A hard core Interpol Agent is assigned to an Eastern European task force to target gun trafficking and dope running throughout the Balkans. While investigating a Russian gun dealer, his ... See full summary »
After serving 6 years for a crime he didn't commit, Shane Daniels is released from jail with an apology from the State of Arizona. Within hours of his freedom, he unluckily bears witness to... See full summary »
When former black ops operative Cross (Seagal) and his partner Manning (Austin) are assigned to decommission an old prison, they must oversee the arrival of two mysterious female prisoners.... See full summary »
Chris Kody, the world's best mercenary, is freed from prison -- but there's a catch. Kody must use his lethal weapons and fighting skills to stop a group of terrorists who have taken over a nuclear sub.
Matt is an elite ex-cop whose life has gone down hill since he was kicked off the Force. After a rough encounter with a mysterious henchman, Matt is brought face to face with his only ... See full summary »
Renée Elise Goldsberry
Steven Seagal's previous film, "Pistol Whipped", was a pretty solid little low-budget action thriller, and it looked as if Seagal was finally starting to learn from his mistakes and improve upon them. "Kill Switch" makes "Pistol Whipped" look like a fluke. Does he honestly expect people to like this movie? For starters, the fight scenes are a joke. They're hardly even fight scenes - mostly just Seagal beating up people. Or should I say, his frequently obvious stunt double beating up people. They are edited very annoyingly, with lots of dropped frames, repeated shots, and close-ups of frantically waving arms. Seagal adopts a ridiculous (I think it was meant to be Southern - "Y'all", "Lord Have Mercy", "Sho Nuff", etc.) accent, has a love interest at least 20 years younger than him, whom he completely ignores, because that's what all supercool detectives like him do, and is joined in his latest investigation by a rookie female FBI agent, whom he's a complete jerk to, because, again, that's what all supercool detectives like him do. Did I mention that "he's a genius" and that "he doesn't follow protocol"? And what's with the film's fascination with torture, sadism, close-ups of corpses....blergh. Is Seagal making a play for the "SAW" market? And let's not even mention the completely nonsensical ending. The only semi-redeeming features of "Kill Switch" are some unintentional laughs, and the presence of Holly Dingard and Isaac Hayes (in one of his last roles). *1/2 out of 4.
11 of 12 people found this review helpful.
Was this review helpful to you?