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Jada Pinkett Smith (written by)
A successful corporate type harboring a deep, dark secret befriends a free-spirited stranger who encourages him to ditch his stuffy lifestyle and live life in reckless abandon. full summary | full synopsis
Pinkett Smith Wants To Take The Reins In Smith Movie
(From WENN. 28 November 2008, 11:07 AM, PST)
J.P. Smith's masterwork more (6 total)
| Jason Clarke | ... | Julian Wright | |
| Paz Vega | ... | Michael | |
| Idris Elba | ... | Larry | |
| T.J. Thyne | ... | Greg | |
| Joanna Cassidy | ... | Rose | |
| Steven Brand | ... | Boyd | |
| Jada Pinkett Smith | ... | Rita | |
| Ted Danson | ... | E.J Winters | |
| Anne Ramsay | ... | Cheryl | |
| Tava Smiley | ... | Brenda | |
| Karl Makinen | ... | Tony | |
| William Abadie | ... | Joseph | |
| Daniel Escobar | ... | Seth | |
| Nicole Muirbrook | ... | Thalia (as Nicole Muirbrook Wagner) | |
| Kenneth Dolin | ... | Mr. Stealth | |
| Ray Laska | ... | Mr. Klein | |
| Titus Welliver | ... | Mr. Praylis | |
| Caleeb Pinkett | ... | Ricky the Bartender | |
| Cody Benjamin Lee | ... | Daniel | |
| Brody Nicholas Lee | ... | Derrick | |
| Tessa Thompson | ... | Waitress | |
| Nina Barry | ... | Rachel | |
| Brett Lee Alexander | ... | Young Julian | |
| Bruce Mathews | ... | Mugging Victim | |
| Mustafa Harris | ... | Prison guard | |
| rest of cast listed alphabetically: | |||
| Tiffany Adams | ... | Waitress (uncredited) | |
| Alexia Aleman | ... | Lynn (uncredited) | |
| Ashley Ausburn | ... | Neighbor (uncredited) | |
| Ken Edling | ... | Upscale Guest (uncredited) | |
| Paul Karami | ... | Karami (uncredited) | |
| Deborah Ouellette | ... | Art Critic (uncredited) | |
| Michael Ouellette | ... | Art Critic (uncredited) | |
| Jobeth Wagner | ... | Emo (uncredited) | |
Directed by | |||
| Jada Pinkett Smith | |||
Writing credits(WGA) | ||
| Jada Pinkett Smith | (written by) | |
Produced by | |||
| David Dinenberg | .... | executive producer | |
| David Grasso | .... | executive producer | |
| Mike Jackson | .... | producer | |
| David Koplan | .... | executive producer | |
| James Lassiter | .... | executive producer | |
| Miguel Melendez | .... | producer | |
| Carol Ann Shine | .... | consulting producer | |
| Will Smith | .... | executive producer | |
| Dawn Thomas | .... | producer | |
Original Music by | |||
| The Graves Brothers | (original music by) | ||
| Anthony Marinelli | |||
Cinematography by | |||
| Darren Genet | |||
Film Editing by | |||
| Michael Trent | |||
Casting by | |||
| Matthew Barry | |||
| Nancy Green-Keyes | |||
Production Design by | |||
| Carlos Barbosa | |||
Set Decoration by | |||
| Joanne Baker | |||
Costume Design by | |||
| Rhona Meyers | |||
Makeup Department | |||
| David Fields | .... | hair department head | |
| Laura Leppanen | .... | key makeup artist | |
| Araxi Lindsey | .... | key hair stylist | |
| Rhonda O'Neal | .... | hair stylist | |
| Sian Richards | .... | makeup department head | |
Production Management | |||
| Matthew F. Leonetti Jr. | .... | unit production manager | |
| John Portnoy | .... | post-production supervisor | |
Art Department | |||
| Bill Benavides | .... | set dresser | |
| David Benavides | .... | set dresser | |
| James Diggs | .... | lead painter | |
| Scott Doran | .... | leadman | |
| Ruby Flores | .... | storyboard artist | |
| Jeffery Goyer | .... | construction coordinator | |
| Meg Harker | .... | art department coordinator | |
| Thomas D. Krausz | .... | set dresser | |
| David Lake | .... | set dresser | |
| Geoffrey Mandel | .... | graphic designer | |
| Caty Maxey | .... | art director: set | |
| Marc Meisels | .... | set dresser | |
| Randy Molique | .... | on-set dresser | |
| Jason Moore | .... | set dresser | |
| Paul Pastorelli | .... | gang boss | |
| Natalie Richards | .... | set designer | |
| F. Andrew Scott | .... | paint gang boss | |
| Brady Stallings | .... | property master | |
Sound Department | |||
| Joshua Adeniji | .... | foley editor | |
| Michael Baird | .... | supervising sound designer | |
| Jeremy Balko | .... | adr mixer | |
| Robert Dehn | .... | assistant sound editor | |
| Paul J. Diller | .... | sound effects editor | |
| Levent Erdogan | .... | foley editor | |
| Brent Findley | .... | sound effects editor | |
| Allie Fitz | .... | sound editor | |
| Judah Getz | .... | adr mixer | |
| Judah Getz | .... | foley mixer | |
| Michael Gilday | .... | utility sound | |
| Richard Kitting | .... | additional sound re-recording mixer | |
| Gus Koven | .... | sound effects editor | |
| Sterling Moore | .... | boom operator | |
| John Reese | .... | sound editor | |
| Buck Robinson | .... | sound mixer | |
| Mark Server | .... | adr editor | |
| Mark Server | .... | dialogue editor | |
| Jonathan Wales | .... | sound re-recording mixer | |
Special Effects by | |||
| Josh Hakian | .... | special effects coordinator | |
| Brian Hillard | .... | special effects makeup: Tinsley Transfers | |
Stunts | |||
| Katie Eischen | .... | stunt double: Paz Vega | |
| Gary J. Wayton | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Erik Bernstein | .... | best boy electric | |
| Josh Blakeslee | .... | first assistant camera | |
| Jason Blount | .... | Steadicam operator | |
| Adam Camacho | .... | key grip | |
| Craig Cooper | .... | dolly grip | |
| Chris Cotterman | .... | grip | |
| Dennis Geraghty | .... | film loader | |
| Joe Hill | .... | grip | |
| Leo Ibanez | .... | grip | |
| Peter Lee | .... | additional first assistant camera | |
| Mark Meyers | .... | additional camera operator | |
| Jay Pope | .... | key rigging grip | |
| Dan Preiser | .... | grip | |
| Jim Sheldon | .... | still photographer | |
| John Skotchdopole | .... | camera operator | |
| Sean Smith | .... | lighting technician | |
Casting Department | |||
| Maryellen Aviano | .... | casting coordinator | |
| Judy Cook | .... | casting assistant | |
| Carla Lewis | .... | extras casting | |
| Georgia Simon | .... | adr voice casting | |
| David Zahedian | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Shannon Campbell | .... | set costumer | |
| Sommer Terry | .... | wardrobe production assistant | |
Editorial Department | |||
| Regan Copeland | .... | digital intermediate editor | |
| John Daro | .... | digital intermediate colorist | |
| Joan Malloch | .... | post-production coordinator | |
| Tamara Meem | .... | assistant editor | |
| John Nicolard | .... | digital intermediate supervisor | |
| Bill Schultz | .... | digital intermediate executive | |
Music Department | |||
| Clint Bennett | .... | music mixer | |
| Clint Bennett | .... | music recordist | |
| Alice Wood | .... | music editor | |
Rated R for strong sexual content, language and violence.
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Jada Pinkett Smith's writing was already proved, but this title was her directing debut. And a perfect one. If a story writer and director are the same person, and the movie happens to be well done, it usually results in perfect match of content and its visual interpretation, along with depth and the atmosphere. This movie excels in it. The depth of the dialogs and interactions are breath-taking. Acting is outstanding. Cast, scene and music selection are first league as well as camera work and cut. To avoid any spoilers, this movie can offer you a lot - love, passion, rejection, pain, process of dealing with unfortunate events, exposure of vulnerability of people regardless of their social class. I would recommend this movie to anyone who is able to enjoy well played drama and is equipped with ability to compassionate. I'm looking forward for more Jada Pinkett Smith's work.