Directed by | |||
| Barry W. Blaustein | |||
Writing credits(WGA) | ||
| Peter Himmelstein | (written by) | |
Produced by | |||
| Keith Calder | .... | producer | |
| Paul O. Davis | .... | co-producer (as Paul Davis) | |
| Felipe Marino | .... | producer | |
| Joe Neurauter | .... | producer | |
Original Music by | |||
| Jeff Cardoni | |||
Cinematography by | |||
| Tobias Datum | (director of photography) | ||
Film Editing by | |||
| Evan Schiff | |||
| Steve Welch | |||
| Jeff Werner | |||
Casting by | |||
| Kerry Barden | |||
| Paul Schnee | |||
Production Design by | |||
| Sue Chan | |||
Art Direction by | |||
| Brendan Turrill | |||
Set Decoration by | |||
| Maggie Martin | |||
Costume Design by | |||
| Janicza Bravo | |||
Makeup Department | |||
| Jeri Baker | .... | hair department head | |
| Ermahn Ospina | .... | makeup department head | |
| Charmaine Richards | .... | co-key hair stylist | |
| Joe Rivera | .... | key makeup artist | |
| Charles Yusko | .... | key hair stylist | |
Production Management | |||
| Paul O. Davis | .... | unit production manager (as Paul Davis) | |
| Kate Sharp | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Amy Schmidt | .... | first assistant director | |
| Trish 'The Dish' Stanard | .... | key second assistant director (as Trish Stanard) | |
| Robert S. Wilhelm Jr. | .... | second second assistant director | |
Art Department | |||
| Tom Cho | .... | storyboard artist | |
| Ann Cummings | .... | art department production assistant | |
| Judy Escobar | .... | art department production assistant | |
| Stephen Heneveld | .... | storyboard artist | |
| Jacquelyn Langberg | .... | art department production assistant | |
| Danielle Mana | .... | property master | |
| Sarah Martin | .... | art department production assistant | |
| Stephanie Quick | .... | art department production assistant | |
| Bree Yenalavitch | .... | art department coordinator | |
| Jacquelyn Langberg | .... | set dresser (uncredited) | |
Sound Department | |||
| Joe Dzuban | .... | dialogue editor | |
| Jon Greasley | .... | sound effects editor | |
| Xavier Horan | .... | dialogue editor | |
| Eric Justen | .... | sound re-recording mixer | |
| John LaRosa | .... | boom operator | |
| Ryan Lukasik | .... | foley assistant | |
| Colin Mitchell | .... | sound recordist | |
| George Pereyra | .... | sound effects editor | |
| Jeffrey Perkins | .... | sound re-recording mixer | |
| Paul Seradarian | .... | sound effects editor | |
| Erika Wunch | .... | sound re-recording stage manager (as Erika Marchino) | |
| Christoph Wörndle | .... | sound designer | |
| Christoph Wörndle | .... | sound mixer | |
| John Sievert | .... | foley artist (uncredited) | |
| Randy Wilson | .... | foley mixer (uncredited) | |
Visual Effects by | |||
| Kristopher Gregg | .... | data i/o: Modern VideoFilm (as Kris Gregg) | |
| Nicholas Hasson | .... | smoke artist: Mpdern VideoFilm | |
| Carl Jacobson | .... | data i/o: Modrn VideoFilm | |
| Aldo Ruggiero | .... | digital artist: SnootFX | |
| Dane Allan Smith | .... | visual effects producer: SnootFX (as Dane Smith) | |
| Marcus Stokes | .... | digital artist: SnootFX | |
Casting Department | |||
| Dawn Marie Deibert | .... | extras casting: Rich King Casting (as Dawn Diebert) | |
| Allison Estrin | .... | casting assistant | |
| Paige Orr | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Micaela Erlanger | .... | key costumer | |
| Randi Johns | .... | wardrobe department intern | |
| Stephanie Shirai | .... | wardrobe department intern | |
| Shannon Smith Woolack | .... | costume assistant | |
Editorial Department | |||
| Danny Bresnik | .... | additional editor | |
| Ryan Cates | .... | red file conversions: Modern VideoFilm | |
| Marisa Clayton | .... | digital intermediate producer: Modern VideoFilm | |
| Tal Fiala | .... | digital intermediate executive: Modern VideoFilm | |
| Joe Finley | .... | digital intermediate colorist | |
| Erik Hansen | .... | red file conversions: Modern VideoFilm | |
| Myron I. Kerstein | .... | editorial consultant (as Myron Kerstein) | |
| Stewart McAlpine | .... | assistant editor | |
| Eric A. Reid | .... | digital intermediate supervisor | |
| Nathaniel Smith | .... | post-production consultant | |
| Ed Thompson | .... | film recorder: Modern VideoFilm | |
Music Department | |||
| Jim Black | .... | music supervisor | |
| Gustavo Borner | .... | score mixer | |
| Gabe Hilfer | .... | music supervisor | |
| David Hughes | .... | musician: upright bass | |
| Julie Larson | .... | musician: vocalist | |
| Justin Moshkevich | .... | score mixer | |
| Shie Rozow | .... | music editor | |
| Joel J. Richard | .... | music scoring mixer (uncredited) | |
Transportation Department | |||
| Matthew Ballard | .... | transportation coordinator | |
| Dawn Breazeal | .... | driver | |
| Theodore Giapapas | .... | driver (as Ted Giapapas) | |
| Jeff Fong | .... | driver (uncredited) | |
Other crew | |||
| Jeffrey Ahn | .... | set production assistant | |
| Gonzalo Amat | .... | main titles: PIC | |
| Michael Anders | .... | main titles: PIC | |
| Collin Brazie | .... | set production assistant | |
| Ken Bullock | .... | main titles: PIC | |
| Shea E. Butler | .... | script supervisor (as Shea Baker) | |
| Jules Claassen | .... | creative executive: Occupant Films | |
| Robert Darwell | .... | production counsel: legal services, Sheppard, Mullim, Richter & Hampton (as Robert A. Darwell) | |
| Tom Dotan | .... | set production assistant | |
| J.P. Duprey | .... | assistant: Mr. Calder | |
| Jeff Fong | .... | set production assistant | |
| Jennie Gao | .... | production office intern | |
| Pamela B. Green | .... | main titles: PIC (as Pamela Greeen) | |
| Nathaniel Greene | .... | set production assistant | |
| Cassidy Hice | .... | production office intern (as Cassie Hice) | |
| Tracey Horwitz | .... | office production assistant | |
| Nicole Hudson Ruiz | .... | assistant production office coordinator | |
| Kevin Lane Hummel | .... | location manager | |
| Erik Hyman | .... | general counsel: additional legal services, Loeb & Loeb | |
| Melissa Juckerman | .... | publicist: Principal Communications Group | |
| Hans-Dieter Kopal | .... | publicist: Principal Communications Group | |
| Chelsea Ladd | .... | assistant: Mr. Blaustein | |
| Jenn Lee | .... | production office intern | |
| Casey Leming | .... | title designer: end titles | |
| Katie Lunskis | .... | office production assistant | |
| Paul Makowski | .... | main titles: PIC | |
| Richard Markman | .... | financial controller | |
| John McKay | .... | set production assistant | |
| Scott Milne | .... | insurance agent: Taylor & Taylor | |
| Krystee Morgan | .... | production office intern | |
| Richard Naing | .... | assistant: Mr. Neurauter & Mr. Marino | |
| Richard Naing | .... | office production assistant | |
| Ruben Nava | .... | head chef | |
| Christine No | .... | office production assistant | |
| Paul Pflug | .... | publicist: Principal Communications Group | |
| Sean Pinnow | .... | location assistant | |
| Ryan Robertson | .... | main titles: PIC | |
| Melanie Rupp-Gufler | .... | production counsel: legal services, Sheppard, Mullim, Richter & Hampton | |
| Kyle Seago | .... | set production assistant | |
| Andrew Sharretts | .... | key set production assistant (as Andrew 'Snoop' Sharretts) | |
| Amy Skerkoski | .... | set production assistant: second unit | |
| Marina Stabile | .... | production coordinator: second unit | |
| Rachael Tanenbaum | .... | studio teacher | |
| Lauren Tuck | .... | production office intern | |
| Jarik Van Sluijs | .... | main titles: PIC | |
| Sean Wehrli | .... | main titles: PIC (as Sean Wehrili) | |
Thanks | |||
| Brian DePersia | .... | special thanks | |
| Shaka Taylor-Smith | .... | in memory of | |
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| Kings & Queen | Running with Scissors | Prime | I Am Love | The Kids Are All Right |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Peep World is like (almost) all of the other dysfunctional family movies I have ever come across. It has a very short tun-time (79 minutes) and a decent cast (with some surprisingly good dramatic performances turned in by some comedic actors). It also is NOT overly compelling as not many of the characters are endearing or engrossing.
A terribly-cold and downright mean-mean-mean father (Ron Rifkin - LA Confidential, Boiler Room, The Sum of All Fears) is having a celebratory birthday dinner with his four adult children in attendance. None of the kids are overly fond of their financially-successful father just as he appears to be none-too-proud of any of his offspring.
Setting the siblings at odds with one another is the success the youngest has found (Ben Schwartz - Everybody's Fine, The Other Guys) after writing a scathing novel that is being made into a movie that exposes and ridicules his entire family (save their father).
Michael C. Hall ("Dexter", "Six Feet Under") plays the oldest brother who always "tries to be there for his siblings" even as his marriage is slowly falling apart (his pregnant wife is played by a surprisingly dramatic Judy Greer - 13 Going on 30, Elizabethtown, 27 Dresses); Rainn Wilson ("The Office", Super, Sahara) is the irresponsible and lazy middle brother while the lone girl is a Drama Queen actress played by a manic and most-angry Sarah Silverman (Funny People, Jesus Is Magic, School for Scoundrels). The youngest appears to be the father's favorite simply because of his recent success and each of the kids KNOW this.
If the story had remained tight and dedicated to the family dinner, I think Peep World (the name of the exposing novel AND a strip club in the film) would have been more successful. As is (after the film's opening scene of the dinner toast, the film "rewinds" some 16 hours or so) the film easily loses itself and becomes more bitter at times than entertaining (Silverman's anger is understood; but it becomes trying and tiring).
For a film of such short-length, the cast is too extensive as it also includes Lesley Ann Warren (Clue, Twin Falls Idaho, Victor/Victoria), Alicia Witt (Mr. Holland's Opus, Vanilla Sky, The Upside of Anger), Taraji P. Henson (... Benjamin Button, Hustle & Flow, The Karate Kid), Kate Mara (Brokeback Mountain, 127 Hours, Iron Man 2) and Stephen Tobolowsky (Groundhog Day, Freaky Friday, Memento) and they are spread too thin to become heavily concerned with/by any of them (although it is always nice seeing Miss Scarlet now and again).
As there are TOO MANY dysfunctional family films in existence, one has to really stand-out to be worthy of recommendation ... and Peep World unfortunately does NOT. While there is a fun peek/peep here-and-there -- and Michael C. Hall and Judy Greer make an interesting/believable struggling duo (and woot! to Greer going dramatic again) -- Peep World isn't worth the price of admission OR the cost of the fictional book.
It is short-enough for it to not be a waste-of-time for a viewer but not everyone will think it is worth a peep either.