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Directed by | |||
| Rodrigo García | |||
Writing credits(WGA) | ||
| Rodrigo García | (written by) | |
Original Music by | |||
| Ed Shearmur | (as Edward Shearmur) | ||
Cinematography by | |||
| Xavier Pérez Grobet | (director of photography) | ||
Film Editing by | |||
| Steven Weisberg | |||
Casting by | |||
| Heidi Levitt | |||
Production Design by | |||
| Christopher Tandon | |||
Set Decoration by | |||
| Lisa Fischer | |||
Costume Design by | |||
| Susie DeSanto | |||
Makeup Department | |||
| Carla Farmer | .... | assistant hair department head | |
| Kimberly Felix | .... | assistant makeup department head (as Kim Felix-Burke) | |
| Michael Germain | .... | makeup artist | |
| Sian Richards | .... | makeup department head | |
| Gail Rowell-Ryan | .... | hair department head (as Gail Ryan) | |
Production Management | |||
| Paul Jaconi-Biery | .... | production supervisor | |
| Jonathan McCoy | .... | unit production manager | |
| John Portnoy | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Julian Brain | .... | second second assistant director | |
| Christophe Le Chanu | .... | second assistant director | |
| John McKeown | .... | first assistant director | |
Art Department | |||
| Rebekah Bell | .... | assistant art director | |
| April Falzone Garen | .... | food stylist | |
| Ramon Fernandez | .... | greens person | |
| Douglas Fox | .... | property master | |
| Luis Ivan Garcia | .... | art department intern (as Luis Iván García) | |
| Seth Goulden | .... | set dresser | |
| Josephine Green-Yang | .... | art department intern | |
| Allison Gross | .... | assistant property master | |
| Bruce E. Kasson | .... | set dresser (as Bruce Kasson) | |
| George Lee | .... | set dresser | |
| Cynthia Martinez | .... | head greensperson | |
| Patricia R. Mitchell | .... | painter (as Patricia Mitchell) | |
| Glenda Mullins | .... | painter | |
| David C. Potter | .... | leadman (as David Potter) | |
| Michael P. Sweeney | .... | assistant property master | |
| Barry Tugendhaft | .... | greensperson (as Barry R. Tugendhaft) | |
| Richard Blake Wester | .... | set dresser (as Richard B. Wester) | |
| Joyce Yeich | .... | on-set dresser | |
| Matt Center | .... | set dresser (uncredited) | |
| Sean Lira | .... | set dresser (uncredited) | |
Sound Department | |||
| David Betancourt | .... | foley mixer (as Dave Betancourt) | |
| Aymen Braek | .... | sound mixer | |
| Susan Dawes | .... | supervising sound editor | |
| Peter J. Devlin | .... | sound mixer (as Peter Devlin) | |
| Ron Evans | .... | adr mixer | |
| Dawn Fintor | .... | foley artist | |
| Harsha First | .... | additional boom operator | |
| Harsha First | .... | utility sound | |
| Laura Graham | .... | dialogue editor | |
| Sonia Hernandez | .... | audio: dailies, Cinemascan, EFilm | |
| Doug Jackson | .... | sound effects editor | |
| David Lucarelli | .... | adr recordist | |
| Helen Luttrell | .... | dialogue editor | |
| John Murray | .... | foley supervisor (as John M. Murray) | |
| Andy Nelson | .... | sound mixer | |
| Paul Pavelka | .... | sound re-recording engineer | |
| David Raymond | .... | boom operator (as David Fiske Raymond) | |
| Charleen Richards | .... | adr mixer (as Charleen Steeves) | |
| Dennis Rogers | .... | sound recordist | |
| Christine Sirois | .... | adr recordist | |
| Alicia Stevenson | .... | foley artist | |
| Jason Tuttle | .... | assistant sound editor | |
Special Effects by | |||
| Chris Cline | .... | special effects technician | |
| David Waine | .... | special effects coordinator (uncredited) | |
Visual Effects by | |||
| Jamie Baxter | .... | 3d supervisor: Custom Film Effects | |
| Jamie Baxter | .... | compositor: Custom Film Effects | |
| Patrick Clancey | .... | digital opticals: EFilm (as Pat Clancey) | |
| Mark Dornfeld | .... | visual effects supervisor: Custom Film Effects | |
| Michele Ferrone | .... | visual effects producer: Custom Film Effects | |
| Hector Moreno | .... | digital imaging technician | |
| Adam Zepeda | .... | 3d artist: Custom Film Effects | |
| Shaina Holmes | .... | digital artist supervisor (uncredited) | |
| Paulina Kuszta | .... | visual effects coordinator (uncredited) | |
Stunts | |||
| Kurt Bryant | .... | stunt coordinator | |
| Eugene Collier | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Michael D. Alvarez | .... | second assistant camera: "a" camera | |
| Miguel Benavides | .... | key grip | |
| Alzahir Born | .... | video playback technician (as Zahir Born) | |
| Hector Castillo | .... | best boy electric | |
| Craig Cooper | .... | company grip | |
| Chris Cotterman | .... | company grip | |
| Kelly Cummins | .... | second assistant camera: "b" camera | |
| Jeffrey Greeley | .... | camera operator: "b" camera (as Jeff Greeley) | |
| Robert Head | .... | best boy grip | |
| Mike Horan | .... | company grip | |
| Ami Howard | .... | digital utility | |
| Timothy James Kane | .... | first assistant camera: "b" camera (as Timothy Kane) | |
| Randy Ladd | .... | company grip | |
| Craig Massie | .... | additional grip | |
| Michael Moretti | .... | 24 frame playback operator | |
| Ralph Nelson | .... | still photographer | |
| Dylan Pomerleau | .... | company electrician (as Dylan Sean Pomerleau) | |
| Kurt Pomerleau | .... | company electrician (as Kurtis S. Pomerleau) | |
| Max Pomerleau | .... | gaffer (as Paul Maxim Pomerleau) | |
| Nick Pomerleau | .... | company electrician (as Nick Theodule Pomerleau) | |
| Wayne Stroud | .... | dolly grip | |
| Mariana Sánchez de Antuñano | .... | additional camera operator: "b" camera | |
| Mariana Sánchez de Antuñano | .... | first assistant camera: "a" camera | |
| Maxwell Thorpe | .... | additional grip | |
| Erik Wolford | .... | additional dolly grip: "b" camera (as Lord Eric Walford) | |
| Thomas Bango | .... | first assistant camera (uncredited) | |
| Zsolt Kadar | .... | additional first assistant camera (uncredited) | |
Casting Department | |||
| Dawn Marie Deibert | .... | extras casting (as Dawn Deibert) | |
| Lisa Essary | .... | casting associate | |
| Lauren Fernandes | .... | casting associate | |
| Rich King | .... | extras casting | |
| Phoebe Middleton | .... | casting intern | |
| Georgia Simon | .... | adr casting | |
Costume and Wardrobe Department | |||
| Amanda Angott | .... | costume intern | |
| Claire Bergkamp | .... | costumer | |
| Jamelle Flowers | .... | set costumer | |
| Deborah Hall | .... | costume supervisor | |
| Susan Kistler | .... | key costumer | |
| Amy Laslett | .... | costume intern | |
| Brie Harris | .... | costumer (uncredited) | |
Editorial Department | |||
| Rick J. Brown | .... | colorist: dailies, Cinemascan, EFilm (as Rick Brown) | |
| Natasha Leonnet | .... | digital intermediate colorist | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Brinton Lukens | .... | post-production coordinator | |
| Loan Phan | .... | digital intermediate supervising producer | |
| Robert E. Phillips | .... | digital intermediate producer: EFILM (as Robert Phillips) | |
| Catherine Rowe | .... | assistant digital intermediate colorist | |
| Eric O. Schusterman | .... | first assistant editor | |
| Jessica Tardieu | .... | post-production intern | |
| George Chavez | .... | color timer (uncredited) | |
| Joan Malloch | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Anthony Baldino | .... | ambient music designer | |
| Bryan Carrigan | .... | digital score recordist | |
| Bryan Carrigan | .... | music editor | |
| Chris Fogel | .... | music scoring mixer | |
| Barklie K. Griggs | .... | music supervisor (as Barkie Griggs) | |
| Simon James | .... | orchestra contractor | |
| Kory Kruckenberg | .... | music sound engineer | |
| Chris Lane | .... | ambient music designer | |
| Northwest Sinfonia | .... | musicians | |
| Robert Puff | .... | music preparation | |
| David Sabee | .... | orchestra contractor | |
| Jon Schluckebier | .... | scoring stage technician (as Jon Schlukabier) | |
| Brian Valentino | .... | pro tools operator | |
| Henri Wilkinson | .... | additional orchestrator | |
| Henri Wilkinson | .... | score producer | |
| John Winters | .... | scoring stage assistant | |
Transportation Department | |||
| Rod Brodie | .... | driver | |
| Darin Chisholm | .... | driver | |
| Curtis Clark | .... | driver (as Curtis E. Clark) | |
| Kaiser Clark | .... | driver: Ms.i Watts | |
| Michael Connor | .... | transportation clerk | |
| James Deegan | .... | transportation co-captain | |
| Geno Hart | .... | transportation consultant | |
| Chris Haynes | .... | driver | |
| Kyle Jetton | .... | driver (as J. Kyle Jetton) | |
| William Laran | .... | driver | |
| Eric Learnnard | .... | driver | |
| Marc Lipman | .... | driver | |
| Bill Needham | .... | driver (as William Needham) | |
| John Pellegrino | .... | transportation captain (as John 'JP' Pellegrino) | |
| John Russo | .... | driver | |
| Daniel Sanchez | .... | picture car mechanic (as Daniel J. Sanchez) | |
| William Smallwood | .... | driver | |
| Bill Thompson | .... | driver | |
| William P. Lafon | .... | production van driver operator (uncredited) | |
| Steve Larson | .... | driver (uncredited) | |
Other crew | |||
| Carlos A. Aragon | .... | location manager (as Carlos Aragon) | |
| Lauren Barnhart | .... | assistant: Ms. Watts | |
| Teodoro Benitez | .... | assistant chef | |
| Christina Born | .... | insurance: DeWitt Stern | |
| Kristen Boulé | .... | set production assistant | |
| Emerson Bruns | .... | production legal | |
| June Christopher | .... | adr loop group | |
| Robert Contreras | .... | assistant chef | |
| Beth Diamond | .... | assistant: Ms. Washington | |
| Melissa Downing | .... | location assistant (as Melizza 'Zippy' Downing) | |
| Tad Driscoll | .... | production accountant | |
| Simon Edelman | .... | production office assistant | |
| Peter Flanigan | .... | production legal | |
| Nancy A. Flint | .... | studio teacher (as Nancy Flint) | |
| Gonzalo García Barcha | .... | title designer | |
| Blair Glorious | .... | first assistant accountant | |
| Jake Goldman | .... | production intern | |
| Mike Gomez | .... | adr loop group | |
| Julie Hannum | .... | location scout | |
| Elizabeth Himelstein | .... | dialect coach: Ms. Watts | |
| Melissa Lynn La Marr | .... | production intern | |
| Eloy Lara | .... | medic | |
| Ken Lebre | .... | dailies producer: Cinemascan, EFilm | |
| Gordon Li-Ron | .... | set production assistant | |
| Vanessa Macedo | .... | production office assistant | |
| Douglas S. McClintock II | .... | location scout (as Doug McClintock) | |
| Volney McFarlin | .... | assistant: Mr.Jackson | |
| Ricard Miro | .... | adr loop group | |
| Luis Montenegro | .... | chef | |
| Giovanni Nasi | .... | production intern | |
| Morgan Patterson | .... | key assistant location manager | |
| Jacqueline Pinol | .... | adr loop group | |
| Megan Schmidt | .... | set production assistant | |
| Stan Sellers | .... | adr loop group | |
| Georgia Simon | .... | adr loop group | |
| Skip Stellrecht | .... | adr loop group | |
| Karen Strassman | .... | adr loop group | |
| Ingrid Urich-Sass | .... | script supervisor | |
| Lindsay Waldman | .... | assistant: Ms. Bening | |
| Alma Weaks | .... | craft service | |
| Robert S. Wilhelm Jr. | .... | key set production assistant (as Bobby Wilhelm) | |
| Priscila Amescua-Mendez | .... | assistant: Alejandro Gonzalez Iñarritu (uncredited) | |
| Philip Banks | .... | additional production assistant (uncredited) | |
| Gareth Paul Cox | .... | production assistant: New York City (uncredited) | |
| Audrey Dundee Hannah | .... | stand-in (uncredited) | |
| Lawrence Pacheco | .... | site representative (uncredited) | |
| Jasan Sherman | .... | key assistant location manager (uncredited) | |
| Peter Vogel | .... | production associate (uncredited) | |
| Jess Weiss | .... | production intern (uncredited) | |
| Joe Zimmerman | .... | stand-in: Mr. Smits (uncredited) | |
Thanks | |||
| Alfonso Cuarón | .... | special thanks | |
| Guillermo del Toro | .... | special thanks | |
| Martha Haight | .... | special thanks | |
| Crystal Riportella-Crose | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Caught this one at TIFF, and it was one of the best movies of the festival. Rodrigo Garcia directed "Nine Lives", which may be familiar to some audiences. That one was from 2005 and wove together a series of short vignettes. Garcia has a wonderful sensibility at portraying female characters in that one, and in "Mother & Child" he builds upon it even further as the movie centers around the theme of adoption and how it affects three adult women, played by Annette Bening, Naomi Watts, and Kerri Washington.
I suppose this will get the "chick flick" label upon it's release, but for any lover of good dramas with characters you can sink your teeth into, that shouldn't matter, and besides, when did it become unfashionable for grown men to see movies with attractive female stars in them? There isn't a false moment or a scene that doesn't ring true, and I found myself so involved in the particularities of all the characters we meet that it no longer mattered to me what happened next, it was more interesting to get inside the shoes and take a walk inside the lives of these characters, so well fleshed out by all the stars here. So many big movies from America often feature adults behaving like children, and so it's ultimately refreshing and quite moving to follow the characters in "Mother & Child" who are going through very adult problems and acting like adults throughout, even if sometimes they fall or crack or are flawed.
I think Bening and Watts, playing two very complicated and difficult women, should be nominated for Oscars. This movie takes material that could have been dumbed down and made into a TV movie of the week, but instead Rodrigo Garcia elevates the film by really listening to his characters. A wonderful movie, not just for women, but for all adults who like good movies, and for all film-goers who especially like "hyperlink" movies, that is, movies that deal with a multitude of characters while letting each of them take the wheel of the car. Terrific.