and is a true believer. In the middle of the Ohio primary, the campaign manager of Morris's opponent asks Meyers to meet; he offers him a job. At the same time, Morris's negotiations for the endorsement of the man in third place, a North Carolina Senator, hit a snag. A young campaign intern, Molly Stearns, gets Stephen's romantic attention. Republicans have a trick up their sleeve; Stephen may be too trusting, and Molly has a secret. What's most important, career, victory, or virtue? Written by
Some of Governor Mike Morris's (George Clooney) campaign posters are inspired by Shepard Fairey's iconic "Hope" poster, used during Barack Obama's campaign in 2008. The AP photograph that Fairey used in "Hope" was taken at a 2006 press conference in which then Sen. Obama shared a stage with fellow Senator Sam Brownback and George Clooney, who had just returned from Sudan. Indeed, the image in the "Hope" poster is of Obama listening to Clooney speak. See more »
When they are watching a bank of TVs, the TV on the far left has a "Local 12" lower third, but the reporter doing the stand-up is holding a Channel 9 Microphone. See more »
I'm not a Christian. I'm not an Atheist. I'm not Jewish. I'm not Muslim. My religion, what I believe in is called the Constitution of United States of America.
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And to talk about alternate thrillers, put this next to also Academy Award-nominated "Margin Call" for screenplay you easily spot the difference, both in the quality of performances and the power of the script. This thriller-drama revolves around Stephen (Ryan Gosling), a smart staffer for a campaign who learns the true face of politics the quick way.
The script is captivating and it draws the audience at the exact moment the film starts, but what satisfies more than the changes in Gosling from the beginning to the end? Ryan Gosling delivers his transition realistically through events that unfold in front of him, with solid and believable performances scene after scene that prove he is a highly capable actor. Gosling's mask-like portrait of the nameless hero in "Drive" is amazing and exciting, but his performance in "The Ides of March" undoubtedly expose to us more of his if not flawless, masterful and flexible acting abilities. And we shouldn't leave out Hoffman and Giamatti, who are both incredible and perfect for their roles, Paul Zara and Tom Duffy, respectively. Clooney is great, but credits should definitely be given to him for the whole package, for his directing and writing rather than his performance alone. Evan Rachel Wood plays a supporting role as Molly Stearns, who is much related to the entire campaign itself and many characters. She is also the key that motivates Gosling's actions.
"The Ides of March" is certainly one of the most powerful and believable political thrillers or dramas out there, so don't miss this for certain.
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