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We get no explanations when we're entering the last desperate minutes of three mens lives, all being violent to the women they love. We understand there's a reason behind the three mens reactions. What lies behind?
Jarle Klepp from "The Man Who Loved Yngve" is now a student on 25, loving women, indie rock and deconstruction. Then he gets a letter telling him he's a father, after a drunken one night stand with a 15 year old, 7 years ago, back in 1989.
Rolf Kristian Larsen,
Amina Eleonora Bergrem,
Pål Sverre Hagen
Jernanger is a tale about the tempered Eivind who isn't scared of anything- except love. Eivind, lives aboard a boat in the South of Norway. The boat lies low and lopsided in the water. ... See full summary »
Pål Sverre Hagen,
Hans Petter Hansen
At the psychiatric clinic Varden the attendants are mad and the inmates are sane. Here you find life in all it's different faces. Through 24 year old Aina we get to know the insane gang, bringing back her lust for life.
Ingrid Bolsø Berdal,
Valkyrien centers on a doctor who runs an illegal, underground clinic in an old bomb shelter, where he treats criminals, emergency patients, and others who can't or won't seek medical help in a regular hospital.
Pål Sverre Hagen,
It is close to Christmas. In a snow covered landscape in the countryside of Norway we meet 12 year old CECILIE , her friend KLARA and Cecilie's family . They are all preparing for Christmas... See full summary »
Jesper W. Nielsen
Dag is a Norwegian comedy series about a marriage counselor who think people should live in solitude. He hates spending time with other people, except from his friend Benedict who is ... See full summary »
Anders Baasmo Christiansen
Christer (27) is on his way to work when a seagull shits on his shirt. Down in the Laundromat in the basement he suddenly remembers that all his rent money is in his shirt pocket. In an attempt to save the money, he takes out the main fuse of the building to stop the washing machine. When the superintendent puts the fuse back in, an old man in an apartment above clumsily changes fuses in his own fuse-cabinet. The man dies immediately. His daughter, Leni (40) has lived completely isolated with her father. Now she is alone for the first time of her life. When fresh first-time mother Heidi (30) is down to get her laundry, she notices that all the machines have stopped. She is in a hurry and has to grab the clothes all wet. Without knowing it, Christer has started the inevitable. Written by
As far as feature debuts go, Eva Sørhaug's is notable for its narrative and stylistic ambitions: merging the dry wit of Aki Kaurismäki with the multi-character storytelling of Paul Thomas Anderson, both taken out of their original contexts and placed in the gray everyday life of Oslo, capital city of Norway.
Unlike Magnolia or Short Cuts, Cold Lunch limits its focus on three characters: Leni (Ane Dahl Torp), an introverted girl who is faced with the grim reality of unemployment and financial needs when her father suddenly dies; Christer (Aksel Henne), a troubled teenager who struggles to pay his rent and has father issues; and Heidi (Pia Tjelta), a family mother who finds herself between her newborn baby and her abusive husband Odd (Kyrre Haugen Sydness), who either offends, beats or ignores her all the time.
The atmosphere is very Scandinavian, with a particular nod to the minimalistic humor present in Kaurismäki's work. On her own part, Sørhaug adds a winning chromatic contrast, emphasizing how the characters lead gray existences while living in white or red apartments. The slow pace, very understated acting and off-beat humor enable her to paint a conventional but entertaining portrait of today's society.
The real problem, ironically, comes when she tries to connect the dots (imagine Magnolia's frog rain with seagulls instead of frogs), as the film all of a sudden shifts to another genre and leads to one of the three plot strands ending in a rather disappointing way. But once the surrealistic digression is out of the way, Cold Lunch gets back on track and ends just like it started: quirky, oddly funny and occasionally moving.
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