| Photos (see all 4 | slideshow) |
| Jason Isaacs | ... | Antonio Pérez | |
| Julia Ormond | ... | Princesa de Éboli | |
| Jürgen Prochnow | ... | Espinosa | |
| Jordi Mollà | ... | Mateo Vázquez | |
| Joaquim de Almeida | ... | Escobedo | |
| Juanjo Puigcorbé | ... | Felipe II | |
| Blanca Jara | ... | Damiana | |
| Fabio Testi | ... | Duque de Alba | |
| Rosana Pastor | ... | Doña Juana de Coello | |
| Pablo Puyol | ... | Insausti | |
| Concha Cuetos | ... | Bernardina | |
| Tony Peck | ... | Tiépolo | |
| Pilar Bastardés | ... | Reina Ana | |
| Pepe Martín | ... | Antonio Pazos | |
| José Lifante | ... | Criado de Escobedo | |
| Manuel de Blas | ... | Fraile Diego de Chaves | |
| Jorge Bosso | ... | Padre Morgado | |
| William Miller | ... | Rodrigo Manuel de Villena | |
| Antonio Campos | ... | Enríquez | |
| Ciro Miró | ... | Diego Martínez | |
| Xabier Elorriaga | ... | Conde de Chinchón (as Xavier Elorriaga) | |
| Juan Lombardero | ... | Conde de Barajas | |
| Bill Holden | ... | Duque de Medina Sidonia | |
| Juan Ignacio Ocaña | ... | Marqués de los Vélez | |
| Javier Mejía | ... | Juan de Austria | |
| Lola Peno | ... | Cocinera de Escobedo | |
| Stephen Hughes | ... | Armero | |
| José María Sacristán | ... | Dueño de Baños Turcos (as José Sacristán) | |
| Malcom Site | ... | Bailarín Africano | |
| Carlos García Navarro | ... | Fraile Dominicano | |
| Miguel de Grandy | ... | Arzobispo Gaspar de Quiroga | |
| Nacho Aldeguer | ... | Forjador | |
| José Conde | ... | Conde de Melgar | |
| María Tardón | ... | Abadesa | |
| Antonio del Real | ... | Médico 1 | |
| Javier Artiñano | ... | Médico 2 | |
| Rafael Reaño | ... | Perrero 1 (as Rafa Reaño) | |
| Paco Catalá | ... | Perrero 2 | |
| Eduardo Fedriani | ... | Pícaro | |
| David Amón | ... | Miguel Bosque | |
| Tomás Sáez | ... | Juan de Mesa | |
| Alberto Pereira | ... | Ujier | |
| Óscar Corbacho | ... | Vendedor de Ropa | |
| Carmelo Blanco | ... | Mendigo | |
| Fernando Esteve | ... | Moro | |
| Eva Almaya | ... | Lavadora 1 | |
| Sara Bernardos | ... | Lavadora 2 | |
| Natalia Domínguez | ... | Lavadora 3 | |
| Tomás Martín | ... | Sargento Mayor | |
| Chema Coloma | ... | Muñoz | |
| Fernando Vilches | ... | Obispo de Sevilla | |
| León Dávila | ... | Alabardero 1 | |
| Enricco Fracca | ... | Alabardero 2 | |
| Juan Ripoll | ... | Alabardero 3 | |
| Jorge Camba | ... | Vigilante | |
| Enrique del Pozo | ... | Guardia 1 | |
| Antonio Pérez Henares | ... | Guardia 2 | |
| Juan Antonio Casado | ... | Guardia 3 | |
| rest of cast listed alphabetically: | |||
| Kate Petrie | ... | Doña Juana de Coello (voice) | |
Directed by | |||
| Antonio del Real | |||
Writing credits | ||
| Antonio del Real | (writer) | |
| Manuel Mir | writer | |
| Juan Antonio Porto | writer | |
| Marta Rivera de la Cruz | writer | |
Produced by | |||
| Maria José Muñoz | .... | executive producer | |
| Tony Peck | .... | executive producer | |
| Antonio del Real | .... | producer | |
| Josef Steinberger | .... | producer | |
Original Music by | |||
| Alejandro Vivas | |||
Cinematography by | |||
| Carlos Suárez | |||
Film Editing by | |||
| Teresa Font | |||
Production Design by | |||
| Luis Vallés | |||
Costume Design by | |||
| Javier Artiñano | |||
Makeup Department | |||
| José Quetglás | .... | makeup artist | |
| Blanca Sánchez | .... | hair stylist | |
| Nieves Sánchez | .... | hair stylist | |
Production Management | |||
| Félix Rodríguez | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Nicolas Romero Fernandez-Zarza | .... | third assistant director | |
| Carmen Torres | .... | second second assistant director | |
| Richard Walker | .... | assistant director | |
Sound Department | |||
| Aitor Berenguer | .... | sound | |
| Jorge Lerner | .... | sound re-recording mixer | |
| Alvaro Salgado | .... | re-recording mixing assistant | |
| Xavier López Souto | .... | sound editor (as Xavier Souto) | |
| Edgar Vidal | .... | foley designer | |
Special Effects by | |||
| Reyes Abades | .... | special effects | |
Visual Effects by | |||
| David Fernández Girón | .... | cgi operator | |
| Javier Sanz | .... | animator: Telson | |
Stunts | |||
| Guiomar Alonso | .... | stunt double: Julia Ormond | |
| Ricardo Cruz | .... | stunt coordinator | |
| Hernan Ortiz | .... | assistant stunt coordinator | |
| Álvaro Quiroga | .... | stunts | |
| José Antonio Ona Sánchez | .... | stunt double: Jurgen prochnow | |
Camera and Electrical Department | |||
| Adrián de la Fuente | .... | second assistant camera | |
| Marino Scandurra | .... | still photographer | |
Other crew | |||
| Núria Casanueva | .... | script supervisor | |
| Mary Kay McCoy | .... | dialogue coach | |
| Rivas Garcia Xavier | .... | assistant on production | |
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| Juana la Loca | Elizabeth: The Golden Age | El Cid | The Other Boleyn Girl | Alatriste |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Spain section | Add this title to MyMovies |
The 'conjuration' in the title refers to a real event: the political assassination in Madrid of a high-ranking official in the Spanish court in 1578. A plaque marks the spot today in the exact corner of the street where it happened.
The script begins with the scene of the murder and then takes us back to recount the events leading up to it. There are many characters involved, and although at the beginning it is not clear why we are being introduced to so many, eventually they all find a reason for being there, from a priest who ends up a the centre of the investigation, to a young 'morisca', a half-Moorish girl who is plucked from the streets to serve in a rich house.
The film is not very imaginatively shot and some of the expository dialogue is quite clumsy: some actors seem to be there just to summarise in words what the atmosphere at the time was, which is always a pitfall in historical films. Many actors means many lines of dialogue and this film -not short, about two hours and a quarter long- is full of conversations, often stilted and stagy. There's a lot of standing upright with broody brows with the purpose of looking imposing and serious, in bunches around the king or other important characters. It is not a slow film, however, but it's not a swashbuckler either. In fact, the one time when we are given a good old sword-fight, it goes so lamely clichéd, with stalls of fruit and ceramic bowls being turned upside down in a street market and a couple of unrealistic fight moves, that it feels utterly wrong.
In its favour, the costumes are great and many scenes are shot at El Escorial itself, the palace-cum-monastery where king Phillip II pored over the business of governing the world's leading superpower. Some of the actors are quite good in their roles, and this despite a cast mixing Spanish and foreign stars. I would single out for praise Julia Ormond, who looks not a day younger than her 43 years old. With her ageing beauty, she brings alive one of the most fascinating characters of her time, the eyepatch-wearing princess of Eboli. Joaquim de Almeida is also very good as the vigorous secretary Juan de Escobedo, acting his scenes with much-needed energy. It is a pity, though, that the role of Jason Isaacs, Antonio Pérez, fizzles out somewhat towards the end, when he should be one of the most memorable characters, according to the real story. Juanjo Puigcorbé plays a more ironic and even affable Phillip than the sombre and adust quasi-monk we have seen in other portrayals. And I personally took a liking to Jürgen Prochnow's character, a local 'alguacil' (sheriff) who becomes involved in the matter both through his job and his private life.
The question at the heart of the film is: did King Phillip II order the dismissal of one of his own officials? This has been much debated by historians, and the evidence is not conclusive. It may have been in his favour because of political rivalries, but the public backlash would have been uncomfortable (as it in fact was), even for a monarch as self-assured and with so great a grip on power as he happened to be. This matter is one of the central charges against him laid out by the so-called 'Leyenda negra' (Black legend), with which other European rulers and political enemies sought to discredit him in public, in particular in the Netherlands and Britain. Whether the film takes a stance on it or not, you will have to see it.