| Hal Holbrook | ... | Abner Meecham | |
| Ray McKinnon | ... | Lonzo Choat | |
| Walton Goggins | ... | Paul Meecham | |
| Mia Wasikowska | ... | Pamela Choat | |
| Carrie Preston | ... | Ludie Choat | |
| Barry Corbin | ... | Thurl Chessor | |
| Dixie Carter | ... | Ellen Meecham | |
| Barlow Jacobs | ... | J.D. the Cabbie | |
| Anthony Reynolds | ... | Hollis the Phone Worker | |
| rest of cast listed alphabetically: | |||
| Brian Edward Keith | ... | Deputy Keith (as Brian Keith) | |
| Bruce McKinnon | ... | Sheriff Roller | |
| William J. Mode | ... | Deputy Davies | |
| Jacob Parkhurst | ... | Steve Goodwin Jr. | |
Directed by | |||
| Scott Teems | |||
Writing credits | ||
| Scott Teems | (screenplay) | |
| William Gay | (short story "I Hate to See That Evening Sun Go Down") | |
Produced by | |||
| Terence Berry | .... | producer | |
| Raul Celaya | .... | executive producer (as Raul L. Celaya) | |
| Walton Goggins | .... | producer | |
| Adrian Jay | .... | executive producer | |
| Larsen Jay | .... | executive producer | |
| Ray McKinnon | .... | producer | |
| Anthony Reynolds | .... | associate producer | |
| Jeanine Rohn | .... | co-producer | |
| Jeanine Rohn | .... | line producer | |
| Laura D. Smith | .... | producer | |
| Michael Twardy | .... | segment producer | |
| Brandon Ward | .... | associate producer | |
Original Music by | |||
| Michael Penn | |||
Cinematography by | |||
| Rodney Taylor | (director of photography) | ||
Film Editing by | |||
| Travis Sittard | |||
Casting by | |||
| Emily Schweber | |||
Production Design by | |||
| Mara LePere-Schloop | |||
Set Decoration by | |||
| Kelly Anne Ross | |||
Costume Design by | |||
| Alexis Scott | |||
Makeup Department | |||
| Mary Young Everett | .... | key hair stylist | |
| Laura Godwin | .... | key makeup artist | |
Production Management | |||
| Raul Celaya | .... | executive in charge of production (as Raul L. Celaya) | |
| Kim T. Le | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ian Campbell | .... | second second assistant director | |
| Kim McCray | .... | second assistant director | |
| Jim Simone | .... | first assistant director | |
Art Department | |||
| Rachel Boulden | .... | art department coordinator | |
| Rachel Boulden | .... | set decoration buyer | |
| Rachel Boulden | .... | art department coordinator: set decoration department | |
| John Gajda | .... | set dresser and swing | |
| Frank Gray III | .... | property master | |
| Matt Hodges | .... | construction foreman | |
| Carianne Lance | .... | assistant property master | |
| Jim Prodger | .... | leadman | |
| Eric Brice Swartz | .... | lead scenic artist (as Eric Swartz) | |
| Eric Brice Swartz | .... | on set dresser (as Eric Swartz) | |
Sound Department | |||
| Tim Chilton | .... | foley artist | |
| Paul B. Clay | .... | supervising sound editor | |
| Bob Costanza | .... | sound effects editor | |
| Penny Harold | .... | dialogue editor | |
| Jim Hawkins | .... | sound mixer | |
| Steve Kinsey | .... | sound mixing technician | |
| Ethan Payne | .... | boom operator | |
| Drew Ponder | .... | boom operator | |
| Carl Rudisill | .... | sound mixer | |
| David Torres | .... | foley mixer | |
| Ben Whitver | .... | adr mixer | |
| Sid Williams | .... | additional sound mixer (as Sidney Williams) | |
Special Effects by | |||
| Lisa Reynolds | .... | effects assistant | |
| Bob Shelley | .... | special effects coordinator | |
| Randy Southerland | .... | effects assistant | |
Stunts | |||
| JoAnn Bernat | .... | stunt double: Carrie Preston (2009) | |
| Bob Fisher | .... | stunt double | |
| Jacob Parkhurst | .... | stunts | |
| Susan Saddler | .... | stunt double: Mia Wasikowska | |
| Lonnie R. Smith Jr. | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Robert Aycock | .... | grip | |
| Katherine Bomboy | .... | still photographer | |
| Gary W. Brooks | .... | additional grip (as Gary Brooks) | |
| Darrell Brown | .... | additional electric | |
| Ron Clifford | .... | electric | |
| Jared Coatney | .... | additional electric | |
| Jim Conn | .... | third electric | |
| Cooper Dunn | .... | camera operator | |
| Cooper Dunn | .... | camera operator: "b" camera | |
| Chris Durfee | .... | grip | |
| Ramon Engle | .... | Steadicam operator | |
| Tracy Facelli | .... | second assistant camera | |
| Gray Hemphill | .... | additional camera loader | |
| Gray Hemphill | .... | additional second assistant camera | |
| Roger Herron | .... | additional electric | |
| Kenneth Howard | .... | best boy grip | |
| Tad Howard | .... | best boy grip | |
| Gary Johnson | .... | best boy electric | |
| Daniel Murphy | .... | gaffer | |
| Doug Oh | .... | first assistant camera | |
| John Stewart | .... | additional grip | |
| Dustin Tate | .... | key grip | |
| Manny Villegas | .... | additional grip | |
Casting Department | |||
| Michelle Babin | .... | casting assistant | |
| Jen Levy | .... | casting associate | |
| Jennifer Levy | .... | casting associate | |
Costume and Wardrobe Department | |||
| Celeste Dye | .... | set costumer | |
| Amira Inas | .... | additional costumer | |
| Nancy Jones | .... | seamstress | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Tyler L. Cook | .... | assistant editor | |
| Harry Muller | .... | color timer | |
Music Department | |||
| Linda Cohen | .... | music supervisor | |
| Alistair South | .... | music editor | |
Transportation Department | |||
| Chelsea Summer Bledsoe | .... | pass van driver | |
| Ciara Skye Bledsoe | .... | driver | |
| Doug Bledsoe | .... | driver: honeywagon | |
| E. Michael Bledsoe | .... | additional driver | |
| Ron Bledsoe | .... | transportation coordinator | |
| Sam Johnson | .... | driver | |
| Timothy E. Roberts | .... | driver | |
| Katrinka Steele | .... | additional driver | |
| David Whitsell | .... | additional driver | |
| Kenny Wright | .... | transportation captain | |
Other crew | |||
| Zack Ballard | .... | cast production assistant | |
| Jim Dobson | .... | publicist | |
| Andrew Dunlap | .... | office production assistant | |
| Judy Geletko | .... | post-production accountant | |
| William Q. Horton | .... | office production assistant | |
| Ben Jay | .... | set production assistant | |
| Rachel E. Kaufman | .... | production assistant intern | |
| Brian Edward Keith | .... | on-set medic (as Brian Keith) | |
| Bryan Meyers | .... | first assistant accountant | |
| Mary Beth Roberts | .... | location manager | |
| Chelsea Samples | .... | associate production office coordinator | |
| Tyler Sheldon | .... | production secretary | |
| Shari Sontag | .... | key production accountant | |
| John P. Stepleton | .... | key set production assistant | |
| Greg Tresan | .... | head animal wrangler | |
| Penny Walker | .... | medic | |
| Mari Wilson | .... | script supervisor | |
Thanks | |||
| Justin Bell | .... | special thanks | |
| Perry Gibson | .... | special thanks | |
| Rebecca Green | .... | special thanks | |
| Zeke Lopez | .... | special thanks | |
| Nathan Lux | .... | special thanks | |
| Gisela Moore | .... | special thanks | |
| Vicki Peterson | .... | special thanks | |
| Bob Raines | .... | special thanks | |
| Michael R. Williams | .... | special thanks (as Michael Williams) | |
| Recent Posts (updated daily) | User |
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| Great script | The_Gribbler |
| Barry? | mfemyer |
| If you like That Evening Sun... | John120 |
| Hal Holbrrok...wow!! | Sweetie36641 |
| Abner and Ellen...Hal and Dixie | rahrah14 |
| Name of song | edjeter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
What a film.! Anyone who has experienced elderly members of the family being stubborn, or old fashioned without obvious reason, then this film will ring true.
Although members of our family/community age, and reach the final stages of their life does not make them an outcast, it does not make them less worthy of ourselves.
This film make the valid point that, yes, life does indeed go on, but at the same time, memories still live too, and if someone is still breathing the free air we all breath today, then they are still entitled to live out their life, and spend their living days how they see fit.
Without spoiling this film, or should I say without giving out any spoilers, basically, if you have come to that stage in your life where you have had to make the very difficult decision to put your mother, or father in a care home, watch this film.! Although your father, or mother maybe aging, and to you, look somewhat out of control, they are now, you should be listening to them more carefully, even muffled speech, of rambled they may sound, listen to them, memories live on.
This film is all about pride, being faithful to ones past, mistakes, and choices. One may make path to their own siblings which gives them the job of good fortune, but at the same time, they question you when your old, and in many peoples eyes "Past it". This film opens the eyes of the unforgiving.!
I cried watching this film, and Im 40 years young. Maybe I related to this film more than most, but at the same time, I had to write about this film, and how it impacted myself alone.
Enjoy, its a great piece of film making, and Hal, is at his best in this. We all remember him from his earlier pieces, usually in a courtroom.