Mad Men (2007–2015)
8.0/10
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1 user 8 critic

The Benefactor 

Trouble rises on the set of a commercial while Don plays hooky from the office.

Writers:

(created by), | 1 more credit »
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Cast

Episode cast overview, first billed only:
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Pete Campbell (credit only)
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Paul Kinsey (credit only)
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Storyline

Harry tries to gather support around a controversial sponsorship in order to bolster his career. When Don ditches work for a day, trouble brews on the set of a commercial. Later, Betty joins her husband when he attempts to placate his clients with an amicable dinner. Written by Anonymous

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

TV-14 | See all certifications »
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Details

Country:

Language:

Release Date:

10 August 2008 (USA)  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

The three discussed weekly salaries of $300, $225, and $200 in 1962 had the same purchasing powers as $2,350, $1,760, and $1,560, respectively, in 2014. See more »

Goofs

Upon returning to the table after his intimate encounter with Mrs. Barrett outside the restaurant bathroom, Don mistakenly wipes off the wrong hand with his napkin. See more »

Quotes

Arthur Case: You're so profoundly sad.
Betty Draper: No. It's just my people are Nordic.
See more »

Connections

References Pinocchio (1940) See more »

Soundtracks

Betty's Ride
(uncredited)
Written by David Carbonara
[Betty goes horseback riding]
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User Reviews

 
Situational, but the Good Kind.
25 July 2016 | by See all my reviews

This episode was pretty much completely situational. There were no sudden plot turns. Nothing big and exciting happened. It was almost like watching a short, indie film. It wasn't a riveting story, it was just a small tale about a wife who is being pursued by a young man on horseback, and a man who fell drunk and issued insults, and the man who is tasked with fixing it.

That being said, it was fantastic, if you asked me. It's a great example of how what is, frankly, a filler episode, can touch the audience anyway. Like "Fly." It bears no weight whatsoever, and yet it's strangely wonderful. The acting is, as usual, phenomenal.

The episode capitalizes on what is possibly the show's best quality. Most television shows that are as good as this one operate on large scales. A big-time drug ring, the White House, Hollywood (or Hollywoo), the New Jersey Mafia, or anything that matters to the whole country. But this show can be just as riveting by simply being normal. There are no deaths, I mean, not of major characters, anyway, there are no shoot-em-ups, no wars, it's just a company. And it's every bit as exciting as "The Sopranos," and that's what makes this show so brilliant.


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