| Hal Holbrook | ... | Abner Meecham | |
| Ray McKinnon | ... | Lonzo Choat | |
| Walton Goggins | ... | Paul Meecham | |
| Mia Wasikowska | ... | Pamela Choat | |
| Carrie Preston | ... | Ludie Choat | |
| Barry Corbin | ... | Thurl Chessor | |
| Dixie Carter | ... | Ellen Meecham | |
| Barlow Jacobs | ... | J.D. the Cabbie | |
| Anthony Reynolds | ... | Hollis the Phone Worker | |
| rest of cast listed alphabetically: | |||
| Brian Edward Keith | ... | Deputy Keith (as Brian Keith) | |
| Bruce McKinnon | ... | Sheriff Roller | |
| William J. Mode | ... | Deputy Davies | |
| Jacob Parkhurst | ... | Steve Goodwin Jr. | |
Directed by | |||
| Scott Teems | |||
Writing credits | ||
| Scott Teems | (screenplay) | |
| William Gay | (short story "I Hate to See That Evening Sun Go Down") | |
Produced by | |||
| Terence Berry | .... | producer | |
| Raul Celaya | .... | executive producer (as Raul L. Celaya) | |
| Walton Goggins | .... | producer | |
| Adrian Jay | .... | executive producer | |
| Larsen Jay | .... | executive producer | |
| Ray McKinnon | .... | producer | |
| Anthony Reynolds | .... | associate producer | |
| Jeanine Rohn | .... | co-producer | |
| Jeanine Rohn | .... | line producer | |
| Laura D. Smith | .... | producer | |
| Michael Twardy | .... | segment producer | |
| Brandon Ward | .... | associate producer | |
Original Music by | |||
| Michael Penn | |||
Cinematography by | |||
| Rodney Taylor | (director of photography) | ||
Film Editing by | |||
| Travis Sittard | |||
Casting by | |||
| Emily Schweber | |||
Production Design by | |||
| Mara LePere-Schloop | |||
Set Decoration by | |||
| Kelly Anne Ross | |||
Costume Design by | |||
| Alexis Scott | |||
Makeup Department | |||
| Mary Young Everett | .... | key hair stylist | |
| Laura Godwin | .... | key makeup artist | |
Production Management | |||
| Raul Celaya | .... | executive in charge of production (as Raul L. Celaya) | |
| Kim T. Le | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ian Campbell | .... | second second assistant director | |
| Kim McCray | .... | second assistant director | |
| Jim Simone | .... | first assistant director | |
Art Department | |||
| Rachel Boulden | .... | art department coordinator | |
| Rachel Boulden | .... | set decoration buyer | |
| Rachel Boulden | .... | art department coordinator: set decoration department | |
| John Gajda | .... | set dresser and swing | |
| Frank Gray III | .... | property master | |
| Matt Hodges | .... | construction foreman | |
| Carianne Lance | .... | assistant property master | |
| Jim Prodger | .... | leadman | |
| Eric Brice Swartz | .... | lead scenic artist (as Eric Swartz) | |
| Eric Brice Swartz | .... | on set dresser (as Eric Swartz) | |
Sound Department | |||
| Tim Chilton | .... | foley artist | |
| Paul B. Clay | .... | supervising sound editor | |
| Bob Costanza | .... | sound effects editor | |
| Penny Harold | .... | dialogue editor | |
| Jim Hawkins | .... | sound mixer | |
| Steve Kinsey | .... | sound mixing technician | |
| Ethan Payne | .... | boom operator | |
| Drew Ponder | .... | boom operator | |
| Carl Rudisill | .... | sound mixer | |
| David Torres | .... | foley mixer | |
| Ben Whitver | .... | adr mixer | |
| Sid Williams | .... | additional sound mixer (as Sidney Williams) | |
Special Effects by | |||
| Lisa Reynolds | .... | effects assistant | |
| Bob Shelley | .... | special effects coordinator | |
| Randy Southerland | .... | effects assistant | |
Stunts | |||
| JoAnn Bernat | .... | stunt double: Carrie Preston (2009) | |
| Bob Fisher | .... | stunt double | |
| Jacob Parkhurst | .... | stunts | |
| Susan Saddler | .... | stunt double: Mia Wasikowska | |
| Lonnie R. Smith Jr. | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Robert Aycock | .... | grip | |
| Katherine Bomboy | .... | still photographer | |
| Gary W. Brooks | .... | additional grip (as Gary Brooks) | |
| Darrell Brown | .... | additional electric | |
| Ron Clifford | .... | electric | |
| Jared Coatney | .... | additional electric | |
| Jim Conn | .... | third electric | |
| Cooper Dunn | .... | "b" camera operator | |
| Cooper Dunn | .... | camera operator | |
| Cooper Dunn | .... | camera operator: "b" camera | |
| Chris Durfee | .... | grip | |
| Ramon Engle | .... | Steadicam operator | |
| Tracy Facelli | .... | second assistant camera | |
| Gray Hemphill | .... | additional camera loader | |
| Gray Hemphill | .... | additional second assistant camera | |
| Roger Herron | .... | additional electric | |
| Kenneth Howard | .... | best boy grip | |
| Tad Howard | .... | best boy grip | |
| Gary Johnson | .... | best boy electric | |
| Daniel Murphy | .... | gaffer | |
| Doug Oh | .... | first assistant camera | |
| John Stewart | .... | additional grip | |
| Dustin Tate | .... | key grip | |
| Manny Villegas | .... | additional grip | |
Casting Department | |||
| Michelle Babin | .... | casting assistant | |
| Jen Levy | .... | casting associate | |
| Jennifer Levy | .... | casting associate | |
Costume and Wardrobe Department | |||
| Celeste Dye | .... | set costumer | |
| Amira Inas | .... | additional costumer | |
| Nancy Jones | .... | seamstress | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Tyler L. Cook | .... | assistant editor | |
| Harry Muller | .... | color timer | |
Music Department | |||
| Linda Cohen | .... | music supervisor | |
| Alistair South | .... | music editor | |
Transportation Department | |||
| Chelsea Summer Bledsoe | .... | pass van driver | |
| Ciara Skye Bledsoe | .... | driver | |
| Doug Bledsoe | .... | driver: honeywagon | |
| E. Michael Bledsoe | .... | additional driver | |
| Ron Bledsoe | .... | transportation coordinator | |
| Sam Johnson | .... | driver | |
| Timothy E. Roberts | .... | driver | |
| Katrinka Steele | .... | additional driver | |
| David Whitsell | .... | additional driver | |
| Kenny Wright | .... | transportation captain | |
Other crew | |||
| Zack Ballard | .... | cast production assistant | |
| Jim Dobson | .... | publicist | |
| Andrew Dunlap | .... | office production assistant | |
| Judy Geletko | .... | post-production accountant | |
| William Q. Horton | .... | office production assistant | |
| Ben Jay | .... | set production assistant | |
| Rachel E. Kaufman | .... | production assistant intern | |
| Brian Edward Keith | .... | on-set medic (as Brian Keith) | |
| Bryan Meyers | .... | first assistant accountant | |
| Mary Beth Roberts | .... | location manager | |
| Chelsea Samples | .... | associate production office coordinator | |
| Tyler Sheldon | .... | production secretary | |
| Shari Sontag | .... | key production accountant | |
| John P. Stepleton | .... | key set production assistant | |
| Greg Tresan | .... | head animal wrangler | |
| Penny Walker | .... | medic | |
| Mari Wilson | .... | script supervisor | |
Thanks | |||
| Justin Bell | .... | special thanks | |
| Perry Gibson | .... | special thanks | |
| Rebecca Green | .... | special thanks | |
| Zeke Lopez | .... | special thanks | |
| Nathan Lux | .... | special thanks | |
| Gisela Moore | .... | special thanks | |
| Vicki Peterson | .... | special thanks | |
| Bob Raines | .... | special thanks | |
| Michael R. Williams | .... | special thanks (as Michael Williams) | |
| Recent Posts (updated daily) | User |
|---|---|
| Great script | The_Gribbler |
| Barry? | mfemyer |
| If you like That Evening Sun... | John120 |
| Hal Holbrrok...wow!! | Sweetie36641 |
| Abner and Ellen...Hal and Dixie | rahrah14 |
| Name of song | edjeter |
|
|
|
|
|
| Children of Nature | Freeway | The Kite Runner | Brokeback Mountain | Shane |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I've been looking forward to "That Evening Sun" for a while now, and not just because it was shot in the county and surrounding towns where I live here in Tennessee.
My anticipation was largely because of Hal Holbrook, an iconic performer I have seen in his one-man "Mark Twain Tonight!" stage show, and who appears in occasional guest shots on TV where things must move very fast, and less often in film, where things are allowed to proceed at a more measured pace.
I was not disappointed, the character study of Abner Meechum, the refugee from an old folks' home and renegade on his own property is rich, complex, and satisfying throughout. Admittedly it may not be a big stretch for Holbrook to play a cranky 80-year-old, but that doesn't lessen the impact of the performance at all.
Surrounding him is a cast of surprisingly strong players: the antagonist Lonzo Choat (Ray McKinnon) is an especially worthy and believable opponent, and supporting cast Pamela and Ludie Choat (Mia Wasikowska and Carrie Preston) likewise hit just the right notes, tugging this farm county family drama at precisely the right pace. I especially enjoyed Barry Corkin, perfect in the Wilfred Brimley-esquire good neighbor role, and a special mention for the cameo by Dixie Carter, Hal Holbrook's wife in the movie as well as in real life.
Where I saw the film, at a packed 1pm matinée, the audience laughed at several of the moments, self-reflective as they were of Tennessee rural life. I don't know that they would garner that kind of introspective appreciation in other parts of the country, but here, people know their country folk and can laugh with, rather than at them.
"That Evening Sun" is a simple yarn: Abner tires of life in a retirement home and returns to the farm he and his deceased wife occupied for most of their lives, only to find it occupied by a neer-do-well, but one with a property lease Abner's "guardian son" has approved. The story is more than the tug-of-war between owner and lessor, it is between hard-working- older and layabout younger, and between lives at noon and the sundown that inevitably follows. Taken from William Gay's short stories of Southern life, "I Hate To See That Evening Sun Go Down," it's the unraveling of a proud man in the twilight, as his own sun is setting, and his fight with the oncoming night.
Hal Holbrook is a treasure. So is this film. It's Indie with a capital "I", an armful of festival awards, and, one hopes, a long run ahead.