Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
At age 10, Fanny Price is sent by her destitute mother to live with her aunt and uncle, Sir Thomas and Lady Bertram. As a child she was often made to feel that she was the poor relation but... See full summary »
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral ... See full summary »
Jonny Lee Miller,
Amanda Price is dissatisfied with her life in modern London. Her favorite escape is getting lost in the pages of Jane Austen's Pride and Prejudice. One night, Amanda is startled to come face to face with the novel's protagonist, Elizabeth Bennet. A small door in her apartment mysteriously links their worlds. Eventually, Amanda becomes trapped on the other side, while Elizabeth remains in the modern world. Now as the events of her favorite book unfold in all the wrong ways, Amanda tries desperately to set things straight, but inevitably makes things worse. Will this fractured version of a classic tale lead Amanda to her own happily-ever-after? Written by
When Mrs. Bennet and the girls' carriage has broken down, just as Wickam arrives, you can see a airplane or helicopter in the distant sky over Mrs. Bennet's head. See more »
You wish to speak to me, sir?
I am... concerned.
I don't understand.
You came to this house knowing you'll be brought to Lady Catherine's. Knowing I would be there, knowing full well the abysmal disregard in which I hold you. Why, when I am, as you insist, so relentlessly unpleasant to you, do you persist in seeking me out?
But I didn't seek you out. You came to me!
I don't know!
You must know. I do not, and my lack of comprehension is tormenting me.
Mrs Collins needs me. Good night.
[...] See more »
Hard to imagine how this could be better. The casting is close to perfect. Mr and Mrs Bennet as played by Hugh Bonneville and Alex Kingston quickly outshine previous inhabitants of these roles. This Mrs Bennet is neurotic but also strong, and Mr Bennet is suitably acidic but also very affable and easy to like. The Bennet sisters are very well presented. Jane has a very gentle quality. Kitty and Lydia and Mary are a pleasure to see on screen. Gemma Arterton is as impressive as we would expect in the role of Lizzie. Best of all is Jemima Rooper as Amanda, a fine young actress who here gets the chance to take centre stage and to properly show us what she can do. The men inhabit their parts well - some very good work from Tom Riley as Wickhan, Eliot Cowan as a smouldering Mr Darcy and Tom Mison as a very winning Mr Bingley. Christina Cole is on great icy form as Mr Bingley's sister. And Mr Collins is truly repulsive as played by Guy Henry, looking like the grim reaper and finding a grotesque comedy in this very oily character. But what is most clever about this new 'spin' on Pride and Prejudice is the way it takes a story we all think we know and then turns it upside down. Guy Andrews writes very funny dialogue for both Amanda as a modern woman and the characters we know from Jane Austen. The comic set pieces are directed with real aplomb by Dan Zeff, but it's also surprisingly moving at times. Costumes and sets all look good. Having seen this I don't know how we'll take another 'straight' Austen adaptation seriously again!
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