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The Taking of Pelham 1 2 3 (2009)

 -  Action | Crime | Thriller  -  12 June 2009 (USA)
6.4
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Ratings: 6.4/10 from 122,378 users   Metascore: 55/100
Reviews: 278 user | 258 critic | 34 from Metacritic.com

Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.

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Title: The Taking of Pelham 1 2 3 (2009)

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Cast

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Robert Vataj ...
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Mom
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8-Year-Old Boy (as Jake Siciliano)
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Storyline

In early afternoon, four armed men hijack a subway train in Manhattan. They stop on a slight incline, decoupling the first car to let the rest of the train coast back. Their leader is Ryder; he connects by phone with Walter Garber, the dispatcher watching that line. Garber is a supervisor temporarily demoted while being investigated for bribery. Ryder demands $10 million within an hour, or he'll start shooting hostages. He'll deal only with Garber. The mayor okays the payoff, the news of the hostage situation sends the stock market tumbling, and it's unclear what Ryder really wants or if Garber is part of the deal. Will hostages, kidnappers, and negotiators live through this? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

train | hostage | subway | hijack | ransom | See All (114) »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and pervasive language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

Release Date:

12 June 2009 (USA)  »

Also Known As:

The Taking of Pelham 123  »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

£1,784,719 (UK) (31 July 2009)

Gross:

£4,720,832 (UK) (21 August 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Garber talks about choosing between purchasing trains from a Japanese company and a Canadian company. Although not mentioned by name, this refers to Kawasaki Heavy Industries and Bombardier Transportation, who have both manufactured subway trains for New York. See more »

Goofs

When the money car is struck and rolls over, the light bar is knocked off the roof. When the car is shown flipping through the air and when it falls to the street, the bar is back on. See more »

Quotes

Camonetti: Listen, don't let this guy bring you to his reality. 'Cause that's what he wants to do... he hurts you, you're gonna get angry. He's got the advantage, understand?
Walter Garber: Yeah.
Camonetti: Just deflect.
See more »

Crazy Credits

Subway footage and sounds are mixed in with the production company logos shown after the end credits. See more »


Soundtracks

Counting Bodies Like Sheep to the Rhythm of the War Drums
Written by Maynard James Keenan (as Maynard Keenan) and Billy Howerdel
Performed by A Perfect Circle
Courtesy of Virgin Records America
Under license from EMI Film & Television Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Brain Damaged Film-making!!!
1 October 2009 | by (London) – See all my reviews

The original "The Taking of Pelham One Two Three" (1974) starring Robert Shaw and Walter Matthau is a classic. Tony Scott's remake, "The Taking of Pelham 1 2 3" (2009) is not.

This remake begins with what has become the obtrusive and defining style of Tony Scott's recent pictures.

Frenetic editing, sudden wipes, stuttering frames, rapid focus-pulls, repetitive zooms and ear piercing sound design to punctuate every moment. This style soon becomes sickening and you wish for a moment a shot would simply hold for more than 3 seconds without constant self-conscious cinematic gimmicks.

This arranged marriage of production effects even made me laugh out loud when during a helicopter shot of the New York skyline, the sun disappears behind some sky scrappers and each time it does you get a "whoosh" sound followed by a train "beeep"!

Soon after this nauseous beginning, a simple edit of Denzel Washington sitting at his desk is badly botched when a mid-shot cuts to a close-up and he is looking and sitting in a completely different position!

On top of these shallow post production and in-camera effects, the core of the original has been dumbed down with a profane and ranting script. The joy of the original ending has gone to be replaced by guns, ranting, salutes and machismo.

Gone is the tension and excitement of the original. Gone is the subtlety of performance. Gone is the humour. In fact everything that made the original great has been wiped clean from this horrendous exercise in style over content.

The wife asks for a gallon of milk (a ridiculous scene) and I am sure you would have a better time trying to drink that gallon of milk in one go than suffer this atrocious attempt at film-making.

Tony Scott is less talented than his brother but still showed promise with his early work. If he continues down this route of brain damaged film-making, I will avoid his pictures as I do those of Michael Bay and Ron Howard.


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