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TRON: Legacy (2010)

PG  |   |  Action, Adventure, Fantasy  |  17 December 2010 (USA)
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Ratings: 6.8/10 from 249,730 users   Metascore: 49/100
Reviews: 655 user | 457 critic | 40 from

The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.



(screenplay), (screenplay), 6 more credits »
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Nominated for 1 Oscar. Another 12 wins & 43 nominations. See more awards »



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Cast overview, first billed only:
Siren #2
Siren #3
Siren #4
Half Faced Man (as Yurij Kis)
Chattering Homeless Man


Sam Flynn, the tech-savvy 27-year-old son of Kevin Flynn, looks into his father's disappearance and finds himself pulled into the same world of fierce programs and gladiatorial games where his father has been living for 20 years. Along with Kevin's loyal confidant Quorra, father and son embark on a life-and-death journey across a visually-stunning cyber universe that has become far more advanced and exceedingly dangerous. Meanwhile, the malevolent program CLU, who dominates the digital world, plans to invade the real world and will stop at nothing to prevent their escape. Written by ZootCatchy

Plot Summary | Plot Synopsis


The Game Has Changed. See more »

Motion Picture Rating (MPAA)

Rated PG for sequences of sci-fi action violence and brief mild language | See all certifications »

Parents Guide:





Release Date:

17 December 2010 (USA)  »

Also Known As:

TR2N  »

Box Office


$170,000,000 (estimated)

Opening Weekend:

£1,970,692 (UK) (17 December 2010)


$172,051,787 (USA) (8 April 2011)

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Amy Esterle filmed scenes as Sam Flynn's mother, though most were deleted from the final film. In an early cut of the film, Sam's mother was to have lived well into his childhood years; this plot point was changed in post-production to add emphasis to the father-son relationship between Sam and Kevin Flynn. Esterle still makes an brief appearance as an unidentified woman in a flashback sequence. The movie novelization retains the earlier concept of Sam's mother surviving and expands her backstory as to how she met Kevin Flynn and the circumstances of her death. See more »


When Sam Flynn is first brought to Clu, his identity disk on his back is not illuminated. The inner ring on both sides is always supposed to be lit, but several times in side views, various characters ID disks aren't lit. See more »


[first lines]
Kevin Flynn: The Grid. A digital frontier. I tried to picture clusters of information as they moved through the computer. What did they look like? Ships? motorcycles? Were the circuits like freeways? I kept dreaming of a world I thought I'd never see. And then, one day...
7 Year Old Sam Flynn: You got in.
Kevin Flynn: That's right, man. I got in.
See more »

Crazy Credits

The Walt Disney Pictures logo is modified in the same style as the digital TRON world. See more »


References Willy Wonka & the Chocolate Factory (1971) See more »


Sweet Dreams (Are Made of This)
Written by Annie Lennox and David A. Stewart (as David Stewart)
Performed by Eurythmics
Courtesy of Sony Music Entertainment (UK) Limited and The RCA Records Label
By arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A dazzling and spectacular special effects extravaganza, despite its flaws.
16 December 2010 | by (Penang, Malaysia / Chicago, USA) – See all my reviews

Right off the bat I'm going to say that I didn't see the first film. Obviously I've heard from a lot of people saying that they need to see the first film before watching this one, seeing as this is a direct sequel to a nearly 30 year old cult sci-fi film. But, seeing that I didn't have time, I decided to watch the sequel anyway.

Now keep in mind that Disney took a HUGE risk in making a sequel to a movie that is not very often talked about when it comes to movies as opposed to many blockbusters today. The first TRON had no famous franchise to speak of (apart from the real games inspired by it). Adding to the danger is the film's budget - reportedly between US$ 200

  • 300 million. With that kind of money you'll wonder what exactly was

Disney hoping for with this film.

Nevermind the fact that the story is a bit unfocused and could be rounded up in a more polished way. Nevermind too that the fantastic world and great ideas aren't expanded upon some more, as well as the fact that the script could use a little bit more originality.

Also, not forgetting some good (in Jeff Bridges' case, great as always as he plays two very different characters with perfect emotional resonance - proving that he still has the chops to carry a big movie) performances by the cast - with Garrett Hedlund showing great leading man potential and Olivia Wilde looking great and cute to boot. Michael Sheen, Beau Garrett and Bruce Boxleitner (apparently returning to his role from the first film, so it seems) all give good support.

No sir-ee, what you pay for - and what you get in spades - are the special/visual effects. Goodness me, this is quite possibly the best special effects I've seen all year, and that's saying something. I have to admit though, the CGI that makes Jeff Bridges young look jarring, but that is overshadowed by the compelling, groundbreaking special/visual effects that really bring you into the cybernetic world. Who doesn't want to take a ride on one of those fantastic, futuristic vehicles? Who doesn't want those awesome light-cycles or one of those dueling/data discs? It is possible that, like "Avatar" a year ago, this film can be a game-changer for special/visual effects alone.

It's a real treat for the eyes, and it's even better in 3D which is splendidly used to flesh out the dimensions and graphics of the cyber world bring you even deeper into the world instead of things merely flying out to you and post-production conversion like in SO many 3D movies (Note that in the 3D version, there's a disclaimer before the film starts, saying that parts of the film are filmed in both natural 2D and 3D as they way they should be. Just so you know, this shows that the filmmakers care for what they want to give you).

Very ambitious architect-and-designer-turned-first-time-filmmaker Joseph Kosinski hit a home run with this film, crafting an extraordinary and spellbinding world of escapism that looks slick, stylish and extremely cool to watch. Kosinski and the production team fill the cyber world with heaps of imagination and the result is what you see on screen. And here I thought Hollywood would recycle certain design patterns (plot patterns still need work though). Kosinski is a truly visionary filmmaker that one really has to keep an eye on.

The production design is on par with the special effects, it is nothing short of spectacular and perfect. The cinematography which is big and wide and best of all NOT shaky allows you to savor every moment of SFX goodness. The superb sound effects serve to complement the visuals and the electronic world, and all for the better. Daft Punk's varying but atmospheric electronic/orchestral score all but suits the film's mood perfectly with its techno beats and soaring string during moments.

Overall, this is perhaps a fine way to end the blockbuster season of 2010, and this is a definite must watch for all looking for an escape. The special effects alone are worth the price of TWO movie tickets, and with that I say, give this one a try, even if you haven't seen the first one. It aims to entertain and to dazzle the audience, and it succeeds brilliantly. Excuse me while I rent the first one now.

Overall rating: 75/100

119 of 189 people found this review helpful.  Was this review helpful to you?

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