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TRON: Legacy (2010)

TRON (original title)
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The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.

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(screenplay), (screenplay) | 6 more credits »
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Nominated for 1 Oscar. Another 10 wins & 45 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Gem
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Anis Cheurfa ...
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Siren #2
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Siren #3
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Siren #4
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Half Faced Man (as Yurij Kis)
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Chattering Homeless Man
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Storyline

Sam Flynn, the tech-savvy 27-year-old son of Kevin Flynn, looks into his father's disappearance and finds himself pulled into the same world of fierce programs and gladiatorial games where his father has been living for 20 years. Along with Kevin's loyal confidant Quorra, father and son embark on a life-and-death journey across a visually-stunning cyber universe that has become far more advanced and exceedingly dangerous. Meanwhile, the malevolent program CLU, who dominates the digital world, plans to invade the real world and will stop at nothing to prevent their escape. Written by ZootCatchy

Plot Summary | Plot Synopsis

Taglines:

The Game Has Changed. See more »


Motion Picture Rating (MPAA)

Rated PG for sequences of sci-fi action violence and brief mild language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 December 2010 (USA)  »

Also Known As:

TRON: Legacy  »

Box Office

Budget:

$170,000,000 (estimated)

Opening Weekend:

£1,970,692 (UK) (17 December 2010)

Gross:

$172,051,787 (USA) (8 April 2011)
 »

Company Credits

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Technical Specs

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When standing over the board game with black and white stones, Quorra mentions to Sam Flynn that she rarely beats Kevin Flynn at it. The board game is, in fact, "Go", a game that is notoriously difficult for computer programs to play well. Unlike chess, where computers are able to beat the world's best human players, the best Go computer programs only manage to reach an intermediate amateur level. Which explains why Quorra, being a computer program, would rarely be able to beat Kevin Flynn. See more »

Goofs

During the fight scene in the End of Line, Quorra is wearing boots without heels. When Sam carries her off the elevator towards the cargo ship, Quorra's boots now have a heel. See more »

Quotes

[first lines]
Kevin Flynn: The Grid. A digital frontier. I tried to picture clusters of information as they moved through the computer. What did they look like? Ships? motorcycles? Were the circuits like freeways? I kept dreaming of a world I thought I'd never see. And then, one day...
7 Year Old Sam Flynn: You got in.
Kevin Flynn: That's right, man. I got in.
See more »

Crazy Credits

At the beginning of the movie, the title only says "TRON". Not until during the ending credits does the name "Legacy" get included in the title when it reappears. See more »

Connections

Referenced in Hollywood's Top Ten: Computer Age Movies (2010) See more »

Soundtracks

Separate Ways
Written by Steve Perry and Jonathan Cain
Performed by Journey
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A dazzling and spectacular special effects extravaganza, despite its flaws.
16 December 2010 | by (Penang, Malaysia / Chicago, USA) – See all my reviews

Right off the bat I'm going to say that I didn't see the first film. Obviously I've heard from a lot of people saying that they need to see the first film before watching this one, seeing as this is a direct sequel to a nearly 30 year old cult sci-fi film. But, seeing that I didn't have time, I decided to watch the sequel anyway.

Now keep in mind that Disney took a HUGE risk in making a sequel to a movie that is not very often talked about when it comes to movies as opposed to many blockbusters today. The first TRON had no famous franchise to speak of (apart from the real games inspired by it). Adding to the danger is the film's budget - reportedly between US$ 200

  • 300 million. With that kind of money you'll wonder what exactly was


Disney hoping for with this film.

Nevermind the fact that the story is a bit unfocused and could be rounded up in a more polished way. Nevermind too that the fantastic world and great ideas aren't expanded upon some more, as well as the fact that the script could use a little bit more originality.

Also, not forgetting some good (in Jeff Bridges' case, great as always as he plays two very different characters with perfect emotional resonance - proving that he still has the chops to carry a big movie) performances by the cast - with Garrett Hedlund showing great leading man potential and Olivia Wilde looking great and cute to boot. Michael Sheen, Beau Garrett and Bruce Boxleitner (apparently returning to his role from the first film, so it seems) all give good support.

No sir-ee, what you pay for - and what you get in spades - are the special/visual effects. Goodness me, this is quite possibly the best special effects I've seen all year, and that's saying something. I have to admit though, the CGI that makes Jeff Bridges young look jarring, but that is overshadowed by the compelling, groundbreaking special/visual effects that really bring you into the cybernetic world. Who doesn't want to take a ride on one of those fantastic, futuristic vehicles? Who doesn't want those awesome light-cycles or one of those dueling/data discs? It is possible that, like "Avatar" a year ago, this film can be a game-changer for special/visual effects alone.

It's a real treat for the eyes, and it's even better in 3D which is splendidly used to flesh out the dimensions and graphics of the cyber world bring you even deeper into the world instead of things merely flying out to you and post-production conversion like in SO many 3D movies (Note that in the 3D version, there's a disclaimer before the film starts, saying that parts of the film are filmed in both natural 2D and 3D as they way they should be. Just so you know, this shows that the filmmakers care for what they want to give you).

Very ambitious architect-and-designer-turned-first-time-filmmaker Joseph Kosinski hit a home run with this film, crafting an extraordinary and spellbinding world of escapism that looks slick, stylish and extremely cool to watch. Kosinski and the production team fill the cyber world with heaps of imagination and the result is what you see on screen. And here I thought Hollywood would recycle certain design patterns (plot patterns still need work though). Kosinski is a truly visionary filmmaker that one really has to keep an eye on.

The production design is on par with the special effects, it is nothing short of spectacular and perfect. The cinematography which is big and wide and best of all NOT shaky allows you to savor every moment of SFX goodness. The superb sound effects serve to complement the visuals and the electronic world, and all for the better. Daft Punk's varying but atmospheric electronic/orchestral score all but suits the film's mood perfectly with its techno beats and soaring string during moments.

Overall, this is perhaps a fine way to end the blockbuster season of 2010, and this is a definite must watch for all looking for an escape. The special effects alone are worth the price of TWO movie tickets, and with that I say, give this one a try, even if you haven't seen the first one. It aims to entertain and to dazzle the audience, and it succeeds brilliantly. Excuse me while I rent the first one now.

Overall rating: 75/100


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One of the deepest and most misunderstood blockbusters ever julienrodger
What was CLU thinking?! Adrian_Lightfoot
Movies you love that get alot of hate lesseroftwoweevils
This movie totally deserved a Best Visual Eff nom chris610
Soundtrack Question and RIP TR3N :( realdealman456
Koarra's driving, about 45 minutes in thedudeabides12
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