A Filipino poet named Benjamin Agusan (Roeder Camanag) is the hapless native who returns to his hometown Padang to witness the aftermath of the super typhoon. For the past seven years, ... See full summary »
The film opens on the morning of December 8th 2007, in Karamay's Xiaoxihu cemetery. Daybreak casts a cold grey light over faraway mountains and the Gobi sands. As the camera moves from ... See full summary »
From 1972 until 1974, Joris Ivens and Marceline Loridan, along with a Chinese film crew, documented the last days of the Cultural Revolution, marking the end of an era. The vast amount of ... See full summary »
An embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking for some kind of redemption.
The impact of the decline of heavy industry on workers and their families in the Tiexi district of Shenyang, China, at the turn of the 21st century, documented unflinchingly by a fly-on-the-wall camera.
Helen lives with her grandmother in an idyllic island down South. At 27, she is about to graduate from high school and start a new life. Things take a drastic turn when journalist Perry ... See full summary »
Adolfo Alix Jr.
Kwon returns to Seoul from the mountains and is given a packet of letters from Mori back from Japan to propose to her. Kwon drops and scatters the undated letters. She reads them and has to make sense of the chronology - and so must we?
A Filipino poet named Benjamin Agusan (Roeder Camanag) is the hapless native who returns to his hometown Padang to witness the aftermath of the super typhoon. For the past seven years, Benjamin had been living in an old town called Kaluga in Russia. With his grant and residency, he taught and conducted workshops in a university. The poet published two books of sadness and longing in the process. In Russia, Benjamin was able to shoot video collages, fell in love with a Slavic beauty, buried a son, and almost went mad. He came back to bury his dead-father, mother, sister and a lover. He came back to face Mount Mayon, the raging beauty and muse of his youth. He came home to confront the country that he so loved and hated, the Philippines. He came back to die in the land of his birth. He wanders around the obliterated village meeting old friends and lovers. Written by
The film was rated X by Philippines' Movie and Television Review and Classification Board (MTRCB) on the grounds of "breast and genitalia exposure." The board's report said members who reviewed the film were Amalia Fuentes, Ros Olgado and Fr. Nick Cruz. See more »
Lav Diaz follows after his enormous (in all senses) "Heremias" with this even more complex and longer "Dead in the land of encantos". The first ten minutes contains all the keys to the whole piece. It's the devastation of a place that everyone says it was very beautiful but not especially for its real charms but because it was their land and it was pure and wild. On the contrary, the beauty still alive: the bodies of young women, the poetry, the light, the sound of the rain drops hitting the palm trees and also the mud and the destroyed houses after the catastrophe. Diaz takes his time to think about how can they face the disaster and in the meantime brings an elegiac ode to the unstoppable river of life.
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