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In Italy, a woman fears her sister may have been kidnapped. Inspector Enzo Avolfi fears it's worse. They team up to rescue her from a sadistic killer known only as Yellow.

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Cast

Cast overview, first billed only:
...
Inspector Enzo Avolfi / Giallo (as Byron Deidra)
...
Linda
...
Celine
...
Inspector Mori
Valentina Izumi ...
Keiko (as Valentina Izumì)
Sato Oi ...
Midori
Luis Molteni ...
Sal
Taiyo Yamanouchi ...
Toshi
Daniela Fazzolari ...
Sophia
Nicolò Morselli ...
Young Enzo
Giuseppe Lo Console ...
Butcher
Anna Varello ...
Butcher's Wife
Franco Vercelli ...
Cabbie
Lorenzo Pedrotti ...
Delivery Boy
Farhad Re ...
Designer
Edit

Storyline

In Torino, Celine, an American model, is abducted by a taxi driver while en route home to meet her sister Linda, visiting at her apartment. The next morning, Linda reports that Celine is missing - the sergeant in charge directs her to F.B.I. agent Inspector Enzo Avolfi. He's from the Special New York City Department investigating a serial-killer that kidnaps foreigners to destroy their beauty. When a Japanese woman is found at nearby a fountain, Enzo and Linda find that the girl is calling the abductor's skin is "Yellow" in color and Linda concludes that the guy might have jaundice. They go to the Policlinic di Torino to find the killer. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

To Catch a Killer, You Must Think Like a Killer!.

Genres:

Horror | Thriller

Motion Picture Rating (MPAA)

Rated R for strong bloody violence, language, some sexual content, nudity and drug use | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

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Language:

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Release Date:

1 July 2011 (Italy)  »

Also Known As:

Agria katadioxi  »

Box Office

Budget:

$14,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This is Dario Argento's first theatrical directorial feature which isn't based on an original script by himself. However, the script was written specifically for him. See more »

Connections

References Pale Rider (1985) See more »

Frequently Asked Questions

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User Reviews

 
Not as bad as I had heard.
4 October 2011 | by (Hampshire, England) – See all my reviews

When the man responsible for some of the best giallos ever made directs a movie simply titled Giallo, then I suppose one might reasonably expect him to fully embrace the conventions of the genre (many of which he was instrumental in establishing). Instead, Argento only loosely follows the giallo format, the grimy approach he adopts being more akin to the recent US 'torture porn' trend, a fact that has unsurprisingly caused something of a critical backlash from fans of Italian horror.

But although Giallo clearly doesn't warrant its title, and, devoid of his usual visual flair and labyrinthine storytelling, is far from the director's best work, neither is it totally deserving of the drubbing it has received.

The film moves along briskly enough, switching regularly between crime and police procedure to ensure that boredom never sets in; the hero cop-with-a-dark-past, Enzo Avolfi, is played with conviction by Adrien Brody; Emmanuelle Seigner makes for a decent enough side-kick; the rather lovely Elsa Pataky is required only to look scared and beautiful, but does so convincingly; and the strangely familiar killer is delightfully daft—an ugly, dummy-sucking, bandana-wearing taxi-driver with yellow skin (caused by a dose of Hepatitis C, inherited from his junkie mother) and a hatred of all things beautiful.

Argento also finds time for a few seriously nasty moments, including a graphic hammer to the skull scene, a nasty bit of finger pruning (resulting in plenty of pumping blood), and a wince-inducing moment involving shards of broken glass.

Whilst it is true that Argento's typical sense of style might be lacking on this occasion, there is still enough to enjoy about this film to make it worth a go—after all, even Argento at his worst is better than many other directors at their best.


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