| Videos (see all 7) |
| Geena Davis | ... | Gloria Conway | |
| Harrison Gilbertson | ... | Billy Conway | |
| Harry Cook | ... | Larry Conway | |
| Joel Tobeck | ... | Ray Conway | |
| Wendy Playfair | ... | Mrs. Smolensky | |
| Sebastian Gregory | ... | Doug Post | |
| Sarah Woods | ... | Dottie Post | |
| Morgan Griffin | ... | Katrina Post | |
| Troy Planet | ... | Tiny Post | |
| Erik Thomson | ... | Bob | |
| Viva Bianca | ... | Becky | |
| Rebecca Massey | ... | Louise | |
| Katrina Retallick | ... | Connie Conway-Kellywood (as Katrina Retalick) | |
| Jayden Hall | ... | Ricky Kellywood | |
| Damien Garvey | ... | Officer Passman | |
| Peter Lamb | ... | Officer Barret | |
| Johnny Xenos | ... | Gene Conway | |
| Ivy Latimer | ... | Linda Conway | |
| Karl Beattie | ... | Young Billy | |
| Joshua Denyer | ... | Young Gene | |
| Flynn Colby | ... | Young Larry | |
| Lachlan Campbell | ... | Young Doug | |
| Tyler Coppin | ... | Narrator (voice) | |
| John Keightley | ... | Marriage Celebrant (as John Keightly) | |
| Brian Carbee | ... | Bingo Caller | |
| Rosslyn Powell | ... | Bingo Lady | |
| Nathan Page | ... | Young Man at Bingo | |
| Sarah Carradine | ... | Nouse Matron | |
| Alison Gallagher | ... | Young Nurse | |
| Stephen Radford | ... | Mr. Smolensky |
Directed by | |||
| Andrew Lancaster | |||
Writing credits(in alphabetical order) | ||
| Brian Carbee | writer | |
Original Music by | |||
| Antony Partos | |||
Cinematography by | |||
| Ben Nott | (director of photography) | ||
Film Editing by | |||
| Roland Gallois | |||
Casting by | |||
| Kerry Barden | |||
| Anousha Zarkesh | |||
Production Design by | |||
| Elizabeth Mary Moore | |||
Art Direction by | |||
| Angus MacDonald | |||
Set Decoration by | |||
| Richard Jensen | |||
Costume Design by | |||
| Nina Edwards | |||
Makeup Department | |||
| Wendy De Waal | .... | hair designer | |
| Wendy De Waal | .... | makeup designer | |
| Susy Kelly | .... | hair stylist | |
| Susy Kelly | .... | makeup artist | |
| Margaret Stevenson | .... | makeup artist: Ms. davis | |
| Elka Wardega | .... | hair stylist | |
| Elka Wardega | .... | make up artist | |
| Paul Williams | .... | additional hair stylist | |
| Paul Williams | .... | additional makeup artist | |
Second Unit Director or Assistant Director | |||
| Debbie Antoniou | .... | second assistant director | |
| Danielle Blake | .... | third assistant director | |
| Andy Fernandez | .... | directing attachment | |
| John Martin | .... | first assistant director | |
Art Department | |||
| Leon Batchelor | .... | art department attachment | |
| Marc Bergman | .... | buyer | |
| Marc Bergman | .... | set dresser | |
| Sarah Fardell | .... | art department runner | |
| Voula Kitziris | .... | art department assistant | |
| Shane Melder | .... | art department assistant | |
| Giles Morgan | .... | carpenter | |
| Giles Morgan | .... | set builder | |
| Jason Schara | .... | construction manager | |
| Jason Schara | .... | props builder | |
| Kirsty Simmons | .... | art department coordinator | |
| Kirsty Simmons | .... | graphic artist | |
| Ben Skinner | .... | on-set dresser | |
| Katerina Stratos | .... | conceptual artist | |
| Ben Walker | .... | standby props | |
| Gavin Walker | .... | art department assistant | |
| Madeleine Whitfield | .... | art department attachment | |
| Murray Wilkinson | .... | set painter | |
| Christian Winberg | .... | art department assistant | |
Sound Department | |||
| Asha Ardill | .... | sound liaison: Soundfirm | |
| Danielle Barron | .... | foley assistant | |
| Mark Blackwell | .... | sound effects editor | |
| Mark Blackwell | .... | sound recordist | |
| Benjamin Cheah | .... | sound re-recording mixer (as Ben Cheah) | |
| Benjamin Cheah | .... | supervising sound editor (as Ben Cheah) | |
| Bruce Emery | .... | dolby sound consultant | |
| Mark Franken | .... | adr editor | |
| Lee Kelly | .... | additional boom operator | |
| Manel López | .... | additional boom operator (as Manel Lopez) | |
| Ian McLoughlin | .... | dialogue editor | |
| Ian McLoughlin | .... | sound re-recording mixer | |
| Roger Middenway | .... | sound intern | |
| Jason Oliver | .... | adr recordist | |
| Liesl Pieterse | .... | adr recordist | |
| Troy Porter | .... | adr mixer | |
| Harry Roden | .... | adr recordist | |
| Ian Rumbell | .... | boom operator | |
| Blair Slater | .... | foley recordist | |
| Gregg Swiatlowski | .... | assistant sound editor | |
| Richard Teague | .... | sound assistant | |
| Richard Teague | .... | sound attachment | |
| Mario Vaccaro | .... | foley artist | |
| Sethie Willie | .... | additional boom operator (as Sethy Willie) | |
| Andy Wright | .... | adr recordist | |
Special Effects by | |||
| Billy Aziz | .... | special effects coordinator | |
| Herman Bron | .... | special effects technician | |
| Ray Fowler | .... | special effects technician | |
| Tristian Haddon | .... | special effects technician (as Tristan Hadden) | |
| Thomas Van Koeverden | .... | special effects supervisor | |
Visual Effects by | |||
| Steve Anderson | .... | 3d visual effects: Cutting Edge | |
| Nick Angus | .... | 3d modeler/texture artist: Cutting Edge | |
| Emilie Boyard | .... | compositor: Cutting Edge | |
| Daniel Brown | .... | lead compositor: Cutting Edge | |
| David Brown | .... | 3d visual effects: Cutting Edge | |
| Melanie Byers | .... | visual effects producer: Cutting Edge | |
| Matt Chance | .... | compositor: Cutting Edge | |
| Emma Clifton | .... | compositor: Cutting Edge | |
| Trevor Coates | .... | 3d visual effects: Cutting Edge | |
| Jayne Da Costa | .... | visual effects producer: Cutting Edge | |
| Mark Doney | .... | compositor: Cutting Edge | |
| Robert East | .... | 3d research and development: Cutting Edge (as Rob East) | |
| Vincent Fiere | .... | matte painter: Cutting Edge | |
| Adam Jones | .... | digital compositor | |
| Tom King | .... | 3d modeler/texture artist: Cutting Edge | |
| Kosta Lagis | .... | 3d modeler/texture artist: Cutting Edge | |
| Steve Leacey | .... | compositor: Cutting Edge | |
| Jason Li | .... | 3d modeler/texture artist: Cutting Edge | |
| Duncan MacDonald | .... | 3d animator: Cutting Edge | |
| Duncan MacDonald | .... | 3d modeler/texture artist: Cutting Edge | |
| Kirsty Martin | .... | visual effects producer: Cutting Edge | |
| Luke Parsons | .... | compositor: Cutting Edge | |
| Ron Roberts | .... | visual effects supervisor: Cutting Edge | |
| Hugo Saunders | .... | compositor: Cutting Edge | |
| Scott Thomas | .... | 3d tracker: Cutting Edge | |
Stunts | |||
| Raelene Chapman | .... | stunt assistant | |
| Spike Cherrie | .... | stunt assistant | |
| Stephen Dunlevy | .... | stunt assistant (as Stephen Dunley) | |
| Jennifer Fenton | .... | stunt agency coordinator | |
| Dean Gould | .... | stunt coordinator: torch | |
| John Heaney | .... | stunt double: Mr. Smolensky (as Jon Heany) | |
| Nathan Lawson | .... | stunt assistant | |
| Mark Le Cornv | .... | stunt assistant | |
| Tony Lynch | .... | stunt coordinator | |
| Philip Partridge | .... | stunt assistant (as Phillip Partridge) | |
| Brett Praed | .... | stunt double: Tiny | |
Camera and Electrical Department | |||
| Tobias Andreasson | .... | still photographer | |
| Matthew Ayres | .... | phantom camera operator (as Mathew Ayres) | |
| Craig Bartlett-Sweiger | .... | additional grip | |
| Ian Barton | .... | grip assistant | |
| Kim Bland | .... | lighting equipment: Panalux | |
| David Brooks | .... | grip assistant | |
| Ashleigh Carter | .... | additional camera operator | |
| Ashleigh Carter | .... | first assistant camera | |
| Peter Critchley | .... | electrician assistant | |
| Phiroze Dalal | .... | phantom camera operator | |
| Campbell Drummond | .... | additional focus puller | |
| Ben Dugard | .... | additional electrician (as Benjamin Dugard) | |
| Steve Edwards | .... | additional electrician | |
| Andy Fernandez | .... | video split operator | |
| Shannon Ford | .... | electrician assistant | |
| Jim Frazier | .... | provider: additional lenses, Global Bionic Optic Lenses | |
| Paul Jackson | .... | camera equipment: genesis camera, Panavision Australia | |
| Stephen Johnson | .... | additional electrician | |
| Pim Kulk | .... | second assistant camera | |
| Luke Nixon | .... | additional focus puller | |
| Ben Nott | .... | camera operator | |
| Mick O'Brien | .... | gaffer | |
| Craig Perkins | .... | best boy electric | |
| Aaron Rapira | .... | grip assistant | |
| Mark Rogers | .... | still photographer | |
| Bill Ross | .... | lighting equipment: Panalux | |
| Kevin Scott | .... | additional focus puller | |
| Peter Smith | .... | best boy grip | |
| Luke Stone | .... | key grip | |
| Lisa Tomasetti | .... | still photographer | |
| Viliami Topli | .... | electrician assistant (as Viliami Topui) | |
| Lionel Tozer | .... | additional grip | |
| Simon Williams | .... | additional focus puller | |
| Joe Worthington | .... | additional electrician (as Joseph Worthington) | |
Casting Department | |||
| Jane Dawkins | .... | extras casting | |
| Tim Littleton | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Mary Lou Da Roza | .... | costume buyer | |
| Amy Mitchell | .... | assistant stand-by costumer | |
| Ruth Myers | .... | costume designer: Ms. Davis | |
| Annabelle Punch | .... | costume assistant | |
| Kerry Thompson | .... | costume supervisor | |
| Christina Validakis | .... | stand-by costumer | |
Editorial Department | |||
| Tim Dyson | .... | digital intermediate technical support | |
| Carl Firth | .... | dailies transfer operator | |
| Katie Flaxman | .... | first assistant editor | |
| Adrian Hauser | .... | digital intermediate colorist | |
| Alison Ingram | .... | post-production coordinator | |
| John Lee | .... | head of features post production: Cutting Edge | |
| Gene Marsh | .... | digital intermediate data wrangler | |
| Teena Mestres | .... | additional assistant editor | |
| Lisa-Anne Morris | .... | assembly editor | |
| Robert Puru | .... | digital intermediate technical engineer (as Rob Puru) | |
| Justin Ngy Tran | .... | digital intermediate supervisor | |
| Mark Warner | .... | additional editor | |
| Michelle Junee | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Daniel Baker | .... | orchestrator | |
| Laura Bishop | .... | orchestrator | |
| Wes Chew | .... | original score producer | |
| Coralie Hartl | .... | orchestra contractor | |
| Phillip Hartl | .... | concert master | |
| James K. Lee | .... | orchestrator | |
| Michael Lira | .... | composer: additional music | |
| Angus O'Sullivan | .... | orchestrator | |
| Norman Parkhill | .... | music supervisor | |
| The Studio Orchestra of Sydney | .... | musicians: orchestra | |
| Jessica Wells | .... | orchestrator | |
Transportation Department | |||
| Michael Horvath | .... | driver: cast | |
| Mark McKinley | .... | vehicle wrangler | |
| Billy Holden | .... | picture car coordinator (uncredited) | |
Other crew | |||
| Geoff Anderson | .... | epk/behind the scenes | |
| Camilla Baker | .... | assistant: Ms. Davis | |
| Mackenzie Benstead | .... | operations assistant: Fox Studios Australia | |
| Elaine Boyd | .... | accounts assistant | |
| James Bramley | .... | operations manager: Fox Studios Australia | |
| Anni Browning | .... | completion guarantor: Film Filances | |
| Adam Butler | .... | epk producer | |
| Andrew Clarke | .... | safety supervisor | |
| Sue Collins | .... | production accountant | |
| Kylie Connell | .... | assistant to producer | |
| Bec Cubitt | .... | assistant to producer | |
| Matthew Dabner | .... | script editor (as Mathew Dabner) | |
| Lexi de Toth | .... | on-set production assistant (as Alexis Lever) | |
| Claire Fincham | .... | operations coordinator: Fox Studios Sustralia | |
| Tony Gibbs | .... | insurance broker: H W Wood Australia | |
| Katie Harris | .... | unit nurse | |
| Paul Heagney | .... | title designer: Cutting Edge | |
| John Heaney | .... | safety supervisor (as Jon Heany) | |
| Adam Hughes | .... | stand-in: Mr. Gilbertson | |
| Cynthia Keyte | .... | operations coordinator: Fox Styudios Australia | |
| James Livingstone | .... | unit assistant | |
| Troy MacKinder | .... | dialect coach | |
| Troy MacKinder | .... | dramaturg | |
| Damien Macy | .... | unit assistant | |
| Tracy Mann | .... | additional dramaturg | |
| Shane Matthews | .... | unit assistant | |
| Kate Meyer | .... | post-production accountant | |
| Reezy Miller | .... | post-production script | |
| Masoumeh Mokhtar | .... | location assistant | |
| Anna Marie Pitman | .... | production assistant | |
| Clare Pollard | .... | caterer: Camera Cooks | |
| Chris Reynolds | .... | location manager | |
| Greg Robinson | .... | safety supervisor | |
| Stephen Rutter | .... | travel manager | |
| Kieran Shevlin | .... | unit assistant | |
| Nathan Smith | .... | lab liaison: Deluxe Sydney | |
| Anna Steel | .... | production coordinator | |
| Sally Steele | .... | unit publicist | |
| Miriam Stein | .... | marketing supervisor | |
| Brian Stone | .... | epk/behind the scenes | |
| Brian Stone | .... | production assistant | |
| Sebastian Strakowicz | .... | mobile content producer | |
| Reinaldo Tuki | .... | unit assistant | |
| Caroline Verge | .... | legal services: Verge Whitford & Co | |
| Simon von Oorde | .... | unit assistant | |
| Greg Waters | .... | script editor | |
| Danny Williams | .... | site security: Vicat Security | |
| Chris Wilson | .... | provider: access equipment, Skyreach | |
| Kristin Witcombe | .... | script supervisor | |
| Rebecca Wong | .... | production secretary | |
| Enrique Zalapa | .... | production runner (as Henry Zalapa) | |
| Ahmed Salama | .... | marketing creative director (uncredited) | |
Thanks | |||
| Scott Meek | .... | special thanks | |
| Anna Marie Pitman | .... | special thanks | |
| John Sayles | .... | special thanks | |
| Gus Van Sant | .... | special thanks | |
| Matt Young | .... | thanks | |
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| Ordinary People | Kings & Queen | The Upside of Anger | The Best of Youth | The Chumscrubber |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Australia section |
Sydney director Andrew Lancaster did well to lure Geena Davis to our shores to star in Accidents Happen. I suspect he didn't have much hassle with a screenplay as biting and sharp as Brian Carbee's to use as bait. During a Q&A after the Australian premiere Davis herself admitted that she has always been drawn to interesting characters that challenge her; Gloria Conway definitely fits that mould. Carbee arms Gloria with acerbically humorous dialogue throughout her quick wit a shield for the hurt that lies beneath in addition to providing an idiosyncratic story about how different people cope with tragedy.
It's hard to imagine someone else filling the lead role, Davis finds such a perfect blend of steeliness and vulnerability that she embodies Gloria completely. The non-spoken instances are given extra gravitas by the Oscar winning actress whilst Carbee's words are delivered pitch perfectly. At the other end of the age scale, the young Gilbertson (also seen in the recent Beneath Hill 60) is one to watch out for in the future. He almost runs away with the film as the emotionally-uncertain Billy, displaying a tremendous power in the dramatic scenes. Best of all, he and Davis share an excellent mother / son chemistry in the movie's most important personal connection, their dynamic relationship is a treat to watch.
Kicking off his feature film CV, Lancaster has started strongly. His sturdy direction offers some memorable moments the opening sequence comes way out of left field, but works all the better for it although the slightly annoying 'Wonder Years' style voice-over probably could have been subdued. Lancaster demonstrates a terrific knack for slow motion; the aforementioned pre-credits sequence, the fateful car accident and a touching scene near the end all showcase the tremendous effect slow mo can have if used correctly. Hopefully this affecting little film marks the beginning of a long career for Lancaster.
With a shamefully limited theatrical run in Oz, don't let this one slip you by: write it down to buy the DVD later this year.
4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)