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The Taking of Pelham 1 2 3 (2009)

 -  Action | Crime | Thriller  -  12 June 2009 (USA)
6.4
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Ratings: 6.4/10 from 124,236 users   Metascore: 55/100
Reviews: 279 user | 259 critic | 34 from Metacritic.com

Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.

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Title: The Taking of Pelham 1 2 3 (2009)

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Cast

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Robert Vataj ...
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Mom
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8-Year-Old Boy (as Jake Siciliano)
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Storyline

In early afternoon, four armed men hijack a subway train in Manhattan. They stop on a slight incline, decoupling the first car to let the rest of the train coast back. Their leader is Ryder; he connects by phone with Walter Garber, the dispatcher watching that line. Garber is a supervisor temporarily demoted while being investigated for bribery. Ryder demands $10 million within an hour, or he'll start shooting hostages. He'll deal only with Garber. The mayor okays the payoff, the news of the hostage situation sends the stock market tumbling, and it's unclear what Ryder really wants or if Garber is part of the deal. Will hostages, kidnappers, and negotiators live through this? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

train | hostage | subway | hijack | ransom | See All (114) »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and pervasive language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

12 June 2009 (USA)  »

Also Known As:

The Taking of Pelham 123  »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

£1,784,719 (UK) (31 July 2009)

Gross:

£4,720,832 (UK) (21 August 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The IND Hoyt-Schermerhorn station in Brooklyn was used in the scene where Garber enters the tunnel to deliver the ransom money. See more »

Goofs

You cannot actually have a "2-way conversation" on a 2-way radio at the same time, meaning one person must speak at a time, release the talk button, and then must wait for a reply. During the movie, on several occasions, you see conversations with the subway car and central command speaking over each other like in a phone conversation. This is not possible using a 2-way radio. See more »

Quotes

Ryder: Put Garber on the line!
Camonetti: To be honest, Mr. Garber has gone home.
Ryder: Put Garber on the fucking line or I'll kill the motorman!
Camonetti: I guarantee you, Mr. Ryder, that I am the best person for you to be talking to right now. Just give me a moment and I'll explain why.
Ryder: [to Jerry] You were always going to be the first one to go.
[shoots Jerry several times]
Ryder: Mr. Camonetti, you have 60 fucking seconds before I kill another, okay?
See more »

Crazy Credits

The film starts with the picture way in the distance and it slowly approaches, making it appear as if the audience is in a subway tunnel. See more »

Connections

References The Taking of Pelham One Two Three (1974) See more »

Soundtracks

99 Problems
Written by Leslie West (as Leslie Weinstein), John Ventura, Norman Smart (as Norman Landsberg), Felix Pappalardi, Billy Squier, Ice-T (as Ice T), Alphonso Henderson and George Clinton (as George Clinton, Jr.)
Performed by Michael Baiardi (as Mike Baiardi)
Courtesy of CMH Records, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Brain Damaged Film-making!!!
1 October 2009 | by (London) – See all my reviews

The original "The Taking of Pelham One Two Three" (1974) starring Robert Shaw and Walter Matthau is a classic. Tony Scott's remake, "The Taking of Pelham 1 2 3" (2009) is not.

This remake begins with what has become the obtrusive and defining style of Tony Scott's recent pictures.

Frenetic editing, sudden wipes, stuttering frames, rapid focus-pulls, repetitive zooms and ear piercing sound design to punctuate every moment. This style soon becomes sickening and you wish for a moment a shot would simply hold for more than 3 seconds without constant self-conscious cinematic gimmicks.

This arranged marriage of production effects even made me laugh out loud when during a helicopter shot of the New York skyline, the sun disappears behind some sky scrappers and each time it does you get a "whoosh" sound followed by a train "beeep"!

Soon after this nauseous beginning, a simple edit of Denzel Washington sitting at his desk is badly botched when a mid-shot cuts to a close-up and he is looking and sitting in a completely different position!

On top of these shallow post production and in-camera effects, the core of the original has been dumbed down with a profane and ranting script. The joy of the original ending has gone to be replaced by guns, ranting, salutes and machismo.

Gone is the tension and excitement of the original. Gone is the subtlety of performance. Gone is the humour. In fact everything that made the original great has been wiped clean from this horrendous exercise in style over content.

The wife asks for a gallon of milk (a ridiculous scene) and I am sure you would have a better time trying to drink that gallon of milk in one go than suffer this atrocious attempt at film-making.

Tony Scott is less talented than his brother but still showed promise with his early work. If he continues down this route of brain damaged film-making, I will avoid his pictures as I do those of Michael Bay and Ron Howard.


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