Uno is a story from inner-city Oslo about David, a twentyfive-year-old with few prospects for the future. His days are spent hanging around with petty criminals at an inner-city gym. Still,... See full summary »
Hawaii, Oslo is the story of a handful of people who cross each other's path without necessarily knowing each other, during the hottest day of the year, in Oslo. We follow Frode and Milla. ... See full summary »
Trond Espen Seim,
Jan Gunnar Røise,
Evy Kasseth Røsten
Pia is coming home for Christmas after traveling in England for about 6 months. She wants to catch up with her boyfriend, Kristoffer, who was supposed to have joined her on the trip, but ... See full summary »
Three friends since childhood are trying to work out their complicated relationships. Jonny tries to be best friends with Magnus, Magnus tries to be married to Tuva, and Tuva tries to have sex with Jonny.
It is close to Christmas. In a snow covered landscape in the countryside of Norway we meet 12 year old CECILIE , her friend KLARA and Cecilie's family . They are all preparing for Christmas... See full summary »
Jesper W. Nielsen
Ulrik is reluctantly let out of prison after serving 12 years for murder. He has to cope with his gang, his ex, a few women - and a snitch. His son has a fiancé. Her family doesn't approve ... See full summary »
At the psychiatric clinic Varden the attendants are mad and the inmates are sane. Here you find life in all it's different faces. Through 24 year old Aina we get to know the insane gang, bringing back her lust for life.
Ingrid Bolsø Berdal,
Jernanger is a tale about the tempered Eivind who isn't scared of anything- except love. Eivind, lives aboard a boat in the South of Norway. The boat lies low and lopsided in the water. ... See full summary »
Pål Sverre Hagen,
Hans Petter Hansen
1979 is ending, the 80s are approaching rapidly. Carl and Robert, two slacker best friends who smoke hashish as a way of cheerful living - have been peddling hashish for a decade, hitting ... See full summary »
Ulrik Imtiaz Rolfsen
Nicolai Cleve Broch,
Thomas Bo Larsen
Christer (27) is on his way to work when a seagull shits on his shirt. Down in the Laundromat in the basement he suddenly remembers that all his rent money is in his shirt pocket. In an attempt to save the money, he takes out the main fuse of the building to stop the washing machine. When the superintendent puts the fuse back in, an old man in an apartment above clumsily changes fuses in his own fuse-cabinet. The man dies immediately. His daughter, Leni (40) has lived completely isolated with her father. Now she is alone for the first time of her life. When fresh first-time mother Heidi (30) is down to get her laundry, she notices that all the machines have stopped. She is in a hurry and has to grab the clothes all wet. Without knowing it, Christer has started the inevitable. Written by
As far as feature debuts go, Eva Sørhaug's is notable for its narrative and stylistic ambitions: merging the dry wit of Aki Kaurismäki with the multi-character storytelling of Paul Thomas Anderson, both taken out of their original contexts and placed in the gray everyday life of Oslo, capital city of Norway.
Unlike Magnolia or Short Cuts, Cold Lunch limits its focus on three characters: Leni (Ane Dahl Torp), an introverted girl who is faced with the grim reality of unemployment and financial needs when her father suddenly dies; Christer (Aksel Henne), a troubled teenager who struggles to pay his rent and has father issues; and Heidi (Pia Tjelta), a family mother who finds herself between her newborn baby and her abusive husband Odd (Kyrre Haugen Sydness), who either offends, beats or ignores her all the time.
The atmosphere is very Scandinavian, with a particular nod to the minimalistic humor present in Kaurismäki's work. On her own part, Sørhaug adds a winning chromatic contrast, emphasizing how the characters lead gray existences while living in white or red apartments. The slow pace, very understated acting and off-beat humor enable her to paint a conventional but entertaining portrait of today's society.
The real problem, ironically, comes when she tries to connect the dots (imagine Magnolia's frog rain with seagulls instead of frogs), as the film all of a sudden shifts to another genre and leads to one of the three plot strands ending in a rather disappointing way. But once the surrealistic digression is out of the way, Cold Lunch gets back on track and ends just like it started: quirky, oddly funny and occasionally moving.
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