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That Evening Sun (2009)

PG-13 | | Drama | 16 March 2009 (USA)
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An aging Tennessee farmer returns to his homestead and must confront a family betrayal, the reappearance of an old enemy, and the loss of his farm.

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(screenplay), (short story "I Hate to See That Evening Sun Go Down")
11 wins & 4 nominations. See more awards »

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Cast

Credited cast:
...
...
Lonzo Choat
...
Paul Meecham
...
...
Ludie Choat
...
Thurl Chessor
...
Ellen Meecham
...
J.D. the Cabbie
...
Hollis the Phone Worker
Rest of cast listed alphabetically:
Brian Edward Keith ...
Deputy Keith (as Brian Keith)
...
Sheriff Roller
William J. Mode ...
Deputy Davies
Jacob Parkhurst ...
Steve Goodwin Jr.
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Storyline

An aging Tennessee farmer returns to his homestead and must confront a family betrayal, the reappearance of an old enemy, and the loss of his farm.

Plot Summary | Add Synopsis

Taglines:

I worked too hard. And too long. I aint goin down without a fight.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for brief strong language, some violence, sexual content and thematic elements | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Release Date:

16 March 2009 (USA)  »

Also Known As:

I Hate to See That Evening Sun Go Down  »

Filming Locations:

 »

Box Office

Opening Weekend:

$7,330 (USA) (6 November 2009)

Gross:

$280,343 (USA) (7 May 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Scott Teems' screenplay for the film won the Emerging Narrative Screenplay Award at the 2006 IFP Market in New York. See more »

Quotes

Abner Meecham: Ha! Folks in hell will be eating Eskimo Pies before Lonzo Choat hauls me anywhere.
See more »

Connections

Featured in Maltin on Movies: The Romantics (2010) See more »

Soundtracks

A Drunkard's Child
Written by Jimmie Rodgers and Andrew Jenkins
Performed by Jimmie Rodgers
Courtesy of RCA Nashville
By Arrangement with
See more »

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User Reviews

 
Hal Holbrook is a treasure. So is this film.
23 January 2010 | by (United States) – See all my reviews

I've been looking forward to "That Evening Sun" for a while now, and not just because it was shot in the county and surrounding towns where I live here in Tennessee.

My anticipation was largely because of Hal Holbrook, an iconic performer I have seen in his one-man "Mark Twain Tonight!" stage show, and who appears in occasional guest shots on TV where things must move very fast, and less often in film, where things are allowed to proceed at a more measured pace.

I was not disappointed, the character study of Abner Meechum, the refugee from an old folks' home and renegade on his own property is rich, complex, and satisfying throughout. Admittedly it may not be a big stretch for Holbrook to play a cranky 80-year-old, but that doesn't lessen the impact of the performance at all.

Surrounding him is a cast of surprisingly strong players: the antagonist Lonzo Choat (Ray McKinnon) is an especially worthy and believable opponent, and supporting cast Pamela and Ludie Choat (Mia Wasikowska and Carrie Preston) likewise hit just the right notes, tugging this farm county family drama at precisely the right pace. I especially enjoyed Barry Corkin, perfect in the Wilfred Brimley-esquire good neighbor role, and a special mention for the cameo by Dixie Carter, Hal Holbrook's wife in the movie as well as in real life.

Where I saw the film, at a packed 1pm matinée, the audience laughed at several of the moments, self-reflective as they were of Tennessee rural life. I don't know that they would garner that kind of introspective appreciation in other parts of the country, but here, people know their country folk and can laugh with, rather than at them.

"That Evening Sun" is a simple yarn: Abner tires of life in a retirement home and returns to the farm he and his deceased wife occupied for most of their lives, only to find it occupied by a neer-do-well, but one with a property lease Abner's "guardian son" has approved. The story is more than the tug-of-war between owner and lessor, it is between hard-working- older and layabout younger, and between lives at noon and the sundown that inevitably follows. Taken from William Gay's short stories of Southern life, "I Hate To See That Evening Sun Go Down," it's the unraveling of a proud man in the twilight, as his own sun is setting, and his fight with the oncoming night.

Hal Holbrook is a treasure. So is this film. It's Indie with a capital "I", an armful of festival awards, and, one hopes, a long run ahead.


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