| Photos (see all 5 | slideshow) |
| Morgan Freeman | ... | Charles | |
| Christopher Walken | ... | Roger | |
| Marcia Gay Harden | |||
| William H. Macy | ... | George | |
| Wynn Everett | ... | Docent | |
| Bates Wilder | ... | Warehouse employee | |
| Joseph McKenna | ... | Lead Villain | |
| Nicki Connors | ... | Museum Goer | |
| Sophya Gudelman | ... | Car driver | |
| Rich Skinner | ... | Dog Owner | |
| Christy Scott Cashman | |||
| Albert Gornie | ... | Warehouse employee | |
| Adam Zalt | ... | Shipping Co. Personnel / Van Passenger | |
| Roger Dillingham Jr. | |||
| Chuck Slavin | ... | Frank | |
| Todd Weeks | ... | The Curator | |
| Tarek Moussa | ... | Street pedestrian | |
| Kimmie Johnson | ... | Park Goer | |
| Haytham Kandil | ... | Art Buyer | |
| Robert Masiello | ... | Pedestrian | |
| Todd Mello | ... | Security Guard | |
| Dale Appel | ... | Screaming Woman | |
| Fraser Townley | ... | Milton LeRouge | |
| Vincent J. Earnshaw | ... | Museum Patron / Public Garden Pedistrian | |
| Patrick Mel Hayes | ... | Warehouse Manager | |
| Vic Clay | ... | Janitor | |
| Mike Phelan O'Toole | ... | Pedestrian on Phone | |
| Douglass Bowen Flynn | ... | The Danish Guard | |
| Ben Skinner | ... | Frisbee Player | |
| Lauren E. Clarke | ... | Jordan Smalt - Museum Guard | |
| Eric Hofer | ... | Danish Guard | |
| Jimmy F. Wilson | ... | Museum Goer | |
| Anthony Cascio | ... | Tony Bargello | |
| Stephen E. Stapinski | ... | Bob | |
| Luis Moco | ... | Allen | |
| Beau C. Bedugnis | ... | Adam Roffman | |
| Amanda Wall | ... | Little Dutch girl in Museum | |
| Peter Darrigo | ... | Phil | |
| Bhavesh Patel | |||
| David J. Curtis | ... | Security Guard | |
| Osmani Rodriguez | ... | Carlos | |
| Scott C England | ... | Museum Executive | |
| Lawrence Hollie | ... | Pedestrian | |
| A.G. Wilde | |||
| Roger | ... | Dillingham jr | |
| Ellen Becker-Gray | ... | Woman in Boston Public Gardens (uncredited) | |
| Burke Bryant | ... | Brian (uncredited) | |
| Gail Bugeja | ... | City Dweller / SUV driver (uncredited) | |
| Desiree April Connolly | ... | Museum Goer / City Dweller (uncredited) | |
| Michael Anthony Coppola | ... | Security Guard (uncredited) | |
| Elisangela | ... | Museum Tourist (uncredited) | |
| David J. Garfield | ... | Shipping Manager (uncredited) | |
| Mark Hemphill | ... | Shipping Co. Personnel / Van Passenger (uncredited) | |
| Edmund J. Janas | ... | City Dweller (uncredited) | |
| Glenn W. Kane | ... | Pedestrian (uncredited) | |
| Dan Marshall | ... | Museum Visitor / Arts Fair Artist with Booth (uncredited) | |
| Giovanni Pantaleo | ... | Boston Police Officer (uncredited) | |
| Michael J. Peluso | ... | Diner Patron (uncredited) | |
| Billy Silvia | ... | Security Guard (uncredited) | |
| Kal Thompson | ... | Tourist (uncredited) | |
| Donald Warnock | ... | The Curator (uncredited) | |
| Rob Williams | ... | Pedestrian (uncredited) | |
| Ashley Wolfe | ... | Model (uncredited) |
Directed by | |||
| Peter Hewitt | |||
Writing credits(WGA) | ||
| Michael LeSieur | (written by) | |
Produced by | |||
| Morgan Freeman | .... | producer | |
| David Glasser | .... | executive producer | |
| William H. Macy | .... | producer | |
| Jonathan McCoy | .... | line producer | |
| Lori McCreary | .... | producer | |
| Rob Paris | .... | producer | |
| Kim H. Winther | .... | co-producer | |
| Bob Yari | .... | producer | |
Original Music by | |||
| Rupert Gregson-Williams | |||
Cinematography by | |||
| Ueli Steiger | |||
Film Editing by | |||
| Carole Kravetz | |||
Casting by | |||
| Susan Shopmaker | |||
Production Design by | |||
| Chris Roope | |||
Art Direction by | |||
| Gershon Ginsburg | |||
Set Decoration by | |||
| Lisa Nilsson | |||
Costume Design by | |||
| Ha Nguyen | |||
Makeup Department | |||
| Brenda McNally | .... | key hair stylist | |
| Thomas Nellen | .... | makeup department head | |
| Sherryn Smith | .... | key makeup artist | |
| Candy L. Walken | .... | hair department head | |
Production Management | |||
| Buddy Enright | .... | executive in charge of production | |
| Jill Greenblatt | .... | post-production manager | |
| Jonathan McCoy | .... | unit production manager | |
| Linda L. Miller | .... | executive in charge of production | |
| Ines Mongil-Echandi | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| David Eric Chapman | .... | second second assistant director | |
| Branko Racki | .... | second unit director | |
| Adam T. Weisinger | .... | additional assistant director | |
| Kim H. Winther | .... | first assistant director | |
| Eric Yellin | .... | second assistant director | |
Art Department | |||
| Daniel J. Courchaine | .... | charge scenic artist | |
| Gina B. Cranham | .... | set designer | |
| Zack Gorman | .... | set dresser | |
| Matt Harrington | .... | gang boss | |
| Deborah Kehs | .... | set dresser | |
| Hannah King | .... | scenic artist | |
| Jason Mayoh | .... | storyboard artist | |
| John 'Butch' McCarthy | .... | leadman | |
| Adam McClain | .... | carpenter | |
| Janine Moore | .... | assistant property master | |
| Amy Morrison | .... | assistant set decorator | |
| John F. O'Neil | .... | property master | |
| Scott T. Pina | .... | construction coordinator | |
| Eugene Pope | .... | general foreman | |
| Paul Raymond | .... | set dresser | |
| Michael Ricci | .... | construction gang boss | |
| Adam Roffman | .... | on-set dresser | |
| David C. Romano | .... | shop steward | |
| Timothy Rowcroft | .... | additional on-set dresser | |
| Robert Smedley | .... | prop maker | |
| Debra Sugarman | .... | additional props | |
| Chris Sullivan | .... | art department coordinator | |
| Nicholas Tzikas | .... | art department production assistant | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Ryan Baker | .... | utility sound | |
| Gregg Barbanell | .... | foley artist | |
| Jonathan Coomes | .... | foley editor | |
| Brian Courchine | .... | boom operator | |
| Alan Freedman | .... | adr mixer | |
| Robert Getty | .... | supervising sound editor | |
| Danielle Ghent | .... | dialogue editor | |
| Justin Herman | .... | sound recordist | |
| Mark Purcell | .... | sound recordist | |
| Eric Raber | .... | sound effects editor | |
| David J. Schwartz | .... | sound mixer | |
| Alec St. John | .... | supervising sound editor | |
Special Effects by | |||
| Ken Gorrell | .... | special effects supervisor | |
| William 'Billy Jack' Jakielaszek | .... | special effects technician | |
| Bruce E. Merlin | .... | special effects foreman | |
| Brian Ricci | .... | special effects coordinator | |
Visual Effects by | |||
| Briana Aeby | .... | visual effects bidding coordinator: Frantic Films | |
| Melissa Best | .... | digital compositor | |
| Jonathan Butchard | .... | visual effects production coordinator: Frantic Films VFX | |
| Tim Christensen | .... | digital compositor: Frantic Films | |
| Mark J. Flores Corpuz | .... | digital compositor | |
| Theodor Groeneboom | .... | digital compositor | |
| Christoffer Hulusjö | .... | digital compositor | |
| Jiwoon Kim | .... | digital compositor | |
| Simon Martinsson | .... | digital compositor | |
| Tricia Pifer | .... | visual effects producer: Frantic Films | |
| Safiya Ravat | .... | digital compositor | |
| Richard Sällqvist | .... | digital compositor | |
| Jeevan Singaram | .... | digital compositor | |
| Allen Tracy | .... | visual effects editor: Frantic Films Los Angeles | |
| Anne Trotman | .... | digital compositor | |
| Karin Eunson-Ross | .... | visual effects production manager: Frantic Films (uncredited) | |
Stunts | |||
| Scott Burik | .... | stunts | |
| Chris Colombo | .... | stunts | |
| John Copeman | .... | stunt performer | |
| Jim Ford | .... | stunts | |
| John Gilbert | .... | utility stunts | |
| Caroline Leppanen | .... | stunts | |
| Paul Marini | .... | utility stunts | |
| Jeff Medeiros | .... | stunt driver | |
| Luis Moco | .... | utility stunts | |
| Dino Muccio | .... | utility stunts | |
| Brian Peters | .... | stunt double: William H. Macy | |
| Christopher Place | .... | stunts | |
| Branko Racki | .... | stunt coordinator | |
| Aaron Vexler | .... | stunts | |
Casting Department | |||
| Joe Cappelletti | .... | adr voice casting | |
| Randi Glass | .... | casting: new york | |
| Katy Joyce | .... | extras casting assistant | |
| Angela Peri | .... | location casting | |
| Jodi Purdy-Quinlan | .... | extras casting | |
| Matt Bouldry | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Katalina Iturralde | .... | costumer | |
| Parrish Kennington | .... | set costumer | |
| Alyson MacInnis | .... | set costumer | |
| Faye Sevilla | .... | costume supervisor | |
| Cathie Valdovino | .... | costumer Morgan Freeman | |
| Eric Van Wagoner | .... | costume supervisor | |
| Taryn Weaver | .... | key costumer (as Taryn Walsh) | |
Editorial Department | |||
| Doug Delaney | .... | digital intermediate colorist | |
| Ben Hasler | .... | post-production coordinator | |
| Jennifer Hatton | .... | first assistant editor | |
| Matthew W. Johnson | .... | digital intermediate editor | |
| Harry Muller | .... | color timer | |
| Tim Schmidt | .... | digital film restoration | |
| Leland Sexton | .... | post-production assistant | |
Music Department | |||
| Tony Clarke | .... | composer: additional music | |
| Isobel Griffiths | .... | orchestra contractor | |
| Richard A. Harrison | .... | music editor | |
| Alastair King | .... | conductor | |
| Alastair King | .... | orchestrator | |
| Steven Kofsky | .... | music production services | |
| Katia Lewin Palomo | .... | score mixing assistant | |
| Christopher Willis | .... | composer: additional music | |
| Nick Wollage | .... | score engineer & mixer | |
Transportation Department | |||
| Robert Gaskill | .... | driver: cast | |
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| $ | Night at the Museum | Ocean's Eleven | Ocean's Twelve | The Italian Job |
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Art shouldn't just be for highbrow types. A painting can have special meaning. Even for an ordinary blue-collar Joe. At least that's the message from director Pete Hewitt. This is knockabout comedy that might make Woody Allen fans affectionately recall Small Time Crooks, even though this film is very different to Allen's caper and wears its point on its sleeve. "Great art is not solely the domain of the connoisseur," says Hewitt. "Anyone can be emotionally transported by a few paint smudges on a canvas." Hewitt (Bill and Ted's Bogus Journey, Thunderpants) has here come up with a grand robbery that is for love rather than money. Three misfit security guards at the museum embark on a dangerous journey to save the things they hold dear.
Decorated with a galaxy of stars, the Maiden Heist has been avidly awaited by fans worrying if it will see the light of day. In December 2008, the distribution arm of the Yari Film Group responsible filed for bankruptcy. Yari's Emily Lambert e-mailed the Globe saying, "I don't anticipate any screenings of The Maiden Heist in the near future," and producer Rob Paris went scrambling to find a new distributor. With a comparatively modest budget of $20 million, Paris feels he has got great value. "Our movie needed the scope the size of the Worcester Art Museum," he says. "It gave the film a look, a richness, that we otherwise wouldn't have gotten." The WAM is used to establish the interior of the fictional Boston Art Museum (BAM) in which our story takes place.
Scriptwriter Michael LeSieur had a top comedy actor in his previous hit (You, Me & Dupree) in the form of Owen Wilson. In The Maiden Heist, the chameleon-like talents of William H Macy first spring to mind as being suited to comedy, due to his Fargo fame, when he played the police story with subtle humour. Christopher Walken and Morgan Freeman are better known for their serious roles, but we should remember that Walken has also starred in comedy (Wedding Crashers, Hairspray), even if it is to play the straight man against the likes of Owen Wilson. Freeman has had brushes with his funny side in Bruce Almighty. Heading up the supporting cast is Marcia Gay Harden, who won an Oscar playing an artist (Lee Krasner) in the art biopic, Pollock. But it is probably fair to say that all these great stars are known primarily for their power to bring great depth to serious dramatic roles. There were moments in The Maiden Heist where I felt they were bumbling through the comedy rather than playing bumbling heisters. I found this a bit worrying as I have deep respect for their work. But maybe other viewers could find the apparent mismatch of seemingly inappropriate casting oddly rewarding.
The big star of The Maiden Heist though is of course the central painting. Roger (Christopher Walken) stares at 'The Lonely Maiden' for years. First as a way to pass time, but now as a way to address or replace what is lacking in his life. The painting has become his passion. His obsession. Supplanting the passion he once felt for his wife. This particular artwork in the film was especially created by painter Jeremy Lipking. "When I first met with the director he opened up the Gabriel Weisberg book Beyond Impressionism: the Naturalist Impulse, (which is probably the most worn out book on my shelf) and said, 'We need something like this.' A painting in the manner of Naturalist painters George Clausen, Emile Friant and Jules Bastien Lepage. I had to finish the painting in 7 days. It normally would have taken me a month or longer to do something this size. I got artist model Toni Czechorosky help me out with the period costume." Macy's character, on the other hand, is obsessed with a statue. Creating it involved photographing a naked Macy from a three-hundred and sixty degree perspective. (The photographs went to a sculptor in Los Angeles, who brought in another model and photographed him in the same fashion before creating a mould for the statue.)
The Maiden Heist quickly sold out at its opening at the Edinburgh International Film Festival. It's a light-hearted caper that makes for undemanding viewing. I don't see audiences flocking to galleries as a result, but who knows? While Roger might find his wife has been his lonely maiden all along, many viewers may more identify with the bit where he flits to Florida with the missis. Missing out on the art appreciation stuff seems a convenient bypass. If this is the case, the film is somewhat hypocritical in its claim about art and the general masses. It uses the notion to entertain without encouraging us to seriously engage. LeSieur, who wrote the script as a film school thesis project, may well be an art enthusiast. But the idea that ordinary people don't love art is a bit worrying to those of us that do. Shortly after I visited (during extensive bar-hopping) the beautiful Stewart Gardner Museum in Boston, it was victimised by amateur thieves who posed as security guards. If you see me exit the Tate Modern with a naked William H Macy under my arm, please shoot me. Or take him back he is a high-value asset of the acting profession and should not be high-jacked. "But it was a maiden heist, officer. . ."