| Photos (See all 16 | slideshow) | Videos (see all 3) |
| Tom Abate | ... | Himself | |
| Hugo De Garis | ... | Himself | |
| Peter Diamandis | ... | Himself | |
| Neil Gershenfeld | ... | Himself | |
| Ben Goertzel | ... | Himself | |
| William Hurlbut | ... | Himself | |
| Dean Kamen | ... | Himself | |
| Kevin Kelly | ... | Himself | |
| Aaron Kleiner | ... | Himself | |
| Raymond Kurzweil | ... | Himself | |
| Sonya Kurzweil | ... | Herself | |
| Robert Metcalfe | ... | Himself | |
| Colin Powell | ... | Himself | |
| Philip Rosedale | ... | Himself | |
| William Shatner | ... | Himself | |
| Stevie Wonder | ... | Himself | |
| Kevin Warwick | ... | Himself (uncredited) |
Directed by | |||
| Robert Barry Ptolemy | |||
Produced by | |||
| Joe Disanto | .... | executive producer | |
| Drew Dowdle | .... | executive producer | |
| John Erick Dowdle | .... | executive producer | |
| Oliver Luckett | .... | executive producer | |
| Felicia Nainoa | .... | producer (as Felicia Ptolemy) | |
| Robert Barry Ptolemy | .... | producer | |
| John Ramsay | .... | executive producer | |
| Wren Waters | .... | executive producer | |
| Doobie White | .... | executive producer | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Shawn Dufraine | |||
Film Editing by | |||
| Meg Decker | |||
| Doobie White | |||
Second Unit Director or Assistant Director | |||
| Don Schechter | .... | second unit director | |
Sound Department | |||
| Russell Johnson | .... | sound designer | |
| Russell Johnson | .... | sound re-recording mixer | |
| Doobie White | .... | sound designer | |
Camera and Electrical Department | |||
| Trevor Chamberlain | .... | camera operator | |
| Bruce Petschek | .... | second unit director of photography | |
| Don Presley | .... | assistant camera | |
| Dan Shimer | .... | camera operator | |
| Jason J. Tomaric | .... | additional director of photography | |
Editorial Department | |||
| Amy K. Bostrom | .... | assistant editor | |
Music Department | |||
| Trevor Gureckis | .... | music editor: music preparation | |
Other crew | |||
| Daryl Blonder | .... | production assistant | |
| David Bouley | .... | production assistant | |
| Emma Cameron | .... | production coordinator: San Diego | |
| Erik Clabeaux | .... | production assistant | |
| Liz Jones | .... | second unit production assistant | |
| Sam Nainoa | .... | production assistant | |
| Seth Peterson | .... | production assistant | |
Thanks | |||
| Sam Eigen | .... | special thanks | |
| Ehren Koepf | .... | special thanks | |
| Brian Sweet | .... | special thanks | |
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| Religulous | The Singularity Is Near | Demon Seed | DMT: The Spirit Molecule | Children of Men |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
One part biography, one part brain food; as an appetizer to the thought path of noted futurist Ray Kurzweil, it can be difficult at times to separate fact from fragment over the course of this documentary. Kurzweil's favorite subject is one of increasing relevance, perhaps even by the minute: he seeks to pinpoint the moment of so-called "singularity," when mankind's built-in body chemistry will finally cross the line into his rapidly-developing technological and biological know-how. In short - how soon will we be able to back up our thoughts and feelings to an external hard drive, what sort of moral and philosophical arguments will be made for and against the practice, and where will the ball of wax roll after that debate is behind us? Though its post-production effects can get a bit over-the-top at times, reminding viewers more than once of the over-ambitious "world of tomorrow" predictions popular in the 1950s, the film is largely successful at fostering a curious sort of fascination with the current point in history and the staggering number of possibilities present within our lifetime. Kurzweil himself is to thank for much of that, as his smooth, relaxed speaking gives the impression that anything is possible, even if (as some of his detractors point out during the film's apex) he completely overlooks humanity's tendency to use such moments for evil causes as well as good. Intensely interesting stuff that effectively sows the seeds of conception.