IMDb > And Everything Is Going Fine (2010)
And Everything Is Going Fine
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And Everything Is Going Fine (2010) More at IMDbPro »

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And Everything Is Going Fine -- Steven Soderbergh distills 25 years of rare footage to construct a final monologue by Spalding Gray.

Overview

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Plot:
A look at the art of Spalding Gray who drew from real life experience to create a compelling and deeply personal series of monologues. Full summary » | Add synopsis »
User Reviews:
Some interesting recollections in one run-on sentence See more (6 total) »

Cast

 

Spalding Gray ... Himself

Directed by
Steven Soderbergh 
 
Produced by
Joshua Blum .... producer
Amy Hobby .... producer
Kathie Russo .... producer
 
Original Music by
Forrest Gray 
 
Film Editing by
Susan Littenberg 
 
Production Management
David Kirchner .... post-production supervisor
 
Sound Department
Billy Theriot .... assistant sound editor
 
Editorial Department
Corey Bayes .... assistant editor
Nat Jencks .... colorist
Nat Jencks .... conform editor
 
Other crew
David Ebmeier .... production coordinator
Holly Kang .... assistant: Mr. Soderbergh
 

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Additional Details

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Runtime:
USA:89 min
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Language:
Color:
Aspect Ratio:
1.33 : 1 See more »
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Did You Know?

Movie Connections:
References "Gunsmoke" (1955)See more »
Soundtrack:
TubthumpingSee more »

FAQ

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Some interesting recollections in one run-on sentence, 17 August 2014
Author: SnoopyStyle

Actor Spalding Gray tells stories through a series of monologue. Director Steven Soderbergh splices together the various segments to create a vision of a man's life through his own words. Spalding is most famous as an actor whose biggest movie is probably 'The Killing Fields'. This is a fascinating experience like sitting in front of the man listening intently at the story teller. It's confessional. It's personal. It's sometimes funny, some shocking, and just a lot of little personal recollections. There is a lot of footage from his one person play. The disembodied laughter is a little bit strange since it depends on which footage is being used. Some footage is just an interview. I have a feeling that the play is a lot more mesmerizing. The movie runs on and on switching from one performance to another to an interview. It feels like a run-on sentence. There are some undeniable laughs. Sometimes I miss some of the laughs from the audiences. It's like I'm missing a comedic beat or some obscure reference.

I wonder if it would be better to have a straight uncut film of the plays. A film that takes in Spalding's pace could allow the stories to hit better. Let's pause for effect. Let's have a break for the audience. The monotone pacing tested my patience after 30 minutes. Of course, a theater performance transferred directly to film almost never works except for comedy specials. This is sorta like that. Then again it isn't. The pacing could be too slow for movie audiences. This is an interesting attempt, but it didn't all work for me.

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