Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
In early afternoon, four armed men hijack a subway train in Manhattan. They stop on a slight incline, decoupling the first car to let the rest of the train coast back. Their leader is Ryder; he connects by phone with Walter Garber, the dispatcher watching that line. Garber is a supervisor temporarily demoted while being investigated for bribery. Ryder demands $10 million within an hour, or he'll start shooting hostages. He'll deal only with Garber. The mayor okays the payoff, the news of the hostage situation sends the stock market tumbling, and it's unclear what Ryder really wants or if Garber is part of the deal. Will hostages, kidnappers, and negotiators live through this?
Written by <jhailey@hotmail.com>
The production team worked closely with the MTA and was given access to the MTA control room for research.
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Goofs
Continuity:
When Ryder is first recognized by folks at master control on the internet feed, he is in a short sleeve shirt. Then, on the next view of the same shot, he is wearing a jacket.
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Quotes
Camonetti:
Listen, don't let this guy bring you to his reality. 'Cause that's what he wants to do... he hurts you, you're gonna get angry. He's got the advantage, understand? Walter Garber:
Yeah. Camonetti:
Just deflect. See more »
Crazy Credits
At the end of the opening credits, the director's name, Tony Scott, "follows" the train into the tunnel.
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"Counting Bodies Like Sheep to the Rhythm of the War Drums"
Written by Maynard James Keenan (as Maynard Keenan) and Billy Howerdel Performed by A Perfect Circle Courtesy of Virgin Records America Under license from EMI Film & Television Music
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