Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
In early afternoon, four armed men hijack a subway train in Manhattan. They stop on a slight incline, decoupling the first car to let the rest of the train coast back. Their leader is Ryder; he connects by phone with Walter Garber, the dispatcher watching that line. Garber is a supervisor temporarily demoted while being investigated for bribery. Ryder demands $10 million within an hour, or he'll start shooting hostages. He'll deal only with Garber. The mayor okays the payoff, the news of the hostage situation sends the stock market tumbling, and it's unclear what Ryder really wants or if Garber is part of the deal. Will hostages, kidnappers, and negotiators live through this? Written by
The R-142 and R-142A subway cars portrayed in this film are permanently linked into 5-car sets and cannot operate as single units. R-62A 2079, a single car capable of operating alone, was cosmetically modified to resemble a modern car for this film and restored to its original appearance after filming was completed. See more »
During the hostage situation, the kidnappers have net connection to buy stocks and watch the news about the incident. The girlfriend of George shares the the web camera feed online, so that the news stations can show them. But the kidnappers never see the feed on the channels they are watching. However, whichever station the girlfriend contacted may be keeping the feed as an exclusive, or the hijackers may not have watched that one channel out of the numerous options available. See more »
Well, I got faith in you man... but I gotta ask you one question. You know that thing when you told your wife about the 35K, how did she react?
Look, we gotta talk about...
No, don't be sensitive.
I'm not being sensitive.
Well, did she freak out or what?
She... wasn't happy, but she understood.
Well, that's love right?
No, that's marriage... that's another thing.
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At the end of the opening credits, the director's name, Tony Scott, "follows" the train into the tunnel. See more »
It started like any ordinary day; that's likely what N.Y.C. subway dispatcher Walter Garber, an employee of questionable character, was thinking when he got up and went to work in the morning. Little did he know that he'd become the confidant and "stand-in" hostage negotiator for a prickly criminal mastermind who takes over the Pelham subway train and demands money in exchange for the lives of its passengers. Hearing the names Washington, Travolta, and Scott creates a lot of anticipation, but unfortunately what wants to be a slick combination of suspense thriller and character study instead results in a ponderous film with a weak setup, predictable plot twists, shallow characters, and little tension. It's easy to watch with actors of Washington and Travolta's caliber at work, but Scott's direction is pretentious and throws out some obligatory action scenes that seem to exist for the sole purpose of padding the time on the way to an expected climax. The leads do what they can with the strained material but really deserve better. **
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