| Kathy Lamkin | ... | Louise Staunton | |
| Cristen Coppen | ... | Jordan | |
| David Rountree | ... | Cole | |
| Kiko Ellsworth | ... | Boone | |
| Christine Carlo | ... | Raina | |
| Paula Rhodes | ... | Trish | |
| Charlie Bodin | ... | Quintin | |
| B.J. Hendricks | ... | Buddy | |
| Cooper Huckabee | ... | Burgh | |
| Sherry Weston | ... | Geraldine Staunton | |
| rest of cast listed alphabetically: | |||
| Reema Anbari | ... | Doctor #2 | |
| Jake Andolina | ... | Trucker | |
| Lauren Bayer | ... | Little Girl | |
| Kevin Kirkpatrick | ... | Dr. Ostergard | |
| George Cameron Romero | ... | Telephone Customer (voice) (as G. Cameron Romero) | |
Directed by | |||
| George Cameron Romero | (as Cameron Romero) | ||
Writing credits(in alphabetical order) | ||
| David Rountree | ||
Produced by | |||
| Bill Battin | .... | executive producer | |
| Jeff Battin | .... | executive producer | |
| David Dietrich | .... | co-executive producer | |
| Kiko Ellsworth | .... | co-producer | |
| B.J. Hendricks | .... | associate producer | |
| Dan Kerr | .... | executive producer | |
| Christofer Lombardo | .... | producer | |
| Patrick Mercier | .... | executive producer | |
| Brad Robinson | .... | associate producer | |
| David Rountree | .... | co-producer | |
| Barry Shepard | .... | executive producer | |
Original Music by | |||
| Jesper Kyd | |||
Cinematography by | |||
| Andrew Mclean | (as Andrew Iko McLean) | ||
Film Editing by | |||
| Melissa Burns | |||
| Jonathan Lacocque | |||
Casting by | |||
| Barbara Divisek | |||
Production Design by | |||
| Jeremy Zerechak | |||
Art Direction by | |||
| Jeremy Zerechak | |||
Makeup Department | |||
| Reema Anbari | .... | makeup artist | |
| Dustin Heald | .... | special makeup effects artist | |
| Kevin Kirkpatrick | .... | key makeup effects artist | |
| Christine Martin | .... | key makeup artist (as Christine Renae Martin) | |
| Mike Rotella | .... | special makeup effects artist | |
Production Management | |||
| Jonathan Lacocque | .... | post-production supervisor | |
| Shaun O'Donnell | .... | production manager: second unit | |
Second Unit Director or Assistant Director | |||
| Corey Peterson | .... | second assistant director | |
| Mark Shandley | .... | first assistant director (as Mark Shandlay) | |
Art Department | |||
| Brett Brozovich | .... | art production assistant | |
| Jason Clanella | .... | props production assistant | |
| Random Forem | .... | construction coordinator | |
| Adam Marze | .... | scenic | |
| Christopher Maurer | .... | property master (as Chris Maurer) | |
| Shaun O'Donnell | .... | set dresser | |
| Jeremiah D. Tinsley | .... | assistant art director | |
| Random Waldron | .... | construction foreman | |
| Jeremy Zerechak | .... | set designer | |
Sound Department | |||
| Kevin Hawkins | .... | sound assistant | |
| Wil Masisak | .... | production sound mixer (as Will Masisak) | |
| Jerry Walterick | .... | boom operator | |
| Jerry Walterick | .... | sound designer | |
Special Effects by | |||
| Benzy | .... | special effects assistant | |
| Steve Gentile | .... | special effects assistant | |
| Jerry Gergely | .... | pyrotechnician | |
| Dustin Heald | .... | special effects makeup | |
| Kevin Kirkpatrick | .... | special effects supervisor | |
| Greg Kramer II | .... | special effects assistant (as Greg Kramer) | |
| Nick Lowe | .... | special effects assistant | |
| Jason Milani | .... | special effects assistant | |
| Aaron Northrup | .... | special effects assistant | |
| Mike Rotella | .... | special effects makeup (as Mikey Rotella) | |
| Bridget Zerechak | .... | effects painter | |
Visual Effects by | |||
| Scott Benson | .... | compositor | |
| Jason Hager | .... | animator (as J.A. Hager) | |
| Guy Micciche | .... | digital compositor | |
Stunts | |||
| Randy Kovitz | .... | stunt coordinator | |
| Random Waldron | .... | stunt performer | |
| Chris Young | .... | fight choreographer | |
| Chris Young | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Alex Andres | .... | first assistant camera | |
| Bob Bender | .... | lamp operator | |
| Andrew Dutton | .... | second assistant camera | |
| Greg Edwards | .... | dolly grip | |
| Gregory L. Edwards | .... | dolly grip | |
| Russ Faust | .... | crane grip: second unit | |
| Bill Fuller | .... | chief lighting technician | |
| Brandon Kelly | .... | video assist | |
| Dante Ludovici | .... | company grip | |
| Adam Marze | .... | video assist | |
| Eric Riedmann | .... | electrician | |
| John Alan Roush | .... | lamp operator (as John Roush) | |
| Amishjim Schulze | .... | best boy grip (as Amish Schulze) | |
| Amishjim Schulze | .... | crane operator | |
| Rich Schute | .... | Steadicam operator | |
| Colin Sheehy | .... | film loader | |
| Doug Stanczak | .... | crane operator | |
| Doug Stanczak | .... | key grip | |
| Jarrod Wilson | .... | company grip | |
| Don Yockey | .... | additional grip | |
| Don Yost | .... | company grip | |
| Nick Yost | .... | best boy electric | |
| John Zielinski | .... | company grip | |
Costume and Wardrobe Department | |||
| Lydia Fandry | .... | costume assistant | |
| Andrea Housand | .... | costume supervisor | |
| Annette Pace | .... | seamstress | |
| Ali Pace-McMutrie | .... | seamstress | |
| Lindsey Tervo-Clemmens | .... | key costumer | |
Editorial Department | |||
| Jamie Lockhart | .... | assistant editor | |
| Tommy Nuckels | .... | senior technical editor | |
| Heidi Scheuermann | .... | key post-production assistant | |
Music Department | |||
| Brian Trifon | .... | musician: guitars | |
| Miguel Weissman | .... | musician: harmonica | |
Other crew | |||
| Adam Battin | .... | production coordinator | |
| Jesse Best | .... | script supervisor | |
| Katherine Braham | .... | production office coordinator | |
| Daniel Caldwell | .... | production assistant (as Dan Caldwell) | |
| Phoebe Chao | .... | craft service | |
| Jason Cianella | .... | set production assistant | |
| Aaron Doubt | .... | on-site medic | |
| Tom Gregg | .... | aerial coordinator (as Thomas Gregg) | |
| Kati Lamkin | .... | assistant: Kathy Lamkin (as Katie Lamkin) | |
| Bob Malone | .... | caterer | |
| Sean Martin | .... | production assistant | |
| Jim McCann | .... | production assistant | |
| Grace Meeder | .... | production assistant | |
| Shaun O'Donnell | .... | aerial coordinator | |
| Barry Papick | .... | acting coach | |
| Tom Perkins | .... | animal wrangler (as 'Big' Tom Perkins) | |
| Kate Stewart | .... | production assistant | |
| Melanie Waddell | .... | on-site medic | |
| Cherokee Walker | .... | pilot | |
| Justin White | .... | production assistant | |
| Shawn Wright | .... | on-site medic | |
| Jessica Zelt | .... | production accountant | |
Thanks | |||
| Gil Leveck | .... | very special thanks | |
| George A. Romero | .... | special thanks | |
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| The Hills Run Red | Slaughter | Saw 3D: The Final Chapter | Machete | Drive Angry |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I viewed "Staunton Hill" last night, and I did so expecting it to be absolutely worthless. I have read the horrid reviews and listened to all the know-it-all crap being slung on various message boards. Having given the film a watch, I have to say that certain criticisms of Cameron Romero are unfair.
The Writing:
We've all seen it before; a group of kids in some remote wilderness get chased down and murdered by some oddball inbred family. Been there, done that, got the T-shirt. I can accept that played out formula if the characters take their own shape, and if there is a fresh take on said formula. However, I never saw that happen in this film. But rather than throw stones at Cameron Romero, one needs to look at David Rountree, the writer. The weakest element of this movie was by far the writing. The characters are predictable, one-dimensional, and poorly defined. The back-story is very vague, and there isn't much "horror" to the film until the last 15-20 minutes. The first 50+ minutes of "Staunton Hill" basically equal the first 15 minutes of similar films using that same "formula". That much is all true, but those criticisms should be directed at David Rountree rather than at Mr. Romero.
The Acting:
The acting in this film is hard to gage. I know that there were some talented people involved in this movie, but I fear that the poor writing ruined any chance these actors had to do their best. I've seen well- written scripts tackled by average actors in a respectable way, but I have never seen good actors be able to do good things with a poorly written script.
The Directing:
Where the directing suffered the most was in some of the jumpy edits and unsteady hand-held shots. There was good use of cam-cables and dollies at times, and there were a few really nice shots, but there was also some under/overdeveloped shots that didn't match up in certain scenes. With that said, I have to point out that this low budget film was indeed shot on Super 16, and thus presented a bit more of a challenge to shoot than HD.
The Characters:
To be fair and honest, I don't know what the script called for, but I feel that the characters could have been brought to life a lot more. I felt that the character of Buddy was a bit scattered and senseless, and I felt that the back-story on both the kids and the family was too vague. If you are going to tap that old "formula", than it is essential to make the writing as fresh as possible. I found that I couldn't identify with any of them because I didn't know enough about them. They all became caricatures rather than characters. Is Cameron Romero guilty of taking on a poorly-written and under-budgeted movie? Yes he is. However, it is unfair to blame him for either the writing or the budget. Could some of his shots have been more steady? Sure! But there are also some nice shots in there too.
The Gore:
I am picky about gore. I love it, and I am tired of CGI special effects. One redeeming quality about this film is that while we see no real "horrors" until the last 20 minutes of the movie, what we do see is decent... and not done on computers.
"Worst Movie Ever" Tag:
I watch a lot of films. My collection is vast and large. I have read the comments by people talking about this film as a "1 out of 10" worse. To be objective about it, I don't think this film is quite a "1" or a "2". The latest remake of both "Night of the Living Dead" (3D) and "Day of the Dead" were both 1000 times WORSE than "Staunton Hill" could ever be. A friend of mine brought me a DVD of 2006's "Night of the Dead". I'd dare ANY of you who gave this film a "1" or "2" rating to go view any of those films and then tell me that "Staunton Hill" is that terrible?
Don't get me wrong, "Staunton Hill" is nothing groundbreaking. Not even close. It is an old story that you have seen before. However, I will give the cast and Cameron Romero credit for their efforts. I know it's hard to please a modern horror audience when someone isn't getting their guts or brains strewn across the screen every 3-5 minutes. But with that as a given, the writing MUST be as strong as the cast and crew... otherwise you can't really do much.
I will write this film off as a "4.5" and wait to see what Cameron Romero does with a stronger script and a little more money. I think he's capable of great things if he plays it right, and I hope to see him make his own name in the horror field. We need to remove his wonderful father for a moment, give Cameron enough room to grow into his own shoes, and to learn from his own mistakes. As for "Staunton Hill", I'm going to pass at adding it to my collection... but as for Cameron Romero, I think the future might be bright when it is said and done. Time will tell.
-JB