Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
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After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
In early afternoon, four armed men hijack a subway train in Manhattan. They stop on a slight incline, decoupling the first car to let the rest of the train coast back. Their leader is Ryder; he connects by phone with Walter Garber, the dispatcher watching that line. Garber is a supervisor temporarily demoted while being investigated for bribery. Ryder demands $10 million within an hour, or he'll start shooting hostages. He'll deal only with Garber. The mayor okays the payoff, the news of the hostage situation sends the stock market tumbling, and it's unclear what Ryder really wants or if Garber is part of the deal. Will hostages, kidnappers, and negotiators live through this? Written by
In the novel, one of the hostages asks the hijackers to let him off at their stop while making an escape. There is also a disobedient boy wanting to be let off that has to be chastised by his mother. See more »
From the time the hijackers leave the train until just before the brakes are tripped, every station displayed in the control center to monitor the train's movement is in Manhattan and underground. However, numerous shots show the train above ground. See more »
Well, I can tell you that you are dealing with one of the old-time bureaucracy, I know that. I mean, it takes time.
Well you'd better fix the bureaucracy. Because when the time comes, these motherfuckers, these out there, are gonna go real quick.
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At the end of the opening credits, the director's name, Tony Scott, "follows" the train into the tunnel. See more »
This urban crime drama is a diverting entry with plenty of action, tense moments and running dialogue to sustain interest for the duration of the film. The main plot is a hostage situation and a demand for an outrageous sum of money. Denzel Washington and John Travolta spar throughout the picture and play off each other very well. Denzel, as always, is great and Travolta makes a good heavy although some of his one-liners fall flat as he negotiates with Washington. There are several interesting scenes of the trains, subway stations, tunnels, track beds and elevated sequences where the action takes place. Some of the street-level scenes, involving taxi and police car stunts don't seem to be necessary. Cast and camera work are very nice.
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