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The Taking of Pelham 1 2 3 (2009)

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Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.

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(screenplay), (novel)
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1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Bashkin
Robert Vataj ...
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Mom
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8-Year-Old Boy
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Storyline

In early afternoon, four armed men hijack a subway train in Manhattan. They stop on a slight incline, decoupling the first car to let the rest of the train coast back. Their leader is Ryder; he connects by phone with Walter Garber, the dispatcher watching that line. Garber is a supervisor temporarily demoted while being investigated for bribery. Ryder demands $10 million within an hour, or he'll start shooting hostages. He'll deal only with Garber. The mayor okays the payoff, the news of the hostage situation sends the stock market tumbling, and it's unclear what Ryder really wants or if Garber is part of the deal. Will hostages, kidnappers, and negotiators live through this? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

train | hostage | subway | hijack | ransom | See All (118) »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and pervasive language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

12 June 2009 (USA)  »

Also Known As:

The Taking of Pelham 123  »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

$23,373,102 (USA) (12 June 2009)

Gross:

£4,720,832 (UK) (21 August 2009)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The hijackers use tommy-guns in the novel but not the remake, perhaps because they're only effective at close range. See more »

Goofs

On the exterior of the train, the car number was 8837. But in the motorman's cab, the car number was 7426. For the R142A Subway car, the numbers would be in the 7400 number range. 8837 would be in the 8800 number range for the R160B Subway cars See more »

Quotes

Ryder: Ok... now somebody else has to die. Two people, maybe all of us! Did you hear me?
Walter Garber: I heard you, but you gotta understand that the circumstances they're different now for you. You gotta rethink this, you... you gotta adapt.
Ryder: No, I gave you instructions and you know the consequences.
Walter Garber: I mean don't you have a plan B?
Ryder: No, plan B is enforcing plan A... and the minute you stop believing me mother fucker, that's it!
See more »

Crazy Credits

Subway footage and sounds are mixed in with the production company logos shown after the end credits. See more »

Connections

Referenced in Richard Roeper & the Movies: Unstoppable (2010) See more »

Soundtracks

Counting Bodies Like Sheep to the Rhythm of the War Drums
Written by Maynard James Keenan (as Maynard Keenan) and Billy Howerdel
Performed by A Perfect Circle
Courtesy of Virgin Records America
Under license from EMI Film & Television Music
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Frequently Asked Questions

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User Reviews

two solid leads but the results are underwhelming
13 June 2009 | by See all my reviews

It started like any ordinary day; that's likely what N.Y.C. subway dispatcher Walter Garber, an employee of questionable character, was thinking when he got up and went to work in the morning. Little did he know that he'd become the confidant and 'stand-in' hostage negotiator for a prickly criminal mastermind who takes over the Pelham subway train and demands money in exchange for the lives of its passengers. Hearing the names Washington, Travolta, and Scott creates a lot of anticipation, but unfortunately what wants to be a slick combination of suspense thriller and character study instead results in a ponderous film with a weak setup, predictable plot twists, shallow characters, and little tension. It's easy to watch with actors of Washington and Travolta's caliber at work, but Scott's direction is pretentious and throws out some obligatory action scenes that seem to exist for the sole purpose of padding the time on the way to an expected climax. The leads do what they can with the strained material but really deserve better. **


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