Disheartened when his story about Canadian snipers possibly mutilating corpses in Afghanistan is buried, Luke (Nick Stahl) quits his job but is even more determined to return to Afghanistan... See full summary »
Ivory centers on a young man's struggle between success versus fulfillment, and chronicles the exploration of an artist: the passion, dedication, and the immovable faith in one's talents. ... See full summary »
Andrew W. Chan
Six years after an affair with the 15-year old daughter of the pastor who was his mentor, a former youth minister, now an ex-con and recovering addict, returns to his hometown seeking a ... See full summary »
A decent but troubled young man is sent to a psychiatric institution for the criminally insane and soon finds himself in a fight for his life battling ghosts inside his head and very real enemies all around him.
Written and directed by James Hausler, Kalamity claims its spot as an intriguing psychological thriller. Ripped to the bone by heartbreaking loss, Kalamity grasps Billy and Stan as its true victims. This film takes a different perspective since, for once, we hear from the men, witness their emotional bleed, and follow the horror of the 'subconscious rip'. The movie starts out with a haunting, compelling, and strikingly wise voice-over, which pulls the audience into the film.
Grounded by Hollywood professionals Robert Forster and Nick Stahl who portrays the story's hero, Billy, Hausler's brilliant choice of Jonathan Jackson as the aggressive, uber-disturbed best friend, Stan, carries the suspenseful tone. Although Billy has problems of his own, he recognizes almost immediately that his good friend has some profound mental imbalance.
The dialogue is real; it reflects the way real people feel and talk. Billy's reflection on his own lost love, Alice, speaks to that part in all of us who yearn for that lost love of our own reliving snippets of moments in our own memories as Billy randomly does with Alice throughout the film.
I saw this in the theater, and watched on demand repeatedly, each time unpeeling another layer of Hausler's tightly scripted, haunting film.
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