A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
In New York, the experienced art thief, Keith Ripley, invites the bold thief from Miami, Gabriel Martin, to team up with him. He plans the heist of two valuable mysterious antique Faberge eggs, located in a safe, of the well protected Russian jewelry Romanov. Each egg is worth twenty million dollars on the black market, and Ripley needs his cut to free himself from his debt to a powerful mobster, known as Nicky. The reluctant Gabriel agrees to participate, after having a one night stand with Ripley's goddaughter Alexandra Karolin. Meanwhile, the persistent Lieutenant Weber, who has unsuccessfully tried to put Ripley in jail for twenty years, figures out how to anticipate the movements of the criminal in order to catch him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Oh Dear, in deed. What could have been one of the best heist movies in recent history turned out to be (in my humble opinion) a serious let down.
Morgan Freeman and Antonio Banderas, a potential chemistry that on paper seemed a sure fire hit, but and there's always a but. It just didn't materialize, whether it was the short-comings of the dialog or the direction I can't say; but it just didn't sizzle.
When you think of heist movie partnerships then you have to be very special to match up against De Niro and Norton has seen in 'The Score'.
Freeman and Banderas - don't....sorry. For me this was the most overwhelming shortfall of the film, the two main protagonists just don't bounce off each other and has a consequence the characters fail to draw you in.
As for the plot, Freeman - going for the last big score before retirement, Banderas - hoping to improve his standing in the criminal fraternity whilst making a lot of money in the process.
Formulaic with a twist-at-the-end that was disappointingly obvious because the writers thought it had to have a twist-at-the-end. When will they ever learn that you can tell a story without having the ubiquitous twist - the bigger surprise would have been - oh wait for it
Unfortunately, this movie will go down has another example of Hollywood doing what Hollywood does, very little thought and effort put into an idea that could have been so much greater than the sum of its parts.
I gave this movie a 5 for the attempt of entertaining us, it should be a lot higher if only it had lived up to it's potential.
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