An update of the 1977 comedy, Dick and Jane are living the good life. That is until Dick (Jim Carrey) loses his job shortly after getting a promotion that convinced his wife Jane (Téa Leoni) to quit her job. The money is gone, and the house ends up in foreclosure. Dick decides to turn to a hilarious life of crime to pay the bills with his lovely wife by his side. Then together they decide it's ... See full summary »
Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
After hiding his loot and getting thrown in jail, Ruby, a brooding outlaw encounters Quentin, a dim-witted and garrulous giant who befriends him. After Quentin botches a solo escape attempt... See full summary »
Three middle-age guards learn that their museum has sold a wing of art to a Danish museum. Each has a favorite in that collection, and none can imagine life without the peace and completion it brings. Though mere acquaintances, they plot a theft of the three pieces between the time they are packed and the time they're loaded onto a plane. First each must obtain a forgery; then, they have to smuggle the forgeries into the museum and find a way to make the switches. The heist is complicated by Roger's intrusive wife - he's promised her a trip to Florida for their anniversary - and George's proclivity for taking his clothes off when standing in front of the warrior statue he loves. Written by
The ladies playing the museum visitors were not told that Christopher Walken was going to interrupt the docent's explanation of "The Lonely Maiden". Therefore, their reactions to Roger's expertise were genuine. See more »
During the conversation between Roger and his wife at the door of her room, the door changes between half open in the scenes shot from the hall, to wide open in the scenes shot from inside the room. See more »
I sincerely apologize for disturbing your afternoon. If you relax, and stay calm, you will all be here alive. We have come only for the girl.
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Like Freeman's THE CODE, a mix of the decent and not-so-decent
What's up with Morgan Freeman appearing in heist movies that go direct to video? Just a few months ago we got THE CODE, and now we have THE MAIDEN HEIST. Actually, it does appear that THE MAIDEN HEIST was originally going to have a theatrical release, but the bankruptcy of the Yari Film Group put an end to those plans and no other distributor seemed interested in releasing it to theaters.
Based on that fact, you might think that this is a bad movie, but it's not. There are some positive things about it. The production values are pretty strong for what was reportedly a somewhat limited budget; nothing about the movie looks cheap. The planning of the heist and the execution of the heist have some believable complications, and what's done about them are believable as well. Some humorous touches are amusing. Freeman, Walken, and Macy play a likable bunch of fellows that you hope will succeed.
But there's also some not-so-decent things about the movie. The violent opening fantasy sequence seems way out of place with its harsh tone. Except for Walken's character, we don't learn too much about the characters in the movie. There are some unexplained things in the movie, like where the thieves got the van and how Walken's character adjusted the vacation he was going to take with his wife. The main problem, however, is that while the movie is refreshingly low key, it's TOO low key. It's lacking a bit more edge to it. Some more excitement or some more laughs would have helped a lot.
Maybe it's best that this didn't land in theaters; I wouldn't have recommended to pay full price to see it in a theater. But if you like caper movies, like any or all of the three lead actors, and you can see it for little or no cost, it's an acceptable time waster.
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