Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
In early afternoon, four armed men hijack a subway train in Manhattan. They stop on a slight incline, decoupling the first car to let the rest of the train coast back. Their leader is Ryder; he connects by phone with Walter Garber, the dispatcher watching that line. Garber is a supervisor temporarily demoted while being investigated for bribery. Ryder demands $10 million within an hour, or he'll start shooting hostages. He'll deal only with Garber. The mayor okays the payoff, the news of the hostage situation sends the stock market tumbling, and it's unclear what Ryder really wants or if Garber is part of the deal. Will hostages, kidnappers, and negotiators live through this? Written by
The novel goes into more detail about the hostages than the remake, and one is even attacked by a hijacker for being racist. See more »
When the police pick up the money from the Federal Reserve, they are actually at the Federal Building/Post Office on Church Street, near the Trade Center. See more »
Ok... now somebody else has to die. Two people, maybe all of us! Did you hear me?
I heard you, but you gotta understand that the circumstances they're different now for you. You gotta rethink this, you... you gotta adapt.
No, I gave you instructions and you know the consequences.
I mean don't you have a plan B?
No, plan B is enforcing plan A... and the minute you stop believing me mother fucker, that's it!
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At the end of the opening credits, the director's name, Tony Scott, "follows" the train into the tunnel. See more »
This urban crime drama is a diverting entry with plenty of action, tense moments and running dialogue to sustain interest for the duration of the film. The main plot is a hostage situation and a demand for an outrageous sum of money. Denzel Washington and John Travolta spar throughout the picture and play off each other very well. Denzel, as always, is great and Travolta makes a good heavy although some of his one-liners fall flat as he negotiates with Washington. There are several interesting scenes of the trains, subway stations, tunnels, track beds and elevated sequences where the action takes place. Some of the street-level scenes, involving taxi and police car stunts don't seem to be necessary. Cast and camera work are very nice.
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