| Ray Liotta | ... | Mark Shields | |
| Andy Garcia | ... | Javier Salazar | |
| Esai Morales | ... | Pelon | |
| Armand Assante | ... | Padre Antonio | |
| Valerie Cruz | ... | Olivia | |
| Jordi Vilasuso | ... | Diablo | |
| Kevin Gage | ... | Wire | |
| Bruce Davison | ... | Anthony | |
| Joe Morton | ... | Hodges | |
| Danny Trejo | ... | Mario | |
| Gary Daniels | ... | Martin | |
| Michael DeLorenzo | ... | Pablo | |
| David Ackert | ... | Mohommad | |
| Jason Connery | ... | Randall | |
| Victoria Elizabeth | ... | Ana | |
| Antonio Jaramillo | ... | Raul | |
| Geoffrey Ross | ... | Mr. Water (Assassin #1) (as Geoffrey G. Ross) | |
| Matthew R. Anderson | ... | Loo (Assassin #2) | |
| Jonathan Fraser | ... | Bartender | |
| Dominik García-Lorido | ... | Woman in the Red Dress (as Dominik Garcia-Lorido) | |
| Pablo Orrantia | ... | Boy on the Bike | |
| Kahlil Joseph | ... | Omar | |
| Joe Ordaz | ... | Giant Guy | |
| Barbarella Pardo | ... | Hotel Reception - Hooker hotel | |
| Hector Hernandez | ... | Taco Vendor | |
| Naureen Zaim | ... | Seductress #1 | |
| Kerry Song | ... | Seductress #2 (as Kerry Kaili Song) | |
| Harry Yi | ... | Asian Leader | |
| Victor J. Ho | ... | Asian Leader | |
| A.J. Castro | ... | Hispanic Leader | |
| Anthony Ledesma | ... | Hispanic Gang Member | |
| Mario Loya | ... | Cop | |
| Josue Aguirre | ... | Mexican Teenager | |
| Jonathan Durante | ... | Male Nurse | |
| Miguel A. Saldaña | ... | Arms Dealer (as Miguel Angel Saldana) | |
| Cinthya Banuelos | ... | Hooker 1 | |
| Violeta Monroy | ... | Hooker 2 (as Violeta Monrroy) | |
| Joaquín Garrido | ... | Taxi Driver (as Joaquin Garrido) | |
| rest of cast listed alphabetically: | |||
| Wes Martinez | ... | Border Agent | |
| James Chahine | ... | Cop (uncredited) | |
| Antonio Munoz | ... | Limousine Driver (uncredited) | |
| Erik-Alexander Sanchez | ... | Gangsta (uncredited) | |
| Trevor Scott | ... | Airport Security (uncredited) | |
| Angel Soto | ... | Mexican Cop (uncredited) | |
| Carlos Zapata | ... | Henchmen (uncredited) | |
| Poco Zocko | ... | Church Member (uncredited) | |
Directed by | |||
| James Cotten | |||
Writing credits(in alphabetical order) | ||
| R. Ellis Frazier | writer | |
Produced by | |||
| Jacov Bresler | .... | line producer | |
| Dennis Cox | .... | executive producer | |
| Bob Dziadkowiec | .... | executive producer | |
| R. Ellis Frazier | .... | producer | |
| Ray Liotta | .... | executive producer | |
| Oscar Lopez | .... | Production Cordinator | |
| Delfino López | .... | consulting producer: Tijuana | |
| Marlon Parry | .... | producer | |
| Geoffrey Ross | .... | producer (as Geoffrey G. Ross) | |
Original Music by | |||
| David Torn | |||
Cinematography by | |||
| Miguel Bunster | |||
Film Editing by | |||
| Miklos Wright | |||
Casting by | |||
| Ricki Maslar | |||
Production Design by | |||
| Derrick Hinman | |||
Art Direction by | |||
| Hunter Brown | |||
| Derrick Hinman | |||
Set Decoration by | |||
| Sofia Jimenez | |||
Costume Design by | |||
| Nicole Schott | |||
Makeup Department | |||
| Samantha Wade | .... | key hair stylist | |
| Gigi Williams | .... | personal: Ray Liotta | |
| Natalie Wood | .... | key makeup artist | |
Art Department | |||
| Barry Boen | .... | set dresser | |
| Bill Davis | .... | props consultant | |
| Chad R. Davis | .... | on-set dresser | |
| Jen Fiedler | .... | set dresser | |
| Tommy Gutman | .... | assistant property master | |
| Tommy Gutman | .... | on-set dresser | |
| Thomas Knight | .... | set dresser | |
| Matt Muschamp | .... | set dresser | |
| Andy Reyes | .... | props | |
| Jeffrey Reyes | .... | property master | |
| Jeramey Rund | .... | leadman | |
Sound Department | |||
| Lisa K. Fowle | .... | sound editor | |
| Paul Hackner | .... | foley supervisor | |
| Paul Hackner | .... | sound re-recording mixer | |
| Sam Hamer | .... | sound mixer | |
| Ted Hamer | .... | boom operator | |
| Sean Heissinger | .... | sound editor | |
| Ryan Maguire | .... | foley mixer | |
| Harrison Meyle | .... | supervising sound editor | |
| Billy Walker | .... | sound designer | |
| Billy Walker | .... | sound effects editor | |
| Jake Wilson | .... | foley recordist | |
Special Effects by | |||
| Chris Cline | .... | special effects technician | |
| Josh Hakian | .... | special effects coordinator | |
| Ken Tarallo | .... | special effects foreman | |
Stunts | |||
| Matthew R. Anderson | .... | stunt coordinator | |
| Lloyd Barachina | .... | stunts | |
| Jeff Brockton | .... | stunt double | |
| Edward Conna | .... | assistant stunt coordinator | |
| Luke Darnell | .... | stunts | |
| Zoli Dora | .... | stunts | |
| Eddie J. Fernandez | .... | stunt performer | |
| Tony Flores | .... | stunts | |
| Chad Guerrero | .... | stunts | |
| Luke LaFontaine | .... | stunts | |
| Brandi Lohr | .... | stunt performer | |
| Mathew Lorenceau | .... | stunt performer | |
| Daniel Mackey | .... | stunts | |
| Norman Mora | .... | stunt double | |
| Norman Mora | .... | stunts | |
| Joe Ordaz | .... | stuntman | |
| Jimmy Ortega | .... | stunts | |
| Mario Perez | .... | stunts | |
| Thomas Rosales Jr. | .... | stunts | |
| Scott Rosen | .... | stunts | |
| Cindy Saavedra | .... | stunt performer | |
| Jose L. Vasquez | .... | stunt double | |
| Mike Wilson | .... | utility stunts | |
| Toby Holguin | .... | stunts (uncredited) | |
Casting Department | |||
| Rachel Christensen | .... | casting assistant | |
| Steve Hamill | .... | casting assistant | |
| Brandi S. Hawkins | .... | extras casting | |
| Ricki Maslar | .... | casting | |
| Barbarella Pardo | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jessica Albertson | .... | set costumer | |
| Heather Chaffee | .... | costume supervisor | |
| Asia Muka | .... | costume supervisor | |
| Lori Rozzi | .... | set costumer | |
| Caitlin Talmage | .... | wardrobe production assistant | |
| Sommer Terry | .... | wardrobe production assistant | |
Editorial Department | |||
| Joe Faissal | .... | colorist | |
| Dave Hagen | .... | assistant editor | |
Music Department | |||
| Ryan Michael Demaree | .... | composer's assistant | |
Transportation Department | |||
| Shay Morgan Brook | .... | transportation captain | |
| Louis Dargenzio | .... | driver | |
| Theodore Giapapas | .... | driver | |
| Kanan Gubins | .... | driver | |
| David Lee Haggerty | .... | driver | |
| Dustin Meisner | .... | transportation co-captain | |
| Jared Robbins | .... | transportation coordinator | |
Thanks | |||
| Ray Cavaleri | .... | special thanks | |
| Erin C. Jones | .... | very special thanks | |
| Rick Rosen | .... | special thanks | |
| Dan Zuckerman | .... | sincere thanks | |
|
|
|
|
|
| Traffic | Touch of Evil | No Country for Old Men | Bad Boys | Licence to Kill |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Mexico section |
It is very difficult to give something new to the audience. Specially when talking about such a controversial topics as Drug dealing, mafia, terrorism, cartels Etc.
Being Mexican myself I looked forward to see how a new director would portray this "not to take lightly" topic. The first impression I got as I began to watch the movie was the serious influence of Steven Soderbergh's "Traffic", a fabulous movie which provides an unusual vision of the drug underworld. As the movie continued it was not difficult to identify some the similarity with some other movies, not only character wise, but also concerning plot, conflict and even cinematography.
Shields' character is a weird mix of Denzel's Creasy in Man on fire and Pierce Brosnan's hit-man in Matador. Both very well structured characters, but when combined do not have the same effect.
It is difficult to be bring something new to Drug dealing movies, particularly because everything has pretty much been said about dealing drugs; so when a director tries to give some extra dramatic flavor, it has a contradictory effect, It is appealing but not very coherent.
Check out this movie it is not completely dismissible, specially if you take into account its independent nature. But do not expect to see anything worth referring to in the future.