| Tim Allen | ... | Police Officer (as Timothy Allen) | |
| Mischa Barton | ... | Sam | |
| Darla Biccum | ... | Liz Walczak | |
| Cameron Bright | ... | Jimmy | |
| Eugene Clark | ... | Burnett | |
| Mark D. Claxton | ... | Richard (as Mark Claxton) | |
| Pascal Greggory | ... | Malestrazza | |
| Shannon Jardine | ... | Store Clerk | |
| Noam Jenkins | ... | Peter | |
| Sophi Knight | ... | Julie | |
| Taylor Leslie | ... | Lucy Walczak | |
| Emily McAfee | ... | Young Sam | |
| Jane Redlyon | ... | Denise | |
| Rob Roy | ... | Charles Walczak | |
| Josh Strait | ... | Vincent Walczak | |
| Deborah Kara Unger | ... | Mary | |
| Rob van Meenen | ... | Patrick Walczak (as Rob Van Meenen) |
Directed by | |||
| Gilles Paquet-Brenner | |||
Writing credits | ||
| Serge Brussolo | (novel "Les Emmurés") | |
| Rodolphe Tissot | (written by) and | |
| Olivier Volpi | (written by) and | |
| Sylvain White | (written by) and | |
| Gilles Paquet-Brenner | (written by) | |
Produced by | |||
| Bader Alwazzan | .... | executive producer | |
| Kevin DeWalt | .... | producer | |
| Jean-Charles Levy | .... | producer (as Jean-Charles Lévy) | |
| Nicolas Manuel | .... | associate producer | |
| Stéphane Marsil | .... | producer | |
| Michael Mihalke | .... | executive producer | |
| Clément Miserez | .... | producer | |
| Olivier Piasentin | .... | associate producer | |
| Janine Stener | .... | executive producer | |
| Dieter Vollkammer | .... | executive producer | |
| Ingo Vollkammer | .... | producer | |
| Scott Einbinder | .... | executive producer (uncredited) | |
| Philip Fier | .... | executive producer (uncredited) | |
Original Music by | |||
| Greg Biribauer | (as Gregory Biribauer) | ||
Cinematography by | |||
| Karim Hussain | |||
Film Editing by | |||
| Jackie Dzuba | |||
Casting by | |||
| Carmen Kotyk | |||
Production Design by | |||
| Bertrand Seitz | |||
Art Direction by | |||
| Sara McCudden | |||
Set Decoration by | |||
| Andrea Spakowski | |||
Costume Design by | |||
| Cathy McComb | |||
Makeup Department | |||
| Lisa Campbell | .... | first assistant hair stylist: second unit (as Lisa Campbell-Buteau) | |
| Jennifer Forberg | .... | assistant makeup artist | |
| Tracy George | .... | key makeup artist | |
| Tamara Harrod | .... | key hair stylist | |
| Amber Herbach | .... | assistant hair stylist | |
| Kaitlyn Rae | .... | second assistant makeup artist | |
| Emersen Ziffle | .... | special makeup effects artist | |
Production Management | |||
| Rhonda Baker | .... | production manager | |
| Heather Malek | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Kenny Chaplin | .... | second assistant director | |
| Sheree Fondeur | .... | third assistant director (as Sheree Betker) | |
| Alfie Kiernan | .... | first assistant director | |
| Rob W. King | .... | second unit director (as Rob King) | |
| Danny Samchyk | .... | trainee assistant director | |
| Terry Mialkowsky | .... | first assistant director: second unit (uncredited) | |
Special Effects by | |||
| Paul Compton | .... | special effects trainee | |
| Ross Herne | .... | special effects second assistant | |
| Paul Noël | .... | special effects supervisor | |
| Joel Passmore | .... | special effects assistant | |
| Kirk Storms | .... | special effects fabricator | |
| Patrick Murphy | .... | special effects gaffer (uncredited) | |
Visual Effects by | |||
| Brent Braaten | .... | visual effects intern | |
| Stephen Brown | .... | dustbuster | |
| Paul Dion | .... | visual effects co-supervisor | |
| Colin Hubick | .... | visual effects co-supervisor | |
| Ahmad Ismail | .... | digital opticals | |
| Mila Patriki | .... | digital intermediate colourist | |
| Trevor Pickard | .... | dustbuster | |
| Alison Schouten | .... | dustbuster | |
| Motassem Younes | .... | digital opticals | |
| Brayden Klein | .... | visual effects artist (uncredited) | |
| Chad R. Stephens | .... | visual effects artist (uncredited) | |
Stunts | |||
| T.J. Bews | .... | stunt coordinator | |
| Chyanne Hodgson | .... | stunt double | |
Casting Department | |||
| Karina Davis | .... | casting: Los Angeles | |
| Trenna Keating | .... | casting: Saskatchewan | |
| Kate Plantin | .... | casting: UK | |
| Shauna Tocchet | .... | casting: Los Angeles | |
Costume and Wardrobe Department | |||
| Myk Brazier | .... | costumer | |
| Sonja Clifton-Remple | .... | costumer | |
| Kerri La Londe | .... | costume set supervisor (as Kerri LaLonde) | |
| Joanna Vollhoffer | .... | assistant costume designer | |
| Diane Will | .... | truck costumer | |
Editorial Department | |||
| Peter Armstrong | .... | digital intermediate producer | |
| JuliAnne Bonnett | .... | post-production coordinator: dailies | |
| Jason Britski | .... | assistant: editor | |
| Scott Cole | .... | dailies project manager | |
| Lee Hughes | .... | digital intermediate coordinator | |
| Trevor Lewis | .... | digital intermediate scanner and recorder | |
| Heather Malek | .... | first assistant editor | |
| Tom Mayclim | .... | digital intermediate scanner and recorder | |
| Dave Muscat | .... | digital intermediate editor | |
| Sandy Parr | .... | colorist: dailies | |
| Nick Paulozza | .... | imaging supervisor | |
Other crew | |||
| Travis Barzan | .... | craft service | |
| Richelle Bourgoin | .... | unit publicist | |
| Shelly Bowes-Cherry | .... | assistant production coordinator (as Shelly Bowes) | |
| Jason Bryant | .... | stand-in | |
| Cheryl Caza | .... | finance manager: Minds Eye Entertainment | |
| Nigel Crook | .... | production accountant | |
| Simon Edery | .... | executive consultant | |
| Nicale Fiset | .... | sous chef | |
| Kari Fonkalsrud | .... | first assistant accountant | |
| Wanda Fraser | .... | assistant: Kevin DeWalt | |
| David Geiss | .... | extras wrangler | |
| Natasha Getz | .... | producer intern | |
| Ingrid Guzmán | .... | second assistant accountant | |
| Catherine Haines | .... | talent coodinator | |
| Chyanne Hodgson | .... | wrangler assistant | |
| Colin Hubick | .... | technical director: Minds Eye Entertainment | |
| Glenda Huynink | .... | tutor | |
| Flo Krisko | .... | animal wrangler | |
| Lauren 'Fluff' Lindsay | .... | craft service | |
| Lauren 'Fluff' Lindsay | .... | first aid | |
| Tricia Martin | .... | publicity assistant | |
| Karen McDonald | .... | wrangler assistant | |
| Mark Montague | .... | publicist | |
| Sharai Mustatia | .... | craft service | |
| Melanie Nicklas | .... | trainee production coordinator | |
| Tiffany Palmer | .... | script supervisor trainee | |
| Janice Petersen | .... | accountant: Minds Eye Entertainment | |
| Jeffrey Quinn | .... | accountant: Minds Eye Entertainment | |
| Elaine Schaeffer | .... | production secretary: Minds Eye Entertainment | |
| Ryan Schmidt | .... | locations production assistant | |
| Shane B. Scott | .... | script supervisor (as Shane Scott) | |
| Pam Simons | .... | production coordinator | |
| William B. Smith | .... | production assistant (as Will Smith) | |
| Jillian Walchuck | .... | stand-in (as Jillian Walchuk) | |
| Patricia J.F. Warsaba | .... | legal services (as Patricia Warsaba) | |
| Leigh White | .... | kitchen team | |
| Moneca Wollis | .... | assistant: Kevin DeWalt (as Moneca Wallis) | |
| Claude Forest | .... | insurance broker (uncredited) | |
| Jennifer Gay | .... | translator (uncredited) | |
| Kalin Jensen | .... | production assistant (uncredited) | |
| Dana Lesiuk | .... | script supervisor (segments) (uncredited) | |
| Terry Mialkowsky | .... | location manager (uncredited) | |
| Nathan Mosewich | .... | assistant location manager (uncredited) | |
| Nathan Mosewich | .... | location scout (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
"Walled In" definitely looked like a horror movie with massive potential and several aspects about the synopsis immediately appealed to me, like the guaranteed horrific theme of claustrophobic death, isolated buildings with a macabre past, lunatic architects and a slowly unfolding serial killer plot. I became even more convinced of the potential after witnessing the terrifically uncanny opening sequence in which a small child is trapped between four walls and screaming her lungs out whilst cement slowly filling up the concrete grave. This is a harsh and nightmarish sequence that you don't expect to see in modern day horror movie, so I started to feel very confident this could become a gem of a film. Unfortunately I shouted victory way too early again, as the walls of the productions literally come crashing down promptly after the opening credits. The screenplay is adapted from a graphic novel written by Canadian writer Serge Brussolo, and I certainly don't doubt the idea makes an absorbing book, but the film version is unstructured, confusing, preposterous and utterly implausible. Furthermore, the film itself is extremely unpleasant to look at what with its grainy photography, grim ambiance and vile characterizations. "Walled In" is one of those movies that make you nervous and uncomfortable without actually scaring anyone, so I was really glad when it was over. Sam Walczak is a freshly graduated engineer and the heiress of her family's destruction company. Her father offers her the opportunity to be in charge of her very own project: organizing and supervising the demolition of a remote and sinister apartment building, originally designed by the notoriously eccentric architect Joseph Malestrazza. The building has a dark past, as reputedly over 15 previous tenants were entombed in the walls, and Sam quickly experiences there's truth in the rumors. Together with the slightly offbeat teenage son of the evicted caretaker, she develops a theory that the mysteriously vanished architect might still be entrenched in the building. Pretentious and lethargic, "Walled In" is basically a totally absurd movie with an overload of transparent red herring and atmosphere building elements that are boldly stolen from other (and much better) genre classics. The ending is downright pathetic and actually a direct insult on the viewer's intelligence. Don't expect any gore or bloodshed, neither, just a whole lot of wannabe shocking undertones leading absolutely nowhere. The performances are very much below par and the overall conclusion regarding the film is, simply put, embarrassing. If these walls could talk they would advise us to throw all copies of this movie in a hole in the basement and subsequently blow up the building.