Alejandro, a resourceful street orphan on the verge of adolescence, lives and works in an auto-body repair shop in a sprawling junkyard on the outskirts of Queens, New York. In this chaotic world of adults, Alejandro struggles to make a better life for himself and his sixteen-year-old sister.
Glyn Stewart inspects eggs at a food bank in Winston-Salem, North Carolina. He volunteers and helps people. He wonders about his life, his love, his death. Glyn Stewart answers the age-old ... See full summary »
Kaveh, a young man from America, walks the roads of southern Iran searching for Dehdari, his recently deceased and estranged father's childhood home. Abdul Reza, a thirty year old truck ... See full summary »
On the lonely roads of Winston-Salem, North Carolina, two men forge an improbable friendship that will change both of their lives forever. Solo is a Senegalese cab driver working to provide a better life for his young family. William is a tough Southern good ol' boy with a lifetime of regrets. One man's American dream is just beginning, while the other's is quickly winding down. But despite their differences, both men soon realize they need each other more than either is willing to admit. Through this unlikely but unforgettable friendship, GOODBYE SOLO deftly explores the passing of a generation as well as the rapidly changing face of America. Written by
Bahrain said in an interview that his script was inspired by "Taste of Cherry" 1997 by Abbas Kiarostami. See more »
The protagonist's taxi is shown on the Linville Viaduct. This is not on the route between Blowing Rock and Winston-Salem. See more »
Why you laughing?
I'm not laughing just now.
No, No! You told me it would cost $200. Well I'll give you a thousand, to take me out there on October 20th.
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Solo was a relentlessly optimistic character, regardless of the setback, he rebounded immediately. Or, he brought himself back to a sunny state by a deep and touching effort that was illuminated with care and beauty. The older man, William, on the otherhand, worked hard to maintain his life-has-beaten-me-down disposition. So when a happy/touching moment overtakes him, the director shares the ray of hope, the precious glimmer of being touched despite himself. So the film is filled with these gems welling from opposite natures pushing against each other. The buds of nature push forth despite the obstacles. Solo was the everchanging sunshine in this film.
The pacing was not rushed and only 1 or 2x did I find myself saying "I got it, move on". The acting was genuine and I was amazed how everday, duldrum existence was portrayed with compassion among people who have little possessions, yet no glories imposed, no moments of drama asking for viewer's awe (i.e. Streepless).
The cinematography was expertly crafted: people were positioned that complimented and complemented the background scene. The bleakness of the tobacco-industry sooted parts of town was not beautified, rather its interest captivated me in showing its richness in layers of aging infrastructure moaning as a tired, old beast. Again, I was consistently sated when I looked at the mis-en-scene.
This film is a big reward for seeking out independent, small-budget films---something I seldom have with any film.
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