3 items from 2014
The Telluride Film Festival announced today Guy Maddin and Kim Morgan as the 2014 guest directors. The husband and wife duo will select and present a series of films at the 41st Telluride Film Festival running over Labor Day Weekend, August 29 - September 1, 2014. Maddin is screen-writer, director, author, cinematographer and film editor of both features and short films, as well as an installation artist. He is known for works such as "My Winnipeg" (2007) and "The Saddest Music in the World" (2003). Morgan is a film, music and culture writer who has written for Salon, GQ, La Weekly, Criterion, MSN Movies, Huffington Post, IFC, Entertainment Weekly, The Dissolve, Playboy, The Los Angeles Review of Books and Garage Magazine. Both commented jointly,"We are honored and thrilled to be guest directors at Telluride, by far the most concentrated, smartly curated, and enchanting of all the film festivals." Festival passes are now available at the Telluride Film. »
- Oliver MacMahon
The duo will present six films, focusing on new ideas and overlooked titles. As with the rest of the lineup, the names will be unveiled on opening day.
“Guy and Kim have long been a part of Telluride,” said Telluride Film Festival executive director Julie Huntsinger. “There was no question that they were the perfect choice for this year’s Festival. Their energy, knowledge and enthusiasm is a winning combination – our audience will benefit from that when their selections are unveiled at the Festival!”
The duo told Variety that they have already selected the six films, which include one restored print.
“What we particularly like about Telluride is that they’re willing to take a chance,” Maddin said. “We want people to be »
- Dave McNary
All creations are, in some way, autobiographical. As the merging of imagination and experience, at least a little bit of the creator’s self is infused in their creation. At times, it’s little more than a thematic hint, like Ethan Hawke’s discussion of his failing marriage in Before Sunset, as the actor himself went through a public break-up. It can also be the combination of memory and fantasy, like Guy Maddin’s eccentric documentary about his hometown and childhood memories, My Winnipeg. And other times, cinema becomes the therapist investigating familial turmoil, like Sarah Polley’s excellent Stories We Tell. On occasion, the film itself becomes a revealing cinematic journal, one that makes its audience witting (or unwitting) voyeurs snooping through private lives with a depth tabloids can only dream of. These films allow the filmmaker moments of introspection, revenge, and confusion that make for compelling narratives, but even more fascinating autobiographies when you know »
- Monika Bartyzel
3 items from 2014
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