The Beast

Patrick Swayze first impressed me with "Dirty Dancing" and I had hoped to see him helm a spate of musicals. After nearly losing hope, I had the pleasure of watching Swayze again in "Ghost" and was impressed by his soothing mix of masculine sweetness. Given the enormous success of these two films, plus his impressive stint in "North and South," I surely expected a spate of impressive Swayze movies. Alas, then came the insipid "Next of Kin" (ruined by a "Hollywood" ending), the turgid "Point Break" and the sleazy "Road House". I was apparently one of few who enjoyed "FatherHood," but I was really beginning to give up hope that Hollywood would EVER take full advantage of Swayze's dramatic abilities. Ironically, but fitfully, along comes "The Beast" to give Swayze a chance to REALLY demonstrate his "acting chops," just as his boyishly handsome looks wasted away to cancer, with "The Beast," which is also the darkest, grittiest "cop show" I have seen since "The Shield".

While I admire this 13 episode homage to the Swayze persona, I really wish the producers would repackage this excellent series with a new leading man. Certainly, any number of fine actors could play rogue FBI agent Charlie Baker; Liam Neeson, Denzil Washington, Russell Crowe, Michael Chiklis, Hugh Laurie, Jamie Bamber, Timothy Oliphant, David Morse and Will Patton come immediately to mind.

NOTE TO PRODUCERS: If you DO decide to revive "The Beast," either for theaters or RV, PLEASE retain the style and music of the original series, as both are superb.

I give "The Beast" a solid "8".

This is one of the best series I have ever seen (I'm 66). With Patrick's passing it may be that they do not continue the series. In my opinion this would be a major mistake. He worked so hard to make this series what it is. They need to take a long hard look at how to work his passing into the story line and using the actors already in the series continue the storyline. Travis Fimmel (Ellis Dove) plays his part so well and could continue the fight for justice for Charles Barker (Patrick Swayze). Lindsay Pulsipher (Rose Lawrence) so fantastic in her role, who is studying law could become a lawyer along the way and support Ellis in the fight as well as others that were Barkers friends. This series has so many exciting ways it could go and continue being as good and exciting as the first season. I hope you get busy and get some scripts written and get going on the second season. Every person I see on TV comments on how hard Patrick Swayze worked on this series even with his health problems. I believe it would not only honour his hard work to continue the series but also honour him as well. Please keep it going!!! Why not put his younger brother "Don Swayze" into the role. He would fit perfectly and he could be worked in as a younger brother already in the FBI and partnering with Ellis to continue the fight! This series is just too good to drop!

Now in this new A&E TV show... Patrick Swayze plays veteran FBI agent Charles Barker, and for sometime he has been working with a young protégé named Ellis Dove (Travis Fimmel). As more cases have to be solved, and more crime has to be addressed, Ellis comes to find out that he was actually recruited as a double agent to investigate Charles Barker's unorthodox work style, and activities.

And so far that is the plot.

Now after watching the first episode I will admit that this show is very good. Now I know some people will say that this show just looks typical, and it looks like your standard one hour drama, but to be honest with folks.. I believe it's better than most standard drama's that are currently running. I mean this show is very gritty, and ballsy. And I must say that this show really echoes the film Training Day (2001) with Denzel Washington, and Ethan Hawke. So if you saw that film then you can really get an idea on how this show flows.

Now getting to the characters....Patrick Swayze does a great job as Charles Barker. Now I know for Swayze to play this role, it's going to be kind of hard to reach the heights of his past roles in such films like Dirty Dancing, Road House, and Point Break. But Patrick Swayze pulls it off as Charles Barker, and he's really convincing as this unorthodox FBI agent.

Travis Fimmel does a good job. Now I've never heard of Travis Fimmel until I saw him in the first episode of The Beast, and like I said he did a good job. It's not the best acting performance, but it's not the worst I've seen. I just thought he did good.

And overall this show is good so far. I think it has potential. I believe it's different from your standard drama's that are currently running now like CSI:Miami, Without A Trace, and The Closer. The Beast is a drama that really pulls in your focus, and it's a good drama with the mix of some action, good mystery, and entertaining crime/corruption elements.

First off, the show is good, and the reviews don't seem to indicate that. The cast is fantastic, the episodes are well written, and plot thickens with every episode. It's probably more of a guys show than girls, but i can see the cool girls liking it. (If you watch American Idol with your wife every week, good luck!) I feel the best part of a the show is the alacrity of plot development. Every show starts out with no real direction, then 180's to a complicated plot, then throws a 3rd or 4th plot in the mix to confuse you, then it all comes together, but still leaves the overall plot exposed. (If you watch the show, you'll know what that meant.)

Kudos to Christine Moore for how she put together the Nadia episode of The Beast on A&E with Patrick Swayze. If she ever needs a demo reel of how extraordinarily good she can be, this one surely is it.

An astonishing bit of directing, and best of all it surfaced the remarkable actress Angela Gots (who I never seen before except without recognition in a House episode) in the role of a lifetime.

I see she has worked in movies and TV for 8 years and repeatedly shown flashes of extreme brilliance in small parts, but this is where she really gets to let it all hang out.

Nadia is a really driven character - a Rumanian woman driven to "traffic prostitution" in the United States in hope of tracking down her baby which her family had sold to illegal American adopters when the family were desperate for cash. And she achieves her comeuppance in taking down the villain of the piece - wow does she get her comeuppance!

Everything about this Christine Moore episode is just perfect. Script, casting, locations, lighting, music, and on and on. And she picked Angela Gots and directed her, in this astonishingly compelling and fearless performance - her scene in the warehouse is a classic.

May they both go to showbiz heaven for that.