A storm is heading to the city, and with it comes another occurrence so destructive, it vows to bring down everything it touches. A crew of seasoned criminals led by the notorious Nam (Hu ... See full summary »
Story centers on a battle during China's Warring States Period, a series of civil wars, which spanned from the 5th to the 3rd century B.C. Based on a popular Japanese manga, which was in turn based a Japanese novel inspired by Warring States history in China.
His country torn asunder by civil war, Zhao Zilong, a common man heeds the call of duty and from the humblest of roots rises through the ranks on wings of courage and cunning to command an ... See full summary »
A special agent has for 8 years been deep undercover in Asia's lucrative organized crime trade as he plays protégé to one of the key players, Banker. Nick now has but he has started to feel loyalty to his new environment, and to the money.
A cop is forced into early retirement due to retinal damage. But after witnessing a bank robbery along with a female inspector - who believes he has acute senses - they team up in hope to solve the case.
In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Anthony Chau-Sang Wong
The production values are respectably high for this rather ordinary and typical Hong Kong gangster flick. The requisite shoot-outs and car chases are interesting and hold ones attention, but unfortunately the story lacks that quality. I did like the fact that Thailand could so easily be integrated into the story. I look forward to seeing a HK gangster film with New York City as the venue.
For the neophyte this could be a primer for HK movies. There is nary a cliché which is not explored. Filial bonds/obligations, brother love - responsibility to ones family and siblings, an incurable illness, betrayal, the irresistible charm of a "bad" boy, responsibility for ones actions, doing the "right" thing, sacrifice, "good" bad guys, "bad" good guys - it's incredible how they can cram all this stuff into one movie! (There's actually more - much more.) So, the over the top acting is the natural complement needed to put the story over.
There's often actions taken (things happen) which keep the story going. Things which have little or no logic - yet, they happen. I often wonder why the writers are so concerned with continuity when the stories have so little logic that continuity really doesn't matter. (It's probably a Hong Kong thing.)
As for the phony blood and such, the acting and dialog usually draws your attention and you don't notice it. (Sometimes the translations are as challenging as the plots.)
Hong Kong gangster movies can be very interesting and educational, but you can pass on this one.
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