In Ancient Akkad, Mathayus grows up as the proud son of Ashur, a captain in the world-renowned military corps of Black Scorpions, first-rate bodyguards, most of which are sent to courts ...
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Since his rise to power, Mathayus' kingdom has fallen. Now an assassin for hire, he must defend a kingdom from an evil tyrant and his ghost warriors for the chance to regain the power and glory he once knew.
Thousands of years ago, the great Child King Tutankhamen ruled. Few know the details of his life no one knows the secrets of his death. But all is about to change. In 1922 Cairo, ... See full summary »
Casper Van Dien,
The year is 2048, and global warming has flooded much of Earth's land areas. A father and his two sons try to salvage treasures from sunken buildings when they are given an important assignment by the New Vatican.
Jean de Segonzac
In Ancient Akkad, Mathayus grows up as the proud son of Ashur, a captain in the world-renowned military corps of Black Scorpions, first-rate bodyguards, most of which are sent to courts wide away. By objecting to young Mathayus joining the corps, Ashur incurs the undying enmity of ruthless generalissimo Sargon, gets killed and the orphaned knave is shipped off to a desolate training camp for six years by king Hammurabi's clemency. When he returns as a Black Scorpio, Sargon has bloodily seized the throne and demands cruel proof of blind loyalty. Mathayus refuses, becoming a chased hero. With youth friends, the resourceful Greek Pollux and various mercenary warriors, he embarks on a daring quest to obtain a legendary sword from Sargon's magical ally, the war-goddess Astarte. Written by
During the end credits, the cast is listed in order of character importance despite being labeled "in order of appearance". See more »
But the truth of the matter was Mathayus did have a fondness for battles and killing. And though he loved Layla, the blood of a warrior and the scorpion's dark venom still coursed through his veins. It would drive him out into the wide world for further adventures and further battles until one day perhaps he would return to become the Scorpion King. That is the subject for another tale.
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Every single criticism of this movie is pretty much correct. But I still had fun.
I hate defending a movie because you have to accept it "for what it is," but I'll make an exception for this fine and dandy B-movie, because you really do have to accept it for what it is. There's no possible way to enjoy it if you take it seriously... but there's also no reason to take it seriously! But has there ever really been a "good" serious film in this genre? Precious few, maybe none.
Somewhere early on I got the idea that the movie felt pretty much exactly like playing a D&D module, and that mental picture actually really worked for me -- it felt nostalgic. Once I had that in my head, it was easy to favorably compare the film to many other films that have tried the same thing and failed much (much) more horribly. I have turned off many other contenders. Notice I'm still not saying that this film was "good" -- just much less bad than a lot of films of the same general type. I'm saying it was good for a B movie.
It was good for a B movie especially because the acting and script were not gratingly horrible. (Okay, the wrestler-dude king was as stiff as a board, I can't deny that.) But the young fella and whatshercuteface were actually pretty good, and the scribe guy wasn't so horrible either. They seemed to be comfortable and having fun in their silly little roles, and they were actually responding to each other, not just reading the lines. That's way, way more than you can expect from most B movies.
So, seriously, don't take this film seriously. Of course it's not "good". If you want to watch this sort of thing, cut it some slack and have a good time. You could definitely do worse!
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