4 items from 2016
Once the default mode, black and white has now become a bold statement of artistic intention. What that intention is, however, seems to be a little bit different for all of the recent films that have made the most of it. Often, monochrome is used as a pipeline to the past — in “Good Night, and Good Luck,” a lack of color not only speaks to how history remembers Edward R. Murrow, it also conjures the imagery of his television news broadcasts. Michael Haneke’s “The White Ribbon” similarly uses the technique to take us back in time, but is less about recreating an era than it is about establishing a chokehold of fatalistic austerity.
“The Man Who Wasn’t There” is another period piece, but the lack of color in the Coen brothers’ film — which was shot in color and then bled dry — assumes a moral quality, making Billy Bob Thornton »
- Anne Thompson, David Ehrlich, Liz Shannon Miller, Steve Greene, Sarah Colvin, Chris O'Falt, Kate Halliwell, Kyle Kizu and Zack Sharf
Tomorrow night, the Northwest Film Center kicks off their 39th annual Portland International Film Festival. They’ll be screening Klaus Härö’s The Fencer as the opening night film (unfortunately the screenings are sold out, but there will be an additional showing on Sunday the 14th). Over the course of the next sixteen days there will be over 90 feature films shown around town at various theaters.
This is one of my favorite festivals that I’ve had the privilege of attending, and I cannot wait to see a some of the films that they have programmed.
As usual, we here at the site will be covering a number of the films throughout the festival, but I wanted to make sure that any local Criterion Collection fans were alerted to some of the treats that we have in store. While there are many films at the festival that will align with »
- Ryan Gallagher
Mark and Aaron take a trip north to the wonderful world of Canada. This is a special, unscheduled episode to celebrate the O’ Canada Blogathon. We talk about all things Canadian, including our Canadian Connections, film and media culture from Canada, and two particular films from The Criterion Collection — Videodrome and My Winnipeg.
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Episode Links & Notes
0:00 – Introduction to Canadian Close-Up
2:10 – Canadian Connections
9:30 – O’ Canada Blogathon
15:30 – Celebrating Canadian Culture
29:20 – Videodrome
50:10 – My Winnipeg
O’ Canada HQ Aaron’s review Episode Credits Mark Hurne: Twitter | Letterboxd Aaron West: Twitter | Blog | Letterboxd Criterion Close-Up: Facebook | Twitter | Email
Next time on the podcast: Fat Girl »
- Aaron West
This marks Maddin’s second win of the Toronto Film Critics Association’s top Canadian prize after he won for My Winnipeg in 2008.
“At its best, Canadian cinema is notorious for stunning the world with outlandish originality,” said Tfca president Brian D Johnson. “And that’s what Guy Maddin and Evan Johnson have done with The Forbidden Room.
“Their film is a tour de force. The stellar casting, the visual wit, the narrative gymnastics — this is a cinematic cirque that leaves us amazed that it could even exist.”
- firstname.lastname@example.org (Jeremy Kay)
4 items from 2016
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