| Photos (see all 10 | slideshow) |
Directed by | |||
| Wes Anderson | |||
Writing credits | ||
| Wes Anderson | (written by) | |
Produced by | |||
| Wes Anderson | .... | producer | |
| Alice Bamford | .... | co-producer | |
| Thierry Bettas-Bégalin | .... | line producer (as Thierry Bettas-Begalin) | |
| Pierre Cléaud | .... | associate producer (as Pierre Cleaud) | |
| Patrice Haddad | .... | executive producer: Premiere Heure | |
| Jerome Rucki | .... | executive producer | |
| Nicolas Saada | .... | executive producer | |
Cinematography by | |||
| Robert D. Yeoman | (director of photography) (as Robert Yeoman) | ||
Film Editing by | |||
| Vincent Marchand | |||
Art Direction by | |||
| Kris Moran | |||
Makeup Department | |||
| Frances Hannon | .... | hair stylist | |
| Frances Hannon | .... | makeup artist | |
Production Management | |||
| Bastien Harispe | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Emilie Cherpitel | .... | first assistant director | |
Art Department | |||
| Eric Anderson | .... | artist: suitcase wildlife drawings | |
| Krysten Childs | .... | set dresser | |
| Marc Jacobs | .... | suitcases: Louis Vuitton | |
Visual Effects by | |||
| Yann Masson | .... | Flame artist: animation sequences, LAIKA/house | |
Camera and Electrical Department | |||
| Joan Bansillon | .... | grip | |
| Thierry Baucheron | .... | gaffer | |
| Bruno Bimbard | .... | generator operator | |
| Roger Do Minh | .... | assistant electrician | |
| Jean-Christophe Duwez | .... | electrician (as Jean-Christophe Dumez) | |
| Alfonso Lopez de la Fuente | .... | grip | |
| Gary Pachany | .... | first assistant camera | |
| Mathieu Plainfosse | .... | second assistant camera | |
| Felix Touret | .... | key grip | |
Editorial Department | |||
| Fabien Turriziani | .... | assistant editor | |
| Joe Gawler | .... | digital intermediate colorist (uncredited) | |
| Michael P. Whipple | .... | digital intermediate engineer (uncredited) | |
Music Department | |||
| Randall Poster | .... | music supervisor | |
Other crew | |||
| Waris Ahluwalia | .... | security | |
| Damien Begbeder | .... | production assistant | |
| Julien Bonet | .... | production assistant | |
| Molly Cooper | .... | production assistant | |
| Henri Deneubourg | .... | location manager | |
| Libby Evans | .... | production assistant | |
| Jeremy Lindbergh | .... | production assistant | |
| Lionel Lorans | .... | comcierge | |
| Steve Makowski | .... | assistant to director | |
| Thomas Moffet | .... | assistant to director | |
| Julien Patry | .... | production assistant | |
| Sofian Rezzak | .... | production assistant | |
| Peria Tuccillo | .... | production coordinator (as Perla Tuccillo) | |
Thanks | |||
| Peter Copping | .... | special thanks | |
| Mark Friedberg | .... | special thanks | |
| Scott Rudin | .... | special thanks | |
| Valentina Tortorella | .... | special thanks | |
| Keith Warren | .... | special thanks | |
| Lili Fini Zanuck | .... | special thanks (as Lili Zanuck) | |
| Richard D. Zanuck | .... | special thanks (as Richard Zanuck) | |
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| Ils se marièrent et eurent beaucoup d'enfants | Vers le sud | Fils de Gascogne, Le | Science des rêves, La | Broken English |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb USA section |
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Really a beautiful short piece of enticement, with tone and sight and sound and dialogue all letting you know that there's a story here, while only hinting at the many things that story might be. And it captures a particular feel that lets you in on the situation kind of like a good short story in a book does.
The way the whole thing looks, and the way the action comes across, are pure Wes Anderson at his best. Deadpan. Melancholy. Hurtfully truthful-feeling.
You know they say there used to be shorts before all the movies when you saw 'em in the theatre. Now we get a string of commercials bigger, louder, and stupider than on TV. It would be so cool if more top notch film-makers like these made more stuff like this. Viva Short Film.
And Thank You Especially, Miss Portman, for getting behind in your work.
Your talent and beauty are in a neck and neck race for first place in many hearts like my own.
I'll be there for "Darjeeling Ltd" the day it opens.