An alien narrates the story of his dying planet, his and his people's visits to Earth and Earth's man-made demise, while human astronauts attempt to find an alternate planet for surviving humans to live on.
After Katrina, police sergeant Terence McDonagh rescues a prisoner, hurts his back in the process and earns a promotion to lieutenant plus an addiction to cocaine and painkillers. Six months later, a family is murdered over drugs; Terence runs the investigation. His drug-using prostitute girlfriend, his alcoholic father's dog, run-ins with two old women and a well-connected john, gambling losses, a nervous young witness, and thefts of police property put Terence's job and then his life in danger. He starts seeing things. He wants a big score to get out from under mounting debts, so he joins forces with drug dealers. The murders remain unsolved. A bad lieutenant gets worse. Written by
Both Bad Lieutenant (1992) and this film were released on the same day, November 20, in 1992 and 2009 respectively. See more »
When Lieutenant McDonagh is driving with the witness to Biloxi he crosses the Mississippi River over the GNO bridge going the wrong direction. The view of the twin smoke stacks (also visible in Get Shorty) indicate he is heading to the west bank of the river. The only non-circuitous route back to the east bank would be via ferry routes that were not restored at that time and run through St Bernard Parish. See more »
This is one of the best films of the year, but judging by the comments here, it's also one of the most under-appreciated and misunderstood.
I loved it. To the horde of naysayers, I simply want to shout from the rooftops, "This is a film dammit, not an exercise in some mysterious media, and it's a damn good one." There. That feels better.
Nicolas Cage finds his inner demons and let's them out to play in his role as the drug addicted cop. He's more than believable as a coke snorting, crack rock smoking fiend who thinks nothing of squeezing people, good guys and bad alike. And by the way, the bizarre mannerisms...yup, that's what drugs will do for you. To my mind, he nailed it! Take one small mannerism, the way he snorts a small pinch of coke from the back of his hand, a flurry of movement, and voilà, an observer would never know. It's inventive Cage and it's priceless. And you won't find many in the real drug world as good at it.
The supporting cast is excellent, although I must admit I did forget Val Kilmer was even it at times.
The texture, the interwoven story lines, the camera work. All superb. It's a Tarrantino film with a Herzog touch. Ask yourself, how many interrogation rooms have you seen on television and in movies? Any of them have windows with traffic outside? Probably not. Good touch and the film has dozens of them.
As for the iguanas and dancing mobster. These are apparitions folks. You know, born of the effects of all those drugs on the brain. They are not symbolic. They are not misguided touches of the bizarre (well, maybe they are a bit). They are the demons of a drug soaked mind and of course they are all of of proportion. That's what demons do! Very entertaining. You want more? Read a book.
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