This romantic comedy takes place over the course of one year - opening on New Year's Eve of one year and closing exactly one year later. The film focuses on three women living together in a... See full summary »
Set in 1981, "The Last Summer" tells the story of 12-year-old Joel Shuman's first summer after the sudden death of his mom. Joel helps his family come to terms with their tragic loss while ... See full summary »
Almost forty years ago, a young girl of fourteen has sex, gets pregnant, and gives her baby up for adoption. Fast-forwarding to the present day, we meet three very different women, each of whom struggles to maintain control of their lives. There's Elizabeth, a smart and successful lawyer who uses her body to her advantage. Any time she feels that she doesn't have the upper hand, and cannot control the situation, she uses her sex appeal - whether that be starting a romance with her boss when she suspects he is trying to start one himself, or finding some way to control her overly friendly neighbor and husband. Karen, meanwhile, is a bitter health care professional who obviously has a lot of heart but never shows it. She gave up a daughter at the age of fourteen (wonderfully shown rather than told, she is the young girl and mother of Elizabeth), and has never gotten over it - her bitterness inspiring her to lash out at everyone around her - even the gentle man at work who is undeniably ... Written by
Sony Pictures Classics
Naomi Watts was pregnant with her second child and there's a scene at the clinic where the audience can see her real son moving inside her belly. Naomi said in an interview that the baby was sleeping and she took a cold glass of water to wake him up inside. See more »
Her birthday's coming up. She'll be 37.
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Mother and Child was the best movie I saw at the Toronto International Film Festival and I saw 25.
Annette Bening is staggeringly brilliant in her role. She's a prickly and largely unappealing character, but the actress brings such humanity to the performance as a woman whose heart is slowly coming to life. Naomi Watts also brings nuance and humanity to a flawed and complex character. In a world where characters must always be "likeable," these performances feel like revelations.
Direction is consistently sensitive and intelligent. The script deftly moves between three worlds, with intersections that are surprising and never feel forced.
If Mother and Child doesn't garner wide distribution (and an Oscar nod for Ms. Bening) then this industry is deeply flawed.
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