The 80th Annual Academy Awards (2008)

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In the annual awards presentation, the nominated films include Atonement (2007), Juno (2007), Michael Clayton (2007), No Country for Old Men (2007), and There Will Be Blood (2007).

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Title: The 80th Annual Academy Awards (2008– )

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Won 2 Primetime Emmys. Another 1 win & 8 nominations. See more awards »
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Cast

Credited cast:
...
Himself - Host
Rest of cast listed alphabetically:
Jan Aaris ...
Himself
...
Herself - Presenter / Performer
...
Himself - Nominee: Best Actor in a Supporting Role
...
Herself - Presenter: Scientific and Technical Awards
...
Himself (archive footage)
...
Himself - Nominee: Best Adapted Screenplay, Director & Picture
...
Himself - Memorial Tribute (archive footage)
Jan Archibald ...
Herself - Winner: Best Makeup
...
Himself - Presenter: Best Actress in a Supporting Role
...
Herself
Karen Baker Landers ...
Herself - Winner: Best Sound Editing (as Karen M. Baker)
...
Himself - Winner: Best Actor in a Supporting Role
...
Himself
...
Himself - Memorial Tribute (archive footage)
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Storyline

In the annual awards presentation, the nominated films include Atonement (2007), Juno (2007), Michael Clayton (2007), No Country for Old Men (2007), and There Will Be Blood (2007).

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The one. The only.

Certificate:

TV-14
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Details

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Release Date:

24 February 2008 (USA)  »

Filming Locations:

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Technical Specs

Runtime:

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Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

Joel Coen and Ethan Coen always edit their movies themselves under the pseudonym Roderick Jaynes. During the rundown of the Achievement in Film Editing nominees, a picture of a Dust Bowl-era farmer (which the Coens found in a book) was shown instead of one of Joel and Ethan. The Coens insist so strongly that Roderick Jaynes is real that, had "he" won the Best Editing Oscar, they would not have accepted the award, even on "his" behalf. See more »

Quotes

Steve Carell: This is not documentaries?
Anne Hathaway: No.
Steve Carell: I...
[looks down]
Steve Carell: shoot!
Anne Hathaway: Did you read the script?
Steve Carell: No. How many people are watching this?
Anne Hathaway: Oh, just, you know, eight hundred billion.
Steve Carell: I'm gonna be sick. I'm gonna be sick.
Anne Hathaway: Eh, hold that thought.
[...]
See more »

Connections

Follows The 45th Annual Academy Awards (1973) See more »

Soundtracks

That's How You Know
Music by Alan Menken
Lyrics by Stephen Schwartz
Performed by Kristin Chenoweth and Marlon Saunders
See more »

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User Reviews

 
No guts, no glory
2 March 2008 | by (L A.) – See all my reviews

I have been watching the Oscars on TV ever since I was a kid, and a lot has changed since then, some things for the better: the elimination of those ridiculous musical numbers, the pairing of two presenter celebs who were forced to exchange tepid, forced, non-witty repartee before finally reading the names of the nominees and announcing the winner, things like that - and one thing, unfortunately, has changed for the worst: the 30-second acceptance speech rule for the winners.

This single act has, in my opinion, ruined every award show that it's been used on in the past few years. The producers say it's a time constraint deal, that without it the winners would just drone on and on, actually getting to enjoy their moment of glory, and the show would run too long, costing the network more money. This excuse doesn't hold water though, because so much time is still wasted, what with all the special presentations, the singing of the nominated songs, blah blah blah. This valuable time could be used to allow the winners to talk, rather than having them up there either (a) rushing like maniacs to shut up before the clock ticks off their allotted seconds, or (b) refusing to kowtow and trying to actually say what they would like to say under the gun of the dreaded ORCHESTRA MUSIC starting to play after their 30 seconds and continuing to get louder and louder until they shut the $#!* up and get the hell off.

I feel that the producers of these shows have completely lost sight of what makes an award show good, what provides the actual GUTS of the show: it's the winners, getting to share with the audience how thrilled, moved, excited, etc., they are to be singled out for this honor. Depriving them by forcing them to speak for only 30 seconds is a crime, in my opinion. And to the people who complain that the show is too long, the speeches go on too long, I say they shouldn't be watching. The Oscars is a show for hardcore movie lovers, and to try to reduce it to a lowest-common-denominator presentation destroys the entire purpose of the show, strips it of its meaning and renders it useless. You might as well be watching a car commercial.


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