When LexCorps accidentally unleash a murderous creature, Doomsday, Superman meets his greatest challenge as a champion. Based on the "The Death of Superman" storyline that appeared in DC Comics' publications in the 1990s.
Batman discovers a mysterious teen-aged girl with super-human powers and a connection to Superman. When the girl comes to the attention of Darkseid, the evil overlord of Apokolips, events take a decidedly dangerous turn.
There's a mystery afoot in Gotham City, and Batman must go toe-to-toe with a mysterious vigilante, who goes by the name of Red Hood. Subsequently, old wounds reopen and old, once buried memories come into the light.
Batman has not been seen for ten years. A new breed of criminal ravages Gotham City, forcing 55-year-old Bruce Wayne back into the cape and cowl. But, does he still have what it takes to fight crime in a new era?
In this 6-story anthology collection, Batman faces new villains and old ones in a time-line after Batman Begins. In "Have I Got A Story For You", 3 kids tell wildly different stories about Batman during a fight through Gotham. "Crossfire" focuses on two policemen who end up getting in the middle of a crime battle. "Field Test" has Lucius Fox creating a new technology for Batman, but is it too powerful? "In Darkness Dwells" features Killer Croc and Scarecrow, who have kidnapped a priest. "Working Through Pain" goes through flashbacks of Bruce Wayne's training while Batman finds his way through the sewers. Finally, "Deadshot" focuses on the titular sniper, who has a new target in Gotham. Written by
Originally, they were going to select another actor to play the part of the younger version of Bruce Wayne. However, Conroy convinced them to give him a chance, and they decided to use his voice instead. See more »
The final segment "Deadshot" shows Bruce Wayne and Alfred living in the manor. This movie takes place between Batman Begins and The Dark Knight, during the period when Wayne Manor is being rebuilt. However the producers have acknowledged that the movie isn't necessarily meant to be canon to Christopher Nolan's trilogy and that any of the six segments could easily fall into almost any Batman continuity. See more »
Before I get on expressing myself I want to say that seeing Batman: Gotham Knight is simply an imperative. A simple fact that it bridges the gap that occurs between Batman Begins and The Dark Knight alone is why this needs to be viewed as a prelude to The Dark Knight, but it isn't wholly the reason why this must be viewed. Yes, the concept itself is taken from Animatrix which served the same purpose, but that also isn't the sole reason. It's because this is easily a fine piece of work on all grounds. I have never been a fan of anime, but that's merely due to me not being genuinely interested in the medium. What a fine example of execution this truly is. Consisting of six vignettes written by six different writers, such as David S. Goyer and Josh Olson (A History of Violence) and directed by different talents in different styles this has exactly the balance that is required to be fully entertained, mentally stimulated, and visually inspired. I cannot add anything more to it that could not be summarized in those exact three adjectives. This one's a keeper, and should not go amiss.
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