| Lawrence Pressman | ... | Warren Pikler | |
| Daniel Sauli | ... | Zak Pikler | |
| Annie Parisse | ... | Delphina Adams | |
| Sarah Wikenczy | ... | Young Mother | |
| Sebastian Wikenczy Thomsen | ... | Child | |
| Jonathan Valuckas | ... | Reuven Ben Amir | |
| Ed Setrakian | ... | Oscar Szoras | |
| Gabor Szucs | ... | Oscar's Grandson | |
| Orsoja Simon | ... | Woman in Bar | |
| Alexander Grech III | ... | Bartender | |
| Jack | ... | Yorrie | |
| Grey Rabbit Puett | ... | Young Warren | |
| Ronald Guttman | ... | Robert Pikler | |
| Victoria Clark | ... | Madeline Pikler | |
| Lara Apponyi | ... | Rivka Pikler | |
| Evan Neumann | ... | Young Emil Pikler | |
| David Stein | ... | Rudolph Kasztner | |
| Michael Marinoff | ... | Young Oscar | |
| Bern Cohen | ... | Yosef Gottlieb | |
| Joshua Kocher | ... | Baby Robert | |
| Brooke Datys | ... | Child on Train | |
| Giulia Casalino | ... | Oscar's Wife | |
| Karin Partin | ... | Girl Flying Kite | |
| Gameela Wright | ... | Nurse | |
| Eli Wallach | ... | Emil Pikler |
Directed by | |||
| Jeremy Davidson | |||
Writing credits(in alphabetical order) | ||
| Jeremy Davidson | writer | |
Original Music by | |||
| Abel Korzeniowski | |||
Cinematography by | |||
| Peter Masterson | |||
Film Editing by | |||
| Kate Eales | |||
Casting by | |||
| Kerry Barden | |||
| Paul Schnee | |||
Production Design by | |||
| David Stein | |||
Art Direction by | |||
| Dave Lieber | |||
| Jeremy Rosenstein | |||
Costume Design by | |||
| Olivera Gajic | |||
Makeup Department | |||
| Natalie Distefano | .... | specialty makeup | |
| Paola Orlando | .... | hair stylist | |
| Paola Orlando | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Joseph Ciccarella | .... | first assistant director | |
Art Department | |||
| Giulia Casalino | .... | set dresser | |
| Andrew Simek | .... | art department production assistant | |
Sound Department | |||
| Sean Cunningham | .... | boom operator | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| Lewis Goldstein | .... | supervising sound editor | |
| Nathan Lindsey | .... | adr recordist | |
| Cate Montana | .... | dialogue editor | |
| Cate Montana | .... | supervising adr editor | |
| Carmine Picarello | .... | sound mixer | |
| David Scott | .... | sound effects editor | |
Casting Department | |||
| Amy Ferzoco | .... | local casting assistant | |
Costume and Wardrobe Department | |||
| Alexandra Masterson | .... | wardrobe assistant (as Lexie Masterson) | |
| Anya Taraboulsy | .... | assistant costume designer | |
| Tricia Turczynski | .... | set costumer | |
Editorial Department | |||
| Pat Kelleher | .... | additional hd editing | |
| Scot Olive | .... | color timer (as Scott Olive) | |
Music Department | |||
| Jim Black | .... | music clearance | |
| Abel Korzeniowski | .... | orchestrator | |
Other crew | |||
| Ali Duveen | .... | production coordinator | |
| Ilyse Frisch | .... | cast liaison | |
| Joe Proietto | .... | production coordinator | |
| Casey Puccini | .... | production assistant | |
| Friday Savathphoune | .... | script supervisor | |
| Valerie Stodghill | .... | craft service | |
| Emily Webster | .... | production assistant | |
Thanks | |||
| Joshua Bitton | .... | thanks (as Joshua Biton) | |
| Paul Feldsher | .... | special thanks | |
| Carlin Glynn | .... | special thanks | |
| Anil Kumar | .... | thanks | |
| Joe Landauer | .... | special thanks | |
| Trevor Long | .... | thanks | |
| Scott Macaulay | .... | special thanks | |
| Deborah Marinoff | .... | special thanks | |
| Peter Masterson | .... | special thanks | |
| George Sheanshang | .... | special thanks | |
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| The Island | Educating Cooper | Trash Humpers | Bell Manor | Condition One |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
An endearing and very engaging fictional family's ties and hidden history , linked to an actual historic event [ the Kasztner train rescue of beleaguered Hungarian Jews in 1943 ] .
The attendees and myself viewing this very dramatic movie , at The Stony Brook Film Festival this weekend , could not help but be drawn into the interwoven plot lines of a family's secret , and it's impact on individual family members. What unfolds before you is a story of past choices that not only impact and shape those involved in a life and death struggle to survive , but the psyches and values each fall back on as they navigate their own way through life .
Generations from family patriarch , Emil Pikler [ expertly played by actor Eli Wallach ] , his sons Warren and Robert , and grandson Issac - "Zak" interplay , as years of emotional knots and protective walls start to unwind and come down . The inherited genes are subtly displayed , linking family traits ( i.e. love of the "game" - baseball , stubbornness , etc. ) . Yet , it's the impact of seeing a traumatic event take place that sets the stage for the knots and walls to be formed , and hence , individual actions and reactions on one's own life path [ navigating through the cosmos ] .
Eli Wallach is indeed an American theatrical and dramatic institution . (93 years young and still giving us engaging performances. Mazel tov ! ) . Lawrence Pressman gives a fantastically warm performance as the beleaguered and scarred son , Warren . Look for Daniel Sauli , portraying the grandson Zak , ably backed up by his girl friend Delphina ( Annie Parisse ) , who slice us through the plot lines and family history . Kudos as well to Ronald Guttman , as the counter-point brother Robert , who brings shaded comic release and vivid stark reality to the varying situations .
This presentation could apply to a multitude of families whose members have survived WWII ( or other horrific family altering conflicts ) . It's the untold stories ( and secrets ) that may yet haunt and contort warm and strong family ties , causing sad separations . Perhaps , some secrets and histories are better kept hidden . Sadly , many are dying off with their holders , as generations pass away.
Gauging the audience's reaction , this entry should capture at a top prize at the festival , and do well as it's released to the public . Director and writer Jeremy Davidson has constructed a moving and emotional vehicle to be enjoyed with your own families (regardless of nationalities, religions, creeds , etc . ) . Meanwhile , here's to living ( on ) , and to Life ! L' Chaim !