A world-renowned spiritual leader arrives in the Asian nation of Purma to give a teaching to the faithful. Accompanying him is a retinue of monks and attendants, including his personal ... See full summary »
As Jon (Shawn Welling / Michael Biehn) and Joy Ford (Tory Tompkins) move into the small town of DarkHorse, mysterious and supernatural occurrences threaten to tear the town apart. Teenage ... See full summary »
Murders in Seoul, Korea and in America pair two cops from each of the countries together to solve the crimes. The investigation leads to a gang war between the Mafia and the Yakuza, but one... See full summary »
Laura loses her family in a tragic fire while living in Spain. Just as she prepares to return home to the States, a member of the American embassy provides proof that it wasn't an accident.... See full summary »
Penelope Ann Miller,
When a suburban couple hires a new age spiritualist to help with their troubled marriage, her advice to video their lives 24/7 to help reunite the family, turns out to reveal their son is ... See full summary »
Winner of 4 2012 New York Internatinal Film Festival Awards including Best Drama Feature, Best Director/Writer/Producer Connie Stevens, Best Actress Tatum O'Neal and Best Supporting Actress Penelope Ann Miller. See more »
In the on-screen Soundtrack credits, the name of Lee Morris, one of the writers of the song "You Belong To Me," is misspelled as Lee Moris. See more »
I am usually very forgiving of B-grade films. I don't mind a good old- fashioned syrupy love story now and then, or some half-baked horror tale about a woman in some remote location fighting to save her family's haunted B&B . . . but this film . . . wow, I really can't forgive this one. It is so grossly manipulative, with all the subtlety of a sledgehammer, from the acting to the writing to the rainstorms of Biblical proportions. I didn't know if I was watching a Hallmark film, some silly Nickelodeon episode, or a cheap horror flick. The children are as cloying as marshmallow peeps (did no one work with these young actors, or did they just stuff them with cupcakes and candy and set them in front of the camera?). The adults--actors, director, and screen writer--didn't fare much better. I just felt bashed in the head at every turn--too much too much too much. (Towards the end of the film Penelope Miller has one of the most atrocious rain-soaked speeches I have ever seen.)
I did enjoy and appreciate Tatum O'Neal's performance. While I understand some of the harsh criticism regarding her portrayal of a severely emotionally disturbed woman, I found it to be heart breakingly realistic in the main. Of course she would drift around, half awake, half alive, twitchy and flaky and completely insecure. I actually felt sorry for this character. While I don't know how much of the story is entirely based on real events, surely placing Grace in her brother's home with his happy camper family, across the street from her former husband and his bubbly preggers wife, then given the glamorous job of sewing the baby's quilt and creating a mile-high lemon meringue pie of a ballgown for a 10 year old attending a military ball (a horrible and unnecessary story line, on several counts). . . I mean, if this is what her life has become, who wouldn't break out the sharp objects?
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