In New York, the experienced art thief, Keith Ripley, invites the bold thief from Miami, Gabriel Martin, to team up with him. He plans the heist of two valuable mysterious antique Faberge eggs, located in a safe, of the well protected Russian jewelry Romanov. Each egg is worth twenty million dollars on the black market, and Ripley needs his cut to free himself from his debt to a powerful mobster, known as Nicky. The reluctant Gabriel agrees to participate, after having a one night stand with Ripley's goddaughter Alexandra Karolin. Meanwhile, the persistent Lieutenant Weber, who has unsuccessfully tried to put Ripley in jail for twenty years, figures out how to anticipate the movements of the criminal in order to catch him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During the scene when Antonio Banderas is talking to Radha Mitchell at the Russian night club at around 26 minutes the mark, there is a techno remix of the traditional Russian folk song, "Korobeiniki". "Korobeiniki" is also the theme song for the Nintendo classic puzzle video game, "Tetris" See more »
(at around 1h 5 mins) When Keith and Gabriel are trying to "crack the code" to the inner vault, on the last digit, Keith tells Gabriel to type "1", and the number reads 827145369, Gabriel stops to think and just as Gabriel type "9", the number now reads 827145396. See more »
[In Flemish with subtitles]
The Russians think they own the world now.
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Thick as Thieves is pretty much as lousy as heist films get. It's lazy, derivative, and really quite offensive in the way it leans back in your favourite chair, flicks cigarette ash on your carpet while smirking at you and telling you there's nothing you can do to stop it as you've already paid your money.
The twists are both of everyone's least-favourite flavour: one you can spot a mile off and the other one - while unexpected - you won't give a hoot about. The heist too is lazy, but by that point you won't be surprised even if you can remember all the talk of it being an impossible job. Your expectations will be so low you'll tell yourself it's par for the course. Both Morgan Freeman (usually reliable) and Antonio Banderas (usually intolerable) coast by with just the pilot light on, totally lacking chemistry, and only Radha Mitchell comes away with any kind of credibility, doing decent work and putting in far more effort than her underwritten character deserves.
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