IMDb > Leo (2007/I)

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Overview

User Rating:
5.8/10   383 votes
MOVIEmeter: ?

Down 16% in popularity this week. See why on IMDbPro.

Director:

Josef Fares

Writer:

Josef Fares (writer)

Contact:

View company contact information for Leo on IMDbPro.

Release Date:

30 November 2007 (Sweden) more

Genre:

Crime | Drama more

Awards:

3 nominations more

User Comments:

Something Interesting from Sweden more (3 total)


Cast

  (Credited cast)
Leonard Terfelt ... Leo
rest of cast listed alphabetically:
Sara Edberg ... Amanda
Jan Fares ... Josefs pappa
Josef Fares ... Josef
Eva Fritjofson ... Leos mamma
Pavle Kukulj ... Payo
Dragomir Mrsic ... Gago
Shahab Salehi ... Shahab
Marcus von Plenker-Tind ... Leos lillebror
more
Create a character page for: ?

Additional Details

Also Known As:

Project Zero (Sweden) (working title)
more

Runtime:

78 min

Country:

Sweden

Language:

Swedish

Color:

Color

Aspect Ratio:

2.35 : 1 more

Sound Mix:

Dolby Digital

Certification:

Sweden:15

Company:

Film i Väst more


FAQ

This FAQ is empty. Add the first question.
20 out of 31 people found the following comment useful.
Something Interesting from Sweden, 23 February 2008
8/10
Author: katchita from Germany

From this year's Berlinale, one of the films that lingers in my mind is becoming conflated with a 2007 offering from the same country, Sweden. It's hardly a country that comes to mind when I think of immigrants, which just goes to show how quickly all the old patterns are changing. Last year's film was När Mörkret Faller (When Darkness Falls). It primarily starred immigrants and consisted of 3 vignettes, the first of which blew me away. It was a very psychologically complex portrayal about how a family of Turkish immigrants treat the lost "honor" of an independent-minded daughter.

Similarly, this year's offering, Leo, was also concerned with violence and its effects on victims' loved ones. The film was violent and disturbing, but I always distinguish between gratuitous violence (which is worthless) and that which teaches us something. This film, for me, definitely fell in the latter category, as Fares asks questions about young men struggling to find appropriate responses to violence, and at the same time define their manhood. In listening to the post-screening Q & A with Fares and co-star Salehi, I caught only a few glimpses of maturity and insight. But the main character was played by professional actor Terfelt and the process of filming clearly relied on a synergy between the three that added up to something greater than its individual parts. All three may merit watching in the future, to see if further talent materializes.

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