After his latest film is met with horrible reviews, Able Whitman sets out to prove the critics wrong by finding inspiration in his cast and crew. Sometimes great art requires great sacrifice- and the director always gets final cut!
Chelsea (Sasha Grey) is a high-priced $2,000-an-hour call girl in Manhattan, offering a 'girlfriend experience': she'll dress with the client in mind, go to dinner and a movie, listen attentively to talk about work and finances, and she'll provide sex. It's October, 2008: a presidential election nears and the economy is in free fall. She has a boyfriend, Chris (Chris Santos), who's a personal trainer. We are shown five non-consecutive days in Chelsea's life. She's working on her Web page, talking to image consultants, and being interviewed by a reporter. She asks clients when their birthdays are and uses that for an astrological prediction. She's drawn to a new client, a writer from L.A. Should she break her rules for him? What if it risks her relationship with Chris? Should she invest in gold? Written by
On October 25th, I met with Dennis. We had lunch at Nobu and then went to a hotel room. During lunch, he talked about the financial crisis. When we got back to the hotel room, he immediately got on the phone and ordered some Macallan 25. I put on a Kiki de Montparnasse corset, panties and gloves. The shoes were basic Zara. After he got off the phone, we made out for a while and then he asked me to masturbate, which I did. Then he masturbated while watching me. He made another ...
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After the end credits, there's a brief scene of Chelsea washing a client's hair as he sits in a bathtub and talks about John McCain. See more »
This film gets a 5/10 from me because mostly it was in focus and not too hostile to the viewer.
That said, let me start at the end, and say that I was at once relieved that the tedium was over, and annoyed that almost no story had been told, no character really developed. It doesn't even qualify as an abstractly artistic experience.
Soderbergh is by no means my favourite director, but he has been responsible for some at least competent film-making in the past, which is why I went to see this film, in addition to the subject sounding interesting.
But I am just shocked not to be able to find anything good to recommend this film except that it's in focus, and you can identify a main character or two. The sound, cinematography, and editing are otherwise among the worst I've ever experienced. The story just barely exists. In a way, the film is worth seeing just to see how not to make a film.
I could go on about what I wish had been different, but really, what's the point? It's beyond repair.
I will say it's better than Last Days by Gus Van Sant. If you liked that, you'll probably love this.
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