Hood goes up against an FBI deputy director when a psychotic woman accuses the man of stealing her son, and the stakes go much higher when Rachel is taken hostage and Jacob is accused of complicity ...
Gepetto resurfaces with the discovery of identical quadruplets from different mothers, leaving Hood and Rachel scrambling for clues to identify her, and the hit man she's hired, before another murder...
In the aftermath of a hurricane, a Florida Park Ranger and his family deal with strange occurrences, including luminescent creatures in the water and people that somehow seem to have ... See full summary »
John and Synthia, the ultimate high-powered executives, are on opposing sides of a mysterious and complex corporate situation. When the two are forced to debate their arguments before the ... See full summary »
A marine biologist, an insurance salesman and a teen-aged boy find their lives fundamentally changed by the emergence of a new, and often dangerous, species of sea life, while government agents work to keep the affair under wraps.
Earth's ozone layer has finally disintegrated, flooding the planet with deadly radiation and forcing all of humanity into underground Radial Shelters. Completely self-contained, these ... See full summary »
I wanted to dislike "Eleventh Hour". Yes, it is yet another US remake of a UK series, yet another CBS procedural drama produced by Jerry Bruckheimer where nerdy professionals spout scientific and medical jargon paired with an attractive female. It's been disheartening watching Bruckheimer's name go from being associated with loud, boisterous, flashy, trashy, action movies to being a television brand name for "CSI" and endless, lifeless CBS procedural clones. The Bruckheimer Executive Producer template is tried-and-true and "Eleventh Hour" gets run through that ringer. Take a UK series starring Patrick Stewart and Ashley Jensen, flattening out any potential substance to leave only the most basic tent-posts of the CBS formula standing and bingo: ratings gold. Yet with a little polish in the production and an ear for creating mild thrills, "Hour" is a little bit better than the "CSI"s of the world.
Rufus Sewell plays genius scientist Dr. Hood, who advises the FBI through the lens of physics, biology and chemistry, under the handling of partner Rachael Young (Marley Shelton). This often includes viruses and toxins that are on the verge of spreading into a fatal pandemic unless Hood can find the a) terrorists and malevolent corporations or b) accidental combination of common chemicals responsible. Sewell fits the scientist bill well. He's halfway commanding on screen and about as devoid of personality as any procedural drama nerd. Sewell, perfect cast as the personality-free amnesiac in "Dark City", stretches limited acting abilities to the max here. With no chemistry (but a welcome lack of a forced sexual undercurrent) with Sewell, a miscast Shelton is also stretched to the max. Albe it with a smaller reservoir.
But around these obstacles, the writers, show-runners and directors behind "Eleventh Hour" actually stitch together a reasonably entertaining, intellectually stimulating and kind of exciting thriller. The first thing I appreciate is the show's willingness to be topical, not shying away from bioterrorism and stories about anthrax - both natural and engineered. The show also finds a good balance between the chemistry jargon, making it relatable and the thriller elements. These elements all come together well in "Subway" where a group of American teenagers who have formed their own radical Islamic sleeper cell set off a virus in the subway system. A sequence where Young and fellow agent Felix (Omar Bensen Miller, also miscast) track the potential path of the virus carrier through the subway halls is crisply turned into an action scene of excitement.
The look, sound and feel of the show come together to make a polished visceral thriller and "Eleventh Hour" solid shallow entertainment.
* * ½ / 4
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