Albert Nobbs struggles to survive in late 19th century Ireland, where women aren't encouraged to be independent. Posing as a man, so she can work as a butler in Dublin's most posh hotel, Albert meets a handsome painter and looks to escape the lie she has been living.
Cosette lives a sheltered, ignorant life in an isolated world with her alternative-lifestyle father Jim. When Jim suddenly dies, Cosette is left to fend for herself. Scared and hungry, she ... See full summary »
Robert tries to rekindle a relationship with his teenage daughters Emma and Zoe on their last holiday together before the divorce. He slowly begins to realize that not only has he lost ... See full summary »
An aging Tennessee farmer returns to his homestead and must confront a family betrayal, the reappearance of an old enemy, and the loss of his farm.
This is the perfect example of how to write an old bull can against the young bull one. Holebrook's character doesn't want trouble, just his pride and the right to go on living the way he once did. He doesn't have much left, but pride. The movie does a great job of making us care for Holebrook, something that was hard to pull off consistently. Hal Holebrook is magnificent, and Oscar worthy here in his portrayal of Abner Meecham. It was hard to pull off, but Holebrook manages to maintain likability along with his grouchy, potentially off-putting role. There's never a moment where we don't sympathize with him, even when he pushes the limits, we manage to emphasize with his actions. I've not seen Holebrook perform a better role than this one. Ray McKinnon is excellent as the hot-shot antagonist, wanting to take over the farm. You'll hate him, and possibly even understand his actions in some cases. Walter Goggins is very good as the ungrateful son of Holebrook's, he did well.
Bottom line. The Sundance Film Festival struck gold with this one, and you will too. A must see
9 ½ 10
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